Bright Lights, Big Ass: A Self-Indulgent, Surly, Ex-Sorority Girl's Guide to Why it Often Sucks in the City, or Who are These Idiots and Why Do They All Live Next Door to Me?
by Jen Lancaster
from NAL Trade
Jen Lancaster hates to burst your happy little bubble, but life in the big city isn't all it's cracked up to be. Contrary to what you see on TV and in the movies, most urbanites aren't party-hopping in slinky dresses and strappy stilettos. But lucky for us, Lancaster knows how to make the life of the lower crust mercilessly funny and infinitely entertaining.
Whether she's reporting rude neighbors to Homeland Security, harboring a crush on her grocery store clerk, or fighting-and losing-the Battle of the Stairmaster- Lancaster explores how silly, strange, and not-so-fabulous real city living can be. And if anyone doesn't like it, they can kiss her big, fat, pink, puffy down parka.
His Bright Light: The Story of Nick Traina
by Danielle Steel
from Delta
Like Kurt Cobain, Nick Traina lived for punk rock (his bands made two CDs, Gift Before I Go and 17 Reasons), succumbed to heroin addiction, and died of suicide. His mom, Danielle Steel, takes us through her 19 twister-like years with Nick in a memoir more affecting than her potboiler novels. Like his AWOL addict father, Nick had good looks, bad behavior, and a yen for the feminine. Five days before he died, he phoned a woman he saw in a centerfold and had a new girlfriend by nightfall. But his fun was ever haunted by manic depression. At age 11, he was a bed wetter who ate all the Tylenol and Sudafed in the house. He first considered suicide at 13, as Steel learned by reading his diaries after his death.
There is tension in this story--one doctor told Steel if she could get Nick to live to 30, he'd probably live a normal life span. (For example, Nick's troubled dad resurfaced, sober, soon after his son's death.) And Steel conveys a sense of the intelligence Nick used to conceal his learning disability, and the irreverent charm that alternated with irrational rages. Oliver Sacks has urged us not to ask what neurological disease a person has, but what sort of person the disease has got hold of. Steel gives us a vivid sense of the costs of the disease to a family--and of the person who was Nick Traina. --Tim Appelo
It's hard to listen to any story that deals with the loss of a child, but Danielle Steel's memoir of her son, Nick Traina, is both tender and engrossing. In this unabridged audio version of His Bright Light, Steel leads us through Nick's battle with manic depression and her fight to help him survive. Although Steel herself narrates the introduction, actress Traci Godfrey, who portrays the author's strong emotions without becoming maudlin, reads the book. Anyone who has known a loved one affected by depression will identify strongly with Ms. Steel's passionate recollections of her son's life. (Running time: 9.5 hours, two cassettes) --Sharon Griggins
"This is the story of an extraordinary boy with a brilliant mind, a heart of gold, and a tortured soul. It is the story of an illness, a fight to live, and a race against death.
I want to share the story, and the pain, the courage, the love, and what I learned in living through it. I want Nick's life to be not only a tender memory for us, but a gift to others. . . . I would like to offer people hope and the realities we lived with. I want to make a difference. My hope is that someone will be able to use what we learned, and save a life with it."—Danielle Steel
From the day he was born, Nick Traina was his mother's joy. By nineteen, he was dead. This is Danielle Steel's powerful, personal story of the son she lost and the lessons she learned during his courageous battle against darkness. Sharing tender, painful memories and Nick's remarkable journals, Steel brings us a haunting duet between a singular young man and the mother who loved him—and a harrowing portrait of a masked killer called manic depression, which afflicts between two and three million Americans.
At once a loving legacy and an unsparing depiction of a devastating illness, Danielle Steel's tribute to her lost son is a gift of life, hope, healing, and understanding to us all.
Brother, I'm Dying
by Edwidge Danticat
from Knopf
From the best-selling author of The Dew Breaker, a major work of nonfiction: a powerfully moving family story that centers around the men closest to her heart—her father, Mira, and his older brother, Joseph.
From the age of four, Edwidge Danticat came to think of her uncle Joseph, a charismatic pastor, as her “second father,” when she was placed in his care after her parents left Haiti for a better life in America. Listening to his sermons, sharing coconut-flavored ices on their walks through town, roaming through the house that held together many members of a colorful extended family, Edwidge grew profoundly attached to Joseph. He was the man who “knew all the verses for love.”
And so she experiences a jumble of emotions when, at twelve, she joins her parents in New York City. She is at last reunited with her two youngest brothers, and with her mother and father, whom she has struggled to remember. But she must also leave behind Joseph and the only home she’s ever known.
Edwidge tells of making a new life in a new country while fearing for the safety of those still in Haiti as the political situation deteriorates. But Brother I’m Dying soon becomes a terrifying tale of good people caught up in events beyond their control. Late in 2004, his life threatened by an angry mob, forced to flee his church, the frail, eighty-one-year-old Joseph makes his way to Miami, where he thinks he will be safe. Instead, he is detained by U.S. Customs, held by the Department of Homeland Security, brutally imprisoned, and dead within days. It was a story that made headlines around the world. His brother, Mira, will soon join him in death, but not before he holds hope in his arms: Edwidge’s firstborn, who will bear his name—and the family’s stories, both joyous and tragic—into the next generation.
Told with tremendous feeling, this is a true-life epic on an intimate scale: a deeply affecting story of home and family—of two men’s lives and deaths, and of a daughter’s great love for them both.
Woman's Best Friend: Women Writers on the Dogs in Their Lives
from Seal Press
From the family dog who takes on the anxiety of a family as the writer's sister battles breast cancer, to the compelling tale of a woman searching for her furry friend in the aftermath of September 11th, to the blind and deaf dog who teaches everyone about keeping on truckin' no matter what predicaments she gets into, the essays in this anthology get at the heart of love — and yes, sometimes love-hate-relationships women have with the dogs in their lives.
Under a Wing: A Memoir
by Reeve Lindbergh
from Delta
Reeve Lindbergh's memoir offers a uniquely intimate portrait of her family led by her intensely private father, aviator Charles Lindbergh, and mother, writer Anne Morrow Lindbergh. Under a Wing captures both her parents' complex personalities with immediacy and intimacy. Reeve explores the contrast between a loving father who "would parade imaginary animals across our backs" and the exacting patriarch who, upon return from his frequent absences, called each of his five children into his office to peruse a handwritten list of their achievements and failures. She seems anguished in her response to one of Charles's notorious, bigoted speeches: "How could someone who spoke the words my father did in 1941," she asks, "how did such a person then raise children who by his instruction and his example, day after day and year after year, had learned from him ... that such words were repellent and unspeakable?" She offers too a blunt but tender portrait of Anne in old age--she has been physically and mentally impaired by a series of stroke--that proves she has a mature understanding of a deeply loving woman who nonetheless always held some part of herself in reserve for her writing. This impressive memoir brings readers close to the private people within two legendary public figures.
"We Lindberghs still know ourselves best as a tribe: close-knit, self-enclosed, and self-defining, always prepared to be besieged by invisible forces upwelling from the past...."
The world knew Charles Lindbergh as a daring aviator, Pulitzer Prize-winning author, and controversial isolationist in World War II.  His wife, Anne Morrow Lindbergh, was a bestselling author.  To their five children they were Father, never Daddy, and Mother.  Charles, a stern yet loving father, was surprisingly affectionate and playful; Anne provided a great, gentling love.  With remarkable candor, their youngest daughter provides a rare, intimate look at her legendary family...the pervasive impact of her brother's kidnapping and death...the complexity of her parents' long, loving marriage...the night her life and her mother's converged, as Reeve's own infant son died suddenly.  With grace and insight, Reeve Lindbergh appraises her remarkable parents, her unusual childhood, and the troubling questions that remain.  At once an eloquent reminiscence and a slice of American history, Under a Wing is, at its core, a heartfelt tribute to an extraordinary family.
Danger in the Shadows (Prequel to The O'Malley Series)
by Dee Henderson
from Tyndale House Publishers
Sara is terrified. She's doing the one thing she cannot afford to do: fall in love with former pro-football player Adam Black, a man everyone knows. Sara's been hidden away in the witness protection program, her safety dependent on staying invisible--and loving Adam could get her killed!
Introducing the O'Malleys, an inspirational group of seven, all abandoned or orphaned as teens, who have made the choice to become a loyal and committed family. They have chosen their own surname, O'Malley, and have stood by each other through moments of joy and heartache. Their stories are told in CBA best-selling, inspirational romantic suspense novels that rock your heart and restore strength and hope to your spirit.
The Vagina Monologues
by Eve Ensler
from Villard
"I say vagina because I want people to respond," says playwright Eve Ensler, creator of the hilarious, disturbing soliloquies in The Vagina Monologues, a book based on her one-woman play. And respond they do--with horror, anger, censure, and sparks of wonder and pleasure. Ensler is on a fervent mission to elevate and celebrate this much mumbled-about body part. She asked hundreds of women of all ages a series of questions about their vaginas (What do you call it? How would you dress it?) that prompt some wondrous answers. Standouts among the euphemisms are tamale, split knish, choochi snorcher, Gladys Siegelman--Gladys Siegelman?--and, of course, that old standby "down there." "Down there?" asks a composite character springing from several older women. "I haven't been down there since 1953. No, it had nothing to do with [American president] Eisenhower." Two of the most powerful pieces include a jagged poem stitched together from the memories of a Bosnian woman raped by soldiers and an American woman sexually abused as a child who reclaims her vagina as a place of wild joy.
"I was worried about vaginas. I was worried about what we think about vaginas, and even more worried that we don't think about them. . . . So I decided to talk to women about their vaginas, to do vagina interviews, which became vagina monologues. I talked with over two hundred women. I talked to old women, young women, married women, single women, lesbians, college professors, actors, corporate professionals, sex workers, African American women, Hispanic women, Asian American women, Native American women, Caucasian women, Jewish women. At first women were reluctant to talk. They were a little shy. But once they got going, you couldn't stop them."
So begins Eve Ensler's hilarious, eye-opening tour into the last frontier, the forbidden zone at the heart of every woman. Adapted from the award-winning one-woman show that's rocked audiences around the world, this groundbreaking book gives voice to a chorus of lusty, outrageous, poignant, and thoroughly human stories, transforming the question mark hovering over the female anatomy into a permanent victory sign. With laughter and compassion, Ensler transports her audiences to a world we've never dared to know, guaranteeing that no one who reads The Vagina Monologues will ever look at a woman's body the same way again.
Loved by everyone from Calista Flockhart to Joy Behar, the talk of tabloids and TV, performed at over two hundred colleges every year for V-Day -- a dynamic grass-roots movement to stop violence against women -- The Vagina Monologues is a national phenomenon. Witty, irreverent, and wise, it has become the bible for a new generation of women. "You don't just hook up with Eve", says Glenn Close. "You become a part of her crusade". Next February, the crusade takes us to Madison Square Garden for V-Day 2001, a huge, all-star, day-long extravaganza and call to action for which Jane Fonda will make a triumphant return to the stage. The V-Day edition of The Vagina Monologues includes three new monologues, a new preface by Eve, and heartbreaking testimonials from young women around the country. February will also see the opening of Necessary Targets, Eve Ensler's groundbreaking new play about women and war. Necessary Targets is the story of two American women, a Park Avenue psychiatrist and a human-rights worker, who go to Bosnia to help women refugees confront their memories of war and emerge deeply changed themselves. It has been read in New York by Meryl Streep, Anjelica Huston, and Calista Flockhart and was performed in Sarajevo with Glenn Close and Marisa Tomei. It will open its New York run with a similar all-star cast.
Looking Back: A Book of Memories
by Lois Lowry
from Delacorte Books for Young Readers
People are constantly asking two-time Newbery Medalist Lois Lowry where she gets her ideas. In this fascinating memoir, Lowry answers this question, through recollections of childhood friends and pictures and memories that explore her rich family history. She recounts the pivotal moments that inspired her writing, describing how they magically turned into fiction along the complicated passageway called life. Lowry fans, as well as anyone interested in understanding the process of writing fiction, will benefit from this poignant trip through the past and the present of a remarkable writer.
The Last Gift of Time: Life Beyond Sixty
by Carolyn G. Heilbrun
from Ballantine Books
Years ago Carolyn Heilbrun, a long-time feminist (Writing a Woman's Life) who also writes mysteries as Amanda Cross (The James Joyce Murder), decided to leave before age dragged her down by committing suicide at 70. Fortunately, she reneged, and chose instead to chronicle moments from her 60s. Always erudite, often deliciously wry, if sometimes pretentious, Heilbrun hits the mark more often than not in this book of essays. She speaks of "unmet friends" whose lives have paralleled her own and blessed deliverance from the academic bustle and backstabbing of Columbia University, the tyranny of memory, and foolish feminine clothes. Throughout, her sense of renewal is as welcome as her determination to go against the grain.
When she was young, distinguished author and critic Carolyn Heilbrun solemnly vowed to end her life when she turned seventy. But on the advent of that fateful birthday, she realized that her golden years had been full of unforeseen pleasures. Now, the astute and ever-insightful Heilbrun muses on the emotional and intellectual insights that brought her "to choose each day for now, to live." There are reflections on her new house and her sturdy, comfortable marriage; sweet solitude and the pleasures of sex at an advanced age; the fascination with e-mail and the joy of discovering unexpected friends. Even the encroachments of loss, pain, and sadness that come with age cannot spoil Heilbrun's moveable feast. They are merely the price of bountiful living.
Becoming Laura Ingalls Wilder: The Woman Behind the Legend (Missouri Biography Series)
by John E. Miller
from University of Missouri Press
Legends have attached themselves to Laura Ingalls Wilder, beloved author of the eight Little House novels, but what are the facts? Fans are familiar with her early pioneer years up to her marriage, at age 19, to Almanzo Wilder. But before this biography, little has been known about her adult years. This detail-packed biography amends that. John E. Miller has availed himself of myriad primary sources--Ingalls Wilder's unpublished autobiography, letters, her newspaper stories, and other documentary materials. Miller's approach is to track her evolution into one of American's most popular children's writers, a formidable challenge, because she left behind little in the way of personal revelation. Published between 1932 and 1943, the Little House novels were immediately seized upon; strangely, Ingalls Wilder did not begin her career as a novelist until she was in her mid-60s.
What happened between the adolescent years, dramatized in her novels, and the period between 1943 and 1957, when she was basking in the glow of her readers' affection? "To write her 'autobiographical' novels," Miller notes, "Wilder needed to undergo a process of becoming, which depended heavily upon the inheritance that she had received both from her family and, across the years, from the various environments in which she lived."
One minor flaw in this otherwise reverent biography is Miller's incredulity that such an ordinary, farm-town woman could become such a famous and sophisticated author. He strains to identify the extraordinary, formative moments--Wilder's various memberships in local political organizations; her apprenticeship as a farm-journal columnist; her relationship with her talented and precocious daughter, Rose. More interesting is his curiosity about how she came to be an independent career woman in a time of limited options for women, in a place (the Ozarks of Missouri) remote, isolated, and tradition bound.
Ingalls Wilder's daughter, the extraordinary Rose Wilder Lane (prominent in the American literary scenes in the 1920s and 1930s), had a major role in the production of her mother's novels. Indeed, the remarkable mother-daughter relationship itself makes the book well-worth reading. Laura would learn to write from her daughter; however Miller argues against the widely held belief that it was Rose Lane's sophisticated writing skills that transformed and polished her mother's novels.
Miller begins with the history of the Ingalls family and their first settlement, which was in Wisconsin along the banks of the Mississippi River. The history unfolds at a sprightly pace and paints the hardscrabble pioneer life in bright colors--the family's search for good farmland that drives them to Missouri; the physical challenges of the prairie; plagues of locusts; the fragile farm economy; and the burgeoning immigrant population. This biography will appeal to readers already hooked by the Little House series and hungry for the facts of Laura Ingalls Wilder's life independent of the myths that grew out of her fiction. --Hollis Giammatteo
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