Howells, W.D.

A Hazard of New Fortunes (Modern Library Classics)

Centering on a conflict between a self-made millionaire and an idealistic reformer in turn-of-the-twentieth-century New York, A Hazard of New Fortunes insightfully renders the complexities of the American experience at a time of great social and economic upheaval and transformation. In its depiction of wealth, poverty, and New York City life, it remains a strikingly contemporary work.

Reproduced here is the authoritative Indiana University Press Edition edited and annotated by David J. Nordloh, with full scholarly commentary and extensive textual apparatus.

The Rise of Silas Lapham

The Rise of Silas Lapham is a novel written by William Dean Howells in 1885 about the materialistic rise of Silas Lapham from rags to riches, and his ensuing moral susceptibility. Silas earns a fortune in the paint business, but he lacks social standards, which he tries to attain through his daughter's marriage to the aristocratic Corey family. Silas' morality does not fail him. He loses his money but makes the right moral decision when his partner proposes the unethical selling of the mills to English settlers.

Brought up by nothing but hisself.

William Dean Howells : Novels 1875-1886: A Foregone Conclusion, A Modern Instance, Indian Summer, The Rise of Silas Lapham (Library of America)

Four novels by America's most influential man of letters at the turn of the century, which explore the conflicts of private life and social institutions with unflinching realismn. Contains "A Foregone Conclusion" and "Indian Summer," dramas of complex romantic entanglements set in Italy, "A Modern Instance," the first full-scale study of infidelity and divorce in American fiction, and "The Rise of Silas Lapham," a brilliantly skeptical portrait of American business and new money.

Suburban Sketches

She and her late partner were the parents of eleven children, some of whom were dead, and some of whom were wanderers in unknown parts. During his life-time she had kept a little shop in her native town; and it was only within a few years that she had gone into service. She cherished a natural haughtiness of spirit, and resented control, although disposed to do all she could of her own motion. Being told to say when she wanted an afternoon, she explained that when she wanted an afternoon she always took it without asking, but always planned so as not to discommode the ladies with whom she lived.

She and her late partner were the parents of eleven children, some of whom were dead, and some of whom were wanderers in unknown parts. During his life-time she had kept a little shop in her native town; and it was only within a few years that she had gone into service. She cherished a natural haughtiness of spirit, and resented control, although disposed to do all she could of her own motion. Being told to say when she wanted an afternoon, she explained that when she wanted an afternoon she always took it without asking, but always planned so as not to discommode the ladies with whom she lived.

A Modern Instance (Penguin American Library)

She stopped. Bartley looked at her a moment, and then caught her to him and fell a-laughing over her, till it seemed as if he never would end. "And you thought--you thought," he cried, trying to get his breath,--"you thought you were Eily, and I was Hardress Cregan! Oh, I see, I see!" He went on making a mock and a burlesque of her tragical hallucination till she laughed with him at last. When he put his hand up to turn out the gas, he began his joking afresh. The real thing for Hardress to do, he said, fumbling for the key, is to blow it out.

She stopped. Bartley looked at her a moment, and then caught her to him and fell a-laughing over her, till it seemed as if he never would end. "And you thought--you thought," he cried, trying to get his breath,--"you thought you were Eily, and I was Hardress Cregan! Oh, I see, I see!" He went on making a mock and a burlesque of her tragical hallucination till she laughed with him at last. When he put his hand up to turn out the gas, he began his joking afresh. The real thing for Hardress to do, he said, fumbling for the key, is to blow it out.

Three Villages (1884)

Indian Summer (New York Review Books Classics)

One of the most charming and memorable romantic comedies in American literature, William Dean Howells's Indian Summer tells of a season in the life of Theodore Colville. Colville, just turned forty, has spent years as a successful midwestern newspaper publisher. Now he sells his business and heads for Italy, where as a young man he had dreamed of a career as an architect and fallen hopelessly in love. In Florence, Colville runs into Lina Bowen, sometime best friend of the woman who jilted him and the vivacious survivor of an unhappy marriage. He also meets her young visitor, twenty-year-old Imogene Graham—lovely, earnest to a fault, and brimming with the excitement of her first encounter with the great world.

The drama that plays out among these three gifted and well-meaning people against the backdrop of Florence, the brilliance of their repartee, and the accumulating burden of their mutual misunderstandings make for a comedy of errors that is as winning as it is wise.

I think that the friends of progress must abandon assassination as invariably useless. The trouble was not that Alessandro was alive, but that Florence was dead. Assassination always comes too early or too late in any popular movement. It may be, said Mr. Waters, with a carefulness to do justice to assassination which made Colville smile, "that the modern scientific spirits may be able to evolve something useful from the principle, but considering the enormous abuses and perversions to which it is liable, I am very doubtful of it--very doubtful."

Criticism and fiction, and other essays

Selected Short Stories Wm. Dean Howells

Selected Literary Criticism: 1859-1885 (Howells, William Dean//Selected Edition of Wd Howells)