Erdrich, Louise

The Plague of Doves: A Novel

Louise Erdrich's mesmerizing new novel, her first in almost three years, centers on a compelling mystery. The unsolved murder of a farm family haunts the small, white, off-reservation town of Pluto, North Dakota. The vengeance exacted for this crime and the subsequent distortions of truth transform the lives of Ojibwe living on the nearby reservation and shape the passions of both communities for the next generation. The descendants of Ojibwe and white intermarry, their lives intertwine; only the youngest generation, of mixed blood, remains unaware of the role the past continues to play in their lives.

Evelina Harp is a witty, ambitious young girl, part Ojibwe, part white, who is prone to falling hopelessly in love. Mooshum, Evelina's grandfather, is a seductive storyteller, a repository of family and tribal history with an all-too-intimate knowledge of the violent past. Nobody understands the weight of historical injustice better than Judge Antone Bazil Coutts, a thoughtful mixed blood who witnesses the lives of those who appear before him, and whose own love life reflects the entire history of the territory. In distinct and winning voices, Erdrich's narrators unravel the stories of different generations and families in this corner of North Dakota. Bound by love, torn by history, the two communities' collective stories finally come together in a wrenching truth revealed in the novel's final pages.

The Plague of Doves is one of the major achievements of Louise Erdrich's considerable oeuvre, a quintessentially American story and the most complex and original of her books.

Love Medicine: A Novel (P.S.)

The stunning first novel in Louise Erdrich's Native American series, Love Medicine tells the story of two families -- the Kashpaws and the Lamartines. Written in Erdrich's uniquely poetic, powerful style, it is a multigenerational portrait of strong men and women caught in an unforgettable drama of anger, desire, and the healing power that is love medicine.

This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

Tracks

Set in North Dakota at a time in this century when Indian tribes were struggling to keep what little remained of their lands, Tracks is a tale of passion and deep unrest. Over the course of ten crucial years, as tribal land and trust between people erode ceaselessly, men and women are pushed to the brink of their endurance--yet their pride and humor prohibit surrender. The reader will experience shock and pleasure in encountering a group of characters that are compelling and rich in their vigor, clarity, and indomitable vitality.

The Master Butchers Singing Club (P.S.)

Louise Erdrich's The Master Butchers Singing Club is a powerfully told story of love, death, redemption, and resurrection. After German soldier Fidelis Waldvogel returns home from World War I to marry his best friend's pregnant widow, he packs up his father's butcher knives and sets sail for America. He settles in Argus, North Dakota, where he sets up a meat shop with his wife Eva, who quickly befriends the struggling yet resourceful Delphine Watzka. Delphine, who runs a vaudeville show with her balancing partner Cyprian Lazarre, has returned home to Argus to care for her alcoholic father. While most of this emotionally rich novel focuses on the changing landscape of small-town life as seen through Delphine and Fidelis's eyes, Erdrich does a masterful job of illuminating hidden dramas through her secondary characters. Erdrich's portrayal of these various townsfolk, including members of the Master Butchers Singing Club, truly shows off her storytelling talent. Her ability to infuse each character with a distinct and multifaceted personality makes this novel an intimate and thought-provoking adventure. --Gisele Toueg

Having survived World War I, Fidelis Waldvogel returns to his quiet German village and marries the pregnant widow of his best friend, killed in action. With a suitcase full of sausages and a master butcher's precious knife set, Fidelis sets out for America. In Argus, North Dakota, he builds a business, a home for his family—which includes Eva and four sons—and a singing club consisting of the best voices in town. When the Old World meets the New—in the person of Delphine Watzka—the great adventure of Fidelis's life begins. Delphine meets Eva and is enchanted. She meets Fidelis, and the ground trembles. These momentous encounters will determine the course of Delphine's life, and the trajectory of this brilliant novel.

Birchbark House, The

Nineteenth-century American pioneer life was introduced to thousands of young readers by Laura Ingalls Wilder's beloved Little House books. With The Birchbark House, award-winning author Louise Erdrich's first novel for young readers, this same slice of history is seen through the eyes of the spirited, 7-year-old Ojibwa girl Omakayas, or Little Frog, so named because her first step was a hop. The sole survivor of a smallpox epidemic on Spirit Island, Omakayas, then only a baby girl, was rescued by a fearless woman named Tallow and welcomed into an Ojibwa family on Lake Superior's Madeline Island, the Island of the Golden-Breasted Woodpecker. We follow Omakayas and her adopted family through a cycle of four seasons in 1847, including the winter, when a historically documented outbreak of smallpox overtook the island.

Readers will be riveted by the daily life of this Native American family, in which tanning moose hides, picking berries, and scaring crows from the cornfield are as commonplace as encounters with bear cubs and fireside ghost stories. Erdrich--a member of the Turtle Mountain Band of Ojibwa--spoke to Ojibwa elders about the spirit and significance of Madeline Island, read letters from travelers, and even spent time with her own children on the island, observing their reactions to woods, stones, crayfish, bear, and deer. The author's softly hewn pencil drawings infuse life and authenticity to her poetic, exquisitely wrought narrative. Omakayas is an intense, strong, likable character to whom young readers will fully relate--from her mixed emotions about her siblings, to her discovery of her unique talents, to her devotion to her pet crow Andeg, to her budding understanding of death, life, and her role in the natural world. We look forward to reading more about this brave, intuitive girl--and wholeheartedly welcome Erdrich's future series to the canon of children's classics. (Ages 9 and older) --Karin Snelson

Nineteenth-century American pioneer life was introduced to thousands of young readers by Laura Ingalls Wilder's beloved Little House books. With The Birchbark House, award-winning author Louise Erdrich's first novel for young readers, this same slice of history is seen through the eyes of the spirited, 7-year-old Ojibwa girl Omakayas, or Little Frog, so named because her first step was a hop. The sole survivor of a smallpox epidemic on Spirit Island, Omakayas, then only a baby girl, was rescued by a fearless woman named Tallow and welcomed into an Ojibwa family on Lake Superior's Madeline Island, the Island of the Golden-Breasted Woodpecker. We follow Omakayas and her adopted family through a cycle of four seasons in 1847, including the winter, when a historically documented outbreak of smallpox overtook the island. Readers will be riveted by the daily life of this Native American family, in which tanning moose hides, picking berries, and scaring crows from the cornfield are as commonplace as encounters with bear cubs and fireside ghost stories. Erdrich--a member of the Turtle Mountain Band of Ojibwa--spoke to Ojibwa elders about the spirit and significance of Madeline Island, read letters from travelers, and even spent time with her own children on the island, observing their reactions to woods, stones, crayfish, bear, and deer. The author's softly hewn pencil drawings infuse life and authenticity to her poetic, exquisitely wrought narrative. Omakayas is an intense, strong, likable character to whom young readers will fully relate--from her mixed emotions about her siblings, to her discovery of her unique talents, to her devotion to her pet crow Andeg, to her budding understanding of death, life, and her role in the natural world. We look forward to reading more about this brave, intuitive girl--and wholeheartedly welcome Erdrich's future series to the canon of children's classics. (Ages 9 and older) --Karin Snelson

The Last Report on the Miracles at Little No Horse: A Novel

Over the course of 13 years and five novels, Louise Erdrich has staked out a richly imagined corner of North Dakota soil--her own Yoknapatawpha, where every character is connected to every other and nothing can be said to happen for the first time. The Last Report on the Miracles at Little No Horse is no exception. The report in question comes from Father Damien Modeste, who has served the Ojibwe through a century of famine, epidemics, murders, and feuds. But the good priest is not what he appears. The prologue ends with the curiously beautiful image of the old man slowly removing heavy robes, undergarments, and, at last, a bandage wound tightly around women's breasts: "small, withered, modest as folded flowers."

How--and why--could such a deception last so long? That's the first mystery. The second begins when Father Jude Miller (a name familiar to readers of The Beet Queen) arrives to investigate the life of Sister Leopolda (or Pauline Puyat, another familiar name). Was Leopolda a saint? Or its opposite, whatever that is? Miracles, after all, are a part of the reservation's everyday life; for every nun's stigmata there's a secular wonder like the death of Nanapush. Indeed, the chapter detailing this old trickster's demise is the kind of earthy, tragicomic fable Erdrich does to perfection, including as it does an extended trial by moose, death by flatulence, and not one but two lustful resurrections.

Erdrich's writing is at its best when she chronicles the bittersweet humor of reservation life. It's at its worst, sadly, when she cranks up the fog machine and goes for the violins. ("He had the odd sensation that petals drifted in the air between them, petals of a fragrant and papery citrus velvet," she tells us, telegraphing Father Jude's attraction to a woman.) But at least the book's sins are sins of ambition--this is a novelist who revisits the same territory because the capaciousness of her vision demands it. Readers may forgive Erdrich's vagueness about Father Damien's religious calling, but they will never forget her images, as lovely and surprising as figures glimpsed in a dream: the devil in the shape of a black dog, his paw in a bowl of soup; freshly planted pansies, nodding at the priests' feet "like the faces of spoiled babies"; a woman in a billowing white nightdress riding a grand piano through the "gray soup" of a flood. Moments like these are small miracles of their own. --Mary Park

For more than a half century, Father Damien Modeste has served his beloved people, the Ojibwe, on the remote reservation of Little No Horse. Now, nearing the end of his life, Father Damien dreads the discovery of his physical identity, for he is a woman who has lived as a man. To complicate his fears, his quiet life changes when a troubled colleague comes to the reservation to investigate the life of the perplexing, difficult, possibly false saint Sister Leopolda. Father Damien alone knows the strange truth of Sister Leopolda's piety and is faced with the most difficult decision of his life: Should he reveal all he knows and risk everything? Or should he manufacture a protective history though he believes Leopolda's wonder-working is motivated by evil?

The Painted Drum: A Novel (P.S.)

While appraising the estate of a New Hampshire family descended from a North Dakota Indian agent, Faye Travers is startled to discover a rare moose skin and cedar drum fashioned long ago by an Ojibwe artisan. And so begins an illuminating journey both backward and forward in time, following the strange passage of a powerful yet delicate instrument, and revealing the extraordinary lives it has touched and defined.

Compelling and unforgettable, Louise Erdrich's Painted Drum explores the often fraught relationship between mothers and daughters, the strength of family, and the intricate rhythms of grief with all the grace, wit, and startling beauty that characterizes this acclaimed author's finest work.

The Game of Silence

Her name is Omakayas, or Little Frog, because her first step was a hop, and she lives on an island in Lake Superior.It is 1850, and the lives of the Ojibwe have returned to a familiar rhythm: they build their birchbark houses in the summer, go to the ricing camps in the fall to harvest and feast, and move to their cozy cedar log cabins near the town of LaPointe before the first snows.

The satisfying routines of Omakayas's days are interrupted by a surprise visit from a group of desperate and mysterious people. From them, she learns that all their lives may drastically change. The chimookomanag, or white people, want Omakayas and her people to leave their island in Lake Superior and move farther west. Omakayas realizes that something so valuable, so important that she never knew she had it in the first place, is in danger: Her home. Her way of life.

In this captivating sequel to National Book Award nominee The Birchbark House, Louise Erdrich continues the story of Omakayas and her family.

The Beet Queen: A Novel (P.S.)

On a spring morning in 1932, young Karl and Mary Adare arrive by boxcar in Argus, North Dakota. After being orphaned in a most peculiar way, they seek refuge in the butcher shop of their aunt Fritzie and her husband, Pete; ordinary Mary, who will cause a miracle, and seductive Karl, who lacks his sister's gift for survival, embark upon an exhilarating life-journey crowded with colorful, unforgettable characters and marked by the extraordinary magic of natural events.

The bestselling, award-winning author of The Painted Drum, Louise Erdrich dazzles in this vibrant and heartfelt tale of abandonment and sexual obsession, jealousy and unstinting love that explores with empathy, humor, and power the eternal mystery of the human condition.

The Antelope Wife: A Novel

As Louise Erdrich's magical novel The Antelope Wife opens, a cavalry soldier pursues a dog with an Ojibwa baby strapped to its back. For days he follows them through "the vast carcass of the world west of the Otter Tail River" until finally the dog allows him to approach and handle the child--a girl, not yet weaned, who latches onto his nipples until, miraculously, they begin to give milk. In another kind of novel, this might be a metaphor. But this is the fictional world of Louise Erdrich, where myth is woven deeply into the fabric of everyday life. A famous cake tastes of grief, joy, and the secret ingredient: fear. The tie that binds the antelope wife to her husband is, literally, the strip of sweetheart calico he used to yoke her hand to his. Legendary characters sew beads into colorful patterns, and these patterns become the design of the novel itself.

The Antelope Wife centers on the Roys and the Shawanos, two closely related Ojibwa families living in modern-day Gakahbekong, or Minneapolis. Urban Indians of mixed blood, they are "scattered like beads off a necklace and put back together in new patterns, new strings," and Erdrich follows them through two failed marriages, a "kamikaze" wedding, and several tragic deaths. But the plot also loops and circles back, drawing in a 100-year-old murder, a burned Ojibwa village, a lost baby, several dead twins, and another baby nursed on father's milk.

The familiar Erdrich themes are all here--love, family, history, and the complex ways these forces both bind and separate the generations, stitching them into patterns as complex as beadwork. At least initially, this swirl of characters, narratives, time lines, and connections can take a little getting used to; several of the story lines do not match up until the book's conclusion. But in the end, Erdrich's lovely, lyrical language prevails, and the reader succumbs to the book's own dreamlike logic. As The Antelope Wife closes, Erdrich steps back to address readers directly for the first time, and the moment expands the book's elaborate patterns well beyond the confines of its pages. "Who is beading us?" she asks. "Who are you and who am I, the beader or the bit of colored glass sewn onto the fabric of the earth?... We stand on tiptoe, trying to see over the edge, and only catch a glimpse of the next bead on the string, and the woman's hand moving, one day, the next, and the needle flashing over the horizon." -- Mary Park, editor

The Antelope Wife extends the branches of the families who populate Louise Erdrich's earlier novels, and once again, her unsentimental, unsparing writing captures the Native American sense of despair, magic, and humor. Rooted in myth and set in contemporary Minneapolis, this poetic and haunting story spans a century, at the center of which is a mysterious and graceful woman known as the Antelope Wife. Elusive, silent, and bearing a mystical link to nature, she embodies a complicated quest for love and survival that impacts lives in unpredictable ways. Her tale is an unpredictable ways. Her tale is an unforgettable tapestry of ancestry, fate, harrowing tragedy, and redemption, that seems at once modern and eternal.