Hispanic

The Beginning

The Cove and The Maze, the first two thrillers in the FBI series, for the first time together in one volume.

In these exciting novels of intrigue and suspense, readers are introduced to Special Agents Dillon Savich and Lacey Sherlock-and they'll watch the sparks fly as the agents' relationship heats up amid cases that could destroy everything they hold dear.

The Cove-In this fast-paced page-turner, the daughter of a murdered high-powered lawyer seeks sanctuary in a quaint little town, only to learn she can't escape her past-or FBI Special Agent Dillon Savich.

The Maze-Full of twists and turns, this cliffhanger teams Savich with new agent Lacey Sherlock in a case that leads them back to the murder of Sherlock's sister seven years ago-and puts both of their lives on the line.

Powers of Horror: An Essay on Abjection (European Perspectives Series)

-- Paul de Man

Zoot Suit and Other Plays

This collection contains three of playwright and screenwriter Luis Valdez's most important and recognized plays: Zoot Suit, Bandido! and I Don't Have to Show You No Stinking Badges. The anthology also includes an introduction by noted theater critic Dr. Jorge Huerta of the University of California-San Diego. Luis Valdez, the most recognized and celebrated Hispanic playwright of our times, is the director of the famous farm-worker theater, El Teatro Campesino.

Magical Realism: Theory, History, Community

Magical realism is often regarded as a regional trend, restricted to the Latin American writers who popularized it as a literary form. In this critical anthology, the first of its kind, editors Lois Parkinson Zamora and Wendy B. Faris show magical realism to be an international movement with a wide-ranging history and a significant influence among the literatures of the world. In essays on texts by writers as diverse as Toni Morrison, Günter Grass, Salman Rushdie, Derek Walcott, Abe Kobo, Gabriel García Márquez, and many others, magical realism is examined as a worldwide phenomenon.
Presenting the first English translation of Franz Roh’s 1925 essay in which the term magical realism was coined, as well as Alejo Carpentier’s classic 1949 essay that introduced the concept of lo real maravilloso to the Americas, this anthology begins by tracing the foundations of magical realism from its origins in the art world to its current literary contexts. It offers a broad range of critical perspectives and theoretical approaches to this movement, as well as intensive analyses of various cultural traditions and individual texts from Eastern Europe, Asia, North America, Africa, the Caribbean, and Australia, in addition to those from Latin America. In situating magical realism within the expanse of literary and cultural history, this collection describes a mode of writing that has been a catalyst in the development of new regional literatures and a revitalizing force for more established narrative traditions—writing particularly alive in postcolonial contexts and a major component of postmodernist fiction.

Spark Notes Bless Me Ultima

Get your "A" in gear!

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And with everything covered--context; plot overview; character lists; themes, motifs, and symbols; summary and analysis, key facts; study questions and essay topics; and reviews and resources--you don't have to go anywhere else!

This fascinating and mystical novel follows the socio-psychological maturation of a Chicano boy in New Mexico in the 1940s.

A story pitting good against evil, Catholic beliefs against the "old ways," and education against the gift of intuition, it ends with acceptance and new life challenges.

Chicana Falsa : And Other Stories of Death, Identity, & Oxnard

From the white boy who transforms himself into a full-fledged Chicano, to the self-assured woman who effortlessly terrorizes her Anglo boss, to the junior-high friend who berated her "sloppy Spanish" and accused her of being a "Chicana Falsa," the people and places that Michele Serros brings to vivid life in this collection of poems and stories introduce a unique new viewpoint to the American literary landscape. Witty, tender, irreverent, and emotionally honest, her words speak to the painful and hilarious identity crises particular to the coming of age of an adolescent caught between two cultures.

The Latino Reader: An American Literary Tradition from 1542 to the Present

The Latino Reader is the first anthology to present the full history of this important American literary tradition, from the mid-sixteenth century to the present day. Selections include works of history, memoirs, letters, and essays, as well as fiction, poetry, and drama. Adding to the importance of the volume are several selections from rare and little-known texts that have been translated into English for the first time.

The Idea of Latin America (Blackwell Manifestos)

The Idea of Latin America is a geo-political manifesto which insists on the need to leave behind an idea which belonged to the nation-building mentality of nineteenth-century Europe.

• Charts the history of the concept of Latin America from its emergence in Europe in the second half of the nineteenth century through various permutations to the present day.
  
• Asks what is at stake in the survival of an idea which subdivides the Americas.
  
• Reinstates the indigenous peoples and migrations excluded by the image of a homogenous Latin America with defined borders.
  
• Insists on the pressing need to leave behind an idea which belonged to the nation-building mentality of nineteenth-century Europe.

Tex[t]-Mex: Seductive Hallucinations of the "Mexican" in America

"Marvels! Rompecabezas! And cartoons that bite into the mind appear throughout this long-awaited book that promises to reshape and refocus how we see Mexicans in the Americas and how we are taught and seduced to mis/understand our human potentials for solidarity. This is the closest Latin@ studies has come to a revolutionary vision of how American culture works through its image machines, a vision that cuts through to the roots of the U.S. propaganda archive on Mexican, Tex-Mex, Latino, Chicano/a humanity. Nericcio exposes, deciphers, historicizes, and 'cuts-up' the postcards, movies, captions, poems, and adverts that plaster dehumanization (he calls them 'miscegenated semantic oddities') through our brains. For him, understanding the sweet and sour hallucinations is not enough. He wants the flashing waters of our critical education to become instruments of restoration. In this book, Walter Benjamin meets Italo Calvino and they morph into Nericcio. Orale!

—Davíd Carrasco, Harvard University

A rogues' gallery of Mexican bandits, bombshells, lotharios, and thieves saturates American popular culture. Remember Speedy Gonzalez? "Mexican Spitfire" Lupe Vélez? The Frito Bandito? Familiar and reassuring—at least to Anglos—these Mexican stereotypes are not a people but a text, a carefully woven, articulated, and consumer-ready commodity. In this original, provocative, and highly entertaining book, William Anthony Nericcio deconstructs Tex[t]-Mexicans in films, television, advertising, comic books, toys, literature, and even critical theory, revealing them to be less flesh-and-blood than "seductive hallucinations," less reality than consumer products, a kind of "digital crack."

Nericcio engages in close readings of rogue/icons Rita Hayworth, Speedy Gonzalez, Lupe Vélez, and Frida Kahlo, as well as Orson Welles' film Touch of Evil and the comic artistry of Gilbert Hernandez. He playfully yet devastatingly discloses how American cultural creators have invented and used these and other Tex[t]-Mexicans since the Mexican Revolution of 1910, thereby exposing the stereotypes, agendas, phobias, and intellectual deceits that drive American popular culture. This sophisticated, innovative history of celebrity Latina/o mannequins in the American marketplace takes a quantum leap toward a constructive and deconstructive next-generation figuration/adoration of Latinos in America.

Wooden Eyes

"Given Ginzburg's astonishing intellectual range - he dances with intimidating ease across half a dozen languages and two and a half millennia of writings, quoting his authorities with the easy familiarity of deep study - the essays dazzle as much as they inform. The book is an intellectual banquet." -- Ethics, Place and Environment