Wright, Richard

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Native Son (Perennial Classics)

by Richard Wright from Harper Perennial Modern Classics

Bigger Thomas is doomed, trapped in a downward spiral that will lead to arrest, prison, or death, driven by despair, frustration, poverty, and incomprehension. As a young black man in the Chicago of the '30s, he has no way out of the walls of poverty and racism that surround him, and after he murders a young white woman in a moment of panic, these walls begin to close in. There is no help for him--not from his hapless family; not from liberal do-gooders or from his well-meaning yet naive friend Jan; certainly not from the police, prosecutors, or judges. Bigger is debased, aggressive, dangerous, and a violent criminal. As such, he has no claim upon our compassion or sympathy. And yet...

A more compelling story than Native Son has not been written in the 20th century by an American writer. That is not to say that Richard Wright created a novel free of flaws, but that he wrote the first novel that successfully told the most painful and unvarnished truth about American social and class relations. As Irving Howe asserted in 1963, "The day Native Son appeared, American culture was changed forever. It made impossible a repetition of the old lies [and] brought out into the open, as no one ever had before, the hatred, fear and violence that have crippled and may yet destroy our culture."

Other books had focused on the experience of growing up black in America--including Wright's own highly successful Uncle Tom's Children, a collection of five stories that focused on the victimization of blacks who transgressed the code of racial segregation. But they suffered from what he saw as a kind of lyrical idealism, setting up sympathetic black characters in oppressive situations and evoking the reader's pity. In Native Son, Wright was aiming at something more. In Bigger, he created a character so damaged by racism and poverty, with dreams so perverted, and with human sensibilities so eroded, that he has no claim on the reader's compassion:

"I didn't want to kill," Bigger shouted. "But what I killed for, I am! It must've been pretty deep in me to make me kill! I must have felt it awful hard to murder.... What I killed for must've been good!" Bigger's voice was full of frenzied anguish. "It must have been good! When a man kills, it's for something... I didn't know I was really alive in this world until I felt things hard enough to kill for 'em. It's the truth..."

Wright's genius was that, in preventing us from feeling pity for Bigger, he forced us to confront the hopelessness, misery, and injustice of the society that gave birth to him. --Andrew Himes

Right from the start, Bigger Thomas had been headed for jail. It could have been for assault or petty larceny; by chance, it was for murder and rape. Native Son tells the story of this young black man caught in a downward spiral after he kills a young white woman in a brief moment of panic. Set in Chicago in the 1930s, Wright's powerful novel is an unsparing reflection on the poverty and feelings of hopelessness experienced by people in inner cities across the country and of what it means to be black in America.

Black Boy (The Restored Text Established by The Library of America) (Perennial Classics)

by Richard A. Wright from Harper Perennial Modern Classics

With an introduction by Jerry W. Ward, Jr.

Black Boy is a classic of American autobiography, a subtly crafted narrative of Richard Wright's journey from innocence to experience in the Jim Crow South. An enduring story of one young man's coming off age during a particular time and place, Black Boy remains a seminal text in our history about what it means to be a man, black, and Southern in America.

"Superb...The Library of America has insured that most of Wright's major texts are now available as he wanted them to be tread...Most important of all is the opportunity we now have to hear a great American writer speak with his own voice about matters that still resonate at the center of our lives."
--Alfred Kazin, New York Time Book Review

"The publication of this new edition is not just an editorial innovation, it is a major event in American literary history."
--Andrew Delbanco, New Republic

Uncle Tom's Children (P.S.)

by Richard Wright from Harper Perennial Modern Classics

Set in the American Deep South, each of the powerful novellas collected here concerns an aspect of the lives of black people in the post-slavery era, exploring their resistance to white racism and oppression. Originally published in 1938, Uncle Tom's Children was the first book from Richard Wright, who would continue on to worldwide fame as the author of numerous works, most notably the acclaimed novel Native Son and his autobiography, Black Boy.

Drawing Now: Eight Propositions

by Kai Althoff from The Museum of Modern Art, New York

From John Currin's old-master-style Playboy bunnies to Elizabeth Peyton's fin-de-si cle portraits; from Julie Mehretu's dizzying, multilayered architectural landscapes to Shahzia Sikander's multipatterned miniature ones; from Yoshitomo Nara's angry and enigmatic little girls to Kara Walker's stereotypical negresses; and from Barry McGee's caricatures of urban graffiti to Matthew Ritchie's cosmological diagrams--drawing is back, if it ever went away. In contrast to the digitized, multimedia direction that much of contemporary art has taken in the past decade, drawing has become a major and arguably parallel mode of expression for many of today's most important young artists. Drawing Now, published to accompany the first major survey of contemporary drawings at The Museum of Modern Art, New York, in 15 years, contains more than 100 color reproductions of work by 26 international artists, both well-known and emerging, that demonstrate the fascinating variety of methods and approaches, mediums and scales, apparent in this old-again, new-again art. Accompanying essays by the exhibition's curator, Laura Hoptman, explore eight themes that she perceives in the field--Drafting & Architecture, Mental Maps & Metaphysics, Popular Culture & National Culture, Fashion, Likeness & Allegory, Envisioning a City, Science & Art, Comics & Other Subcultures, Ornament & Crime--and provide key impulses behind drawing's recent resurgence.

The Outsider

by Richard Wright from Harper Perennial

Wright presents a compelling story of a black man's attempt to escape his past and start anew in Harlem. Cross Damon is a man at odds with society and with himself, a man who hungers for peace but who brings terror and destruction wherever he goes.

As Maryemma Graham writes in her Introduction to this edition, with its restored text established by the Library of America, "The Outsider is Richard Wright's second installment in a story of epic proportions, a complex master narrative designed to show American racism in raw and ugly terms ... The stories of Bigger Thomas ... and Cross Damon bear an uncanny resemblance to many contemporary cases of street crime and violence. There is also a prophetic note in Wright's construction of the criminal mind as intelligent, introspective, and transformative."

In addition to the Introduction by Maryemma Graham, this edition includes a notes section by Arnold Rampersad.

Nobody Knows My Name

by James Baldwin from Vintage

Told with Baldwin's characteristically unflinching honesty, this collection of illuminating, deeply felt essays examines topics ranging from race relations in the United States to the role of the writer in society, and offers personal accounts of Richard Wright, Norman Mailer and other writers.

Bronzeville: Black Chicago in Pictures, 1941-1943

by Richard Wright from New Press

A powerful collection of never-before-published WPA images of black Chicago's defining moment.

In the 1940s, the federal government sent a group of gifted photographers across the United States to record and publicize conditions in cities, towns, and rural areas that were the destination of an unprecedented migration. Two of these photographers, Russell Lee and Edwin Rosskam, spent time on Chicago's South Side, eventually producing over a thousand documentary images of Bronzeville's life. This unprecedented coverage of a black urban community—the only significant collection of photographs of black Chicago during this pivotal era—has largely gone unpublished.

Now, in over 100 handsome full-page black-and-white photographs of bustling city streets and sidewalks, prosperous middle-class businesses, thriving cabarets, as well as dirt-poor migrants from the deep South, this stunning tribute captures the vitality of a city whose burgeoning black population produced a vibrant and sophisticated culture. With original essays on the migration and the photography project, and contemporary commentary by Richard Wright and others, Bronzeville is a unique and visually arresting evocation of one of the defining moments in American cultural history. 120 black-and-white photographs.

A Father's Law (P.S.)

by Richard Wright from Harper Perennial

Never before published, the final work of one of America's greatest writers

A Father's Law is the novel Richard Wright, acclaimed author of Black Boy and Native Son, never completed. Written during a six-week period near the end of his life, it appears in print for the first time, an important addition to this American master's body of work, submitted by his daughter and literary executor, Julia, who writes:

It comes from his guts and ends at the hero's "breaking point." It explores many themes favored by my father like guilt and innocence, the difficult relationship between the generations, the difficulty of being a black policeman and father, the difficulty of being both those things and suspecting that your own son is the murderer. It intertwines astonishingly modern themes for a novel written in 1960.

Prescient, raw, powerful, and fascinating, A Father's Law is the final gift from a literary giant.

Eight Men: Short Stories (P.S.)

by Richard Wright from Harper Perennial Modern Classics

Here, in these powerful stories, Richard Wright takes readers into this landscape once again.

Each of the eight stories in Eight Men focuses on a black man at violent odds with a white world, reflecting Wright's views about racism in our society and his fascination with what he called "the struggle of the individual in America." These poignant, gripping stories will captivate all those who loved Black Boy and Native Son.

Richard Wright : Later Works: Black Boy [American Hunger], The Outsider (Library of America)

by Richard Wright from Library of America