Larsen, Nella

Quicksand and Passing (American Women Writers Series)

Passing (Norton Critical Editions)

The heroine of Passing takes an elevator from the infernal August Chicago streets to the breezy rooftop of the heavenly Drayton Hotel, "wafted upward on a magic carpet to another world, pleasant, quiet, and strangely remote from the sizzling one that she had left below." Irene is black, but like her author, the Danish-African American Nella Larsen (a star of the 1920s to mid-1930s Harlem Renaissance and the first black woman to win a Guggenheim creative-writing award), she can "pass" in white society. Yet one woman in the tea room, "fair and golden, like a sunlit day," keeps staring at her, and eventually introduces herself as Irene's childhood friend Clare, who left their hometown 12 years before when her father died. Clare's father had been born "on the left hand"--he was the product of a legal marriage between a white man and a black woman and therefore cut off from his inheritance. So she was raised penniless by white racist relatives, and now she passes as white. Even Clare's violent white husband is in the dark about her past, though he teases her about her tan and affectionately calls her "Nig." He laughingly explains: "When we were first married, she was white as--as--well as white as a lily. But I declare she's getting darker and darker." As Larsen makes clear, Passing can also mean dying, and Clare is in peril of losing her identity and her life.

The tale is simple on the surface--a few adventures in Chicago and New York's high life, with lots of real people and race-mixing events described (explicated by Thadious M. Davis's helpful introduction and footnotes). But underneath, it seethes with rage, guilt, sex, and complex deceptions. Irene fears losing her black husband to Clare, who seems increasingly predatory. Or is this all in Irene's mind? And is everyone wearing a mask? Larsen's book is a scary hall of mirrors, a murder mystery that can't resolve itself. It sticks with you. --Tim Appelo

Nella Larsen is a central figure in African American, Modernist, and women's literature. Her status as a Harlem Renaissance woman writer was rivaled by only Zora Neale Hurston's. This Norton Critical Edition of Larsen's electrifying 1929 novel includes Carla Kaplan's detailed and thought-provoking introduction, thorough explanatory annotations, and a Note on the Text.

An unusually rich "Background and Contexts" section connects the novel to the historical events of the day, most notably the sensational Rhinelander/Jones case of 1925. Fourteen contemporary reviews are reprinted, including those by Alice Dunbar-Nelson, Mary Griffin, and W. E. B. Du Bois. Published accounts from 1911 to 1935—by Langston Hughes, Juanita Ellsworth, and Caleb Johnson, among others—provide a nuanced view of the contemporary cultural dimensions of race and passing, both in America and abroad. Also included are Larsen's statements on the novel and on passing, as well as a generous selection of her letters and her central writings on "The Tragic Mulatto(a)" in American literature. Additional perspective is provided by related Harlem Renaissance works.

"Criticism" provides fifteen diverse critical interpretations, including those by Mary Helen Washington, Cheryl A. Wall, Deborah E. McDowell, David L. Blackmore, Kate Baldwin, and Catherine Rottenberg.

A Chronology and Selected Bibliography are also included.

About the Series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.

A stunning novel about the cultural and emotional conflicts faced by two light-skinned African American women in the 1920s. One marries a white man and "passes." The other marries within her race but denies prejudice. First published in 1929, PASSING is a remarkably candid exploration of racism and of the morally ambiguous consequences of even the most carefully made decisions

The Complete Fiction of Nella Larsen: Passing, Quicksand, and The Stories

In The Complete Fiction of Nella Larsen, whose career flamed brightly but briefly in the 1920s, we rediscover one of the most gifted writers of the Harlem Renaissance.

Nella Larsen's subject is the struggle of sensitive, spirited heroines to find a place for themselves in a hostile world. Passing is the story of a light-skinned beauty who, after spending years passing for white, finds herself dangerously drawn to an old friend's Harlem neighborhood. In Quicksand, a restless young mulatto tries desperately to find a comfortable place in a world in which she sees herself as a perpetual outsider. Race and marriage offer few securities here or in the other stories in a collection that is compellingly readable, rich in psychological complexity, and imbued with a sense of place that brings Harlem vibrantly to life.

Quicksand (Dover Books on Literature & Drama)

An Intimation of Things Distant: The Collected Fiction of Nella Larsen

Quicksand (Penguin Twentieth-Century Classics)

Born to a white mother and an absent black father, and despised for her dark skin, Helga Crane has long had to fend for herself. As a young woman, Helga teaches at an all-black school in the South, but even here she feels different. Moving to Harlem and eventually to Denmark, she attempts to carve out a comfortable life and place for herself, but ends up back where she started, choosing emotional freedom that quickly translates into a narrow existence.

Quicksand, Nella Larsen's powerful first novel, has intriguing autobiographical parallels and at the same time invokes the international dimension of African American culture of the 1920s. It also evocatively portrays the racial and gender restrictions that can mark a life.

"Fine, thoughtful and courageous. It is, on the whole, the best piece of fiction that Negro America has produced since the heyday of [Charles] Chesnutt." (W. E. B. Du Bois)

The Soul of a Woman (Black Classics)