If He Hollers Let Him Go: A Novel (Himes, Chester)
by Chester Himes
from Da Capo Press
In the decades just prior to the eruption of the American civil rights movement in the late '50s, Chester Himes was one of the most significant African American authors--although today he is less well known than several of his contemporaries. He wrote numerous novels, short stories, essays, and a powerful, searing autobiography, and he did so with an economy of language, a graceful eloquence, and a painful yet unflinching directness.
If He Hollers Let Him Go places Himes in the pantheon of 20th-century novelists. It is an intense and muscular story, with an assembly of characters drawn from virtually every social and economic class present in Southern California in the '40s. The novel takes place over four days in the life of Bob Jones, the only black foreman in a shipyard during World War II. Jones lives in a society literally drenched in race consciousness--every conversation in a bar, every personal relationship, every instruction given on a job site, every casual glance on a sidewalk, every interaction of any kind, no matter how trivial, is imbued with a painful and dangerous meaning. A slight mistake, an unwitting rebellion, an unintentional expression of rage or desire can spell disaster for a black man--a beating over a game of craps, or an arrest, or termination from a job, or an accusation of rape. Jones awakes each day in fear, and lives steeped in fear:
It came along with consciousness. It came into my head first, somewhere back of my closed eyes, moved slowly underneath my skull to the base of my brain, cold and hollow. It seeped down my spine, into my arms, spread through my groin with an almost sexual torture, settled in my stomach like butterfly wings. For a moment I felt torn all loose inside, shriveled, paralyzed, as if after awhile I'd have to get up and die.For Jones, there is no escape from the constant drumbeat of race and racism. It invades his dreams, his tiniest aspirations, and his deepest passions. Every attempt to retaliate or defend himself leads only to further trouble, loss, or humiliation. He can never forget who he is or what he is prevented from being. At the same time, he comes across as an actor, a subject, a doer, and not as a hapless, helpless victim. For all that he is confronted with, he never stops planning and acting and moving, and in the end, he survives, though his escape is incomplete and bittersweet.
The very idea that Jones can escape, however, marks a revolution in American literature. Thwarted at nearly every turn, he is nonetheless a powerful, intelligent, complicated agent of his own destiny. This 1945 novel is a compelling read, and Chester Himes deserves to be remembered for far more than Cotton Comes to Harlem and the raft of hard-bitten detective novels with which he made his living. --Andrew Himes
Crime Novels: American Noir of the 1950s: The Killer Inside Me / The Talented Mr. Ripley / Pick-up / Down There / The Real Cool Killers (Library of America)
by Robert Polito
from Library of America
The best American crime novels deserve their place in the pantheon of American literature, but they hold special interest for cinema enthusiasts, who can both compare them to the movies they became and can roll imaginary films of the stories in their minds. Crime Novels: American Noir of the 1950s is the second of Library of America's two-volume anthology of underground U.S. fiction. The first anthology featured works from the 1930s and '40s that had been made into classic films noir. This volume focuses on fiction written after the crime genre had acquired conventions that younger writers toyed with and sometimes broke. The movies made from such stories were equally radical.
Patricia Highsmith's The Talented Mr. Ripley is the source for René Clément's bristling Purple Noon, a movie that features Alain Delon's quintessential performance. David Goodis's Down There inspired François Truffaut's neo-noir masterpiece Shoot the Piano Player. Jim Thompson, the brilliant author who scripted The Killing and Paths of Glory for Stanley Kubrick, wrote several novels that have been turned into movies, including The Grifters and The Getaway. He is represented here by one of his most uncompromising works, The Killer Inside Me, which was filmed by Burt Kennedy in 1976. Charles Willeford's Pick-Up and Chester Himes's The Real Cool Killers have not yet been made into movies, but the blistering prose and nihilistic worlds of these authors, and of all the writers represented in this volume, is astonishingly cinematic. This lovely hardcover edition contains biographical, textual, and explanatory notes.
Blind Man with a Pistol
by Chester Himes
from Vintage
New York is sweltering in the summer heat, and Harlem is dose to the boiling point. To Coffin Ed Johnson and Grave Digger Jones, at times it seems as if the whole world has gone mad. Trying, as always, to keep some kind of peace-their legendary nickel-plated Colts very much in evidence-Coffin Ed and Grave Digger find themselves pursuing two completely different cases through a maze of knifings, beatings, and riots that threaten to tear Harlem apart.
"The word is out on the street, and the hopheads and whores and flimflam artists are running scared: Coffin Ed Johnson and Grave Digger Jones are back in print."-- Newsweek
All Shot Up: the classic crime thriller
by Chester Himes
from Pegasus Books
"The greatest find in American fiction since Raymond Chandler."-The Observer (London)
The shocking and explosive hardboiled classic: From murderers to prostitutes, corrupt politicians and racist white detectives, Coffin Ed Johnson and Gravedigger Jones, Harlem's toughest detective duo, must carry the day against an absurdist world of racism and class warfare.
After arriving on the American literary scene with novels of scathing social protest, Chester Himes created a pioneering pair of dangerously charming African American sleuths, Gravedigger Jones and Coffin Ed Johnson, who attempt to maintain some kind of order on the streets of Harlem. Himes died in Spain in 1984.
A Rage in Harlem
by Chester Himes
from Vintage
For the love of fine and wily Imabelle, hapless Jackson loses his life savings to a con man who knows the secret of turning ten-dollar bills into hundreds and steals from his boss, only to lose the stolen money at a crap table. Luckily for him, Jackson has a savvy twin brother, Goldy, who, disguised as a Sister of Mercy, earns a living by selling tickets to Heaven in Harlem. Now for the big payback...
The Real Cool Killers
by Chester Himes
from Vintage
To detectives Coffin Ed Johnson and Grave Digger Jones, it looked like an open and shut case. After all, Sonny Pickens was still standing over the body of Ulysses Galen, smoking gun hanging from his hand. Only one problem: Sonny's gun was loaded with blanks. There were plenty of people who wanted Galen dead, but who was responsible? Sonny? A jealous husband? Or one of the street toughs from a gang calling themselves the Real Cool Moslems? Coffin Ed and Grave Digger pound the mean streets of 1950s Harlem in search of the Real Cool Killer.
Many people had reasons for killing Galen, a big Greek with too much money and too great a liking for young black girls. But there are complications--like a drug addict, a disappearing suspect, and the fact that Coffin Ed's daughter is up to her neck in the whole explosive business.
Cotton Comes to Harlem
by Chester Himes
from Vintage
Black flim-flam man Deke O'Hara is no sooner out of Atlanta's state penitentiary than he's back on the streets working the scam of a lifetime. As sponsor of the Back-to-Africa movement he's counting on the big Harlem rally to produce a big collection--for his own private charity. But the take ($87,000) is hijacked by white gunmen and hidden in a bale of cotton that suddenly everyone wants to get his hands on. With Coffin Ed Johnson and Grave Digger Jones on everyone's trail and piecing together the complexity of the scheme, Cotton Comes to Harlem is one of Himes's hardest-hitting and most entertaining thrillers.
The Collected Stories of Chester Himes (Himes, Chester)
by Chester Himes
from Da Capo Press
The Heat's On
by Chester Himes
from Vintage
From the start, nothing goes fright for Coffin Ed and Grave Digger Jones. They are disciplined for use of excessive force. Grave Digger is shot and his death announced in a hoax radio bulletin. Bodies pile up faster than Coffin Ed and Grave Digger Jones can run. Yet, try as they might, they always seem to be one hot step behind the cause of all the mayhem--three million dollars' worth of heroine and a simple albino called Pinky.
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