Danticat, Edwidge

Breath, Eyes, Memory (Oprah's Book Club)

Oprah Book Club® Selection, May 1998: "I come from a place where breath, eyes and memory are one, a place from which you carry your past like the hair on your head. Where women return to their children as butterflies or as tears in the eyes of the statues that their daughters pray to." The place is Haiti and the speaker is Sophie, the heroine of Edwidge Danticat's novel, "Breath, Eyes, Memory." Like her protagonist, Danticat is also Haitian; like her, she was raised in Haiti by an aunt until she came to the United States at age 12. Indeed, in her short stories, Danticat has often drawn on her background to fund her fiction, and she continues to do so in her debut novel.

The story begins in Haiti, on Mother's Day, when young Sophie discovers that she is about to leave the only home she has ever known with her Tante Atie in Croix-des-Rosets, Haiti, to go live with her mother in New York City. These early chapters in Haiti are lovely, subtly evoking the tender, painful relationship between the motherless child and the childless woman who feels honor bound to guard the natural mother's rights to the girl's affections above her own. Presented with a Mother's Day card, Tante Atie responds: "'It is for a mother, your mother.' She motioned me away with a wave of her hand. 'When it is Aunt's Day, you can make me one.'" Danticat also uses these pages to limn a vibrant portrait of life in Haiti from the cups of ginger tea and baskets of cassava bread served at community potlucks to the folk tales of a "people in Guinea who carry the sky on their heads."

With Sophie's transition from a fairly happy existence with her aunt and grandmother in rural Haiti to life in New York with a mother she has never seen, Danticat's roots as a short-story writer become more evident; "Breath, Eyes, Memory" begins to read more like a collection of connected stories than a seamlessly evolved novel. In a couple of short chapters, Sophie arrives in New York, meets her mother, makes the acquaintance of her mother's new boyfriend, Marc, and discovers that she was the product of a rape when her mother was a teenager in Haiti. The novel then jumps several years ahead to Sophie's graduation from high school and her infatuation with an older man who lives next door. Unfortunately, this is also the point in the novel where Danticat begins to lay her themes on with a trowel instead of a brush: Sophie's mother becomes obsessed with protecting her daughter's virginity, going so far as to administer physical "tests" on a regular basis--testing which leads eventually to a rift in their relationship and to Sophie's struggle with her own sexuality. Soon the litany of victimization is flying thick and fast: female genital mutilation, incest, rape, frigidity, breast cancer, and abortion are the issues that arise in the final third of the novel, eventually drowning both fine writing and perceptive characterization under a deluge of angst.

Still, there is much to admire about "Breath, Eyes, Memory," and if at times the plot becomes overheated, Danticat's lyrical, vivid prose offers some real delight. If nothing else, this novel is sure to entice readers to look for Danticat's short stories--and possibly to sample other fiction from the West Indies as well. --Alix Wilber

At an astonishingly young age, Edwidge Danticat has become one of our most celebrated new novelists, a writer who evokes the wonder, terror, and heartache of her native Haiti--and the enduring strength of Haiti's women--with a vibrant imagery and narrative grace that bear witness to her people's suffering and courage.  

At the age of twelve, Sophie Caco is sent from her impoverished village of Croix-des-Rosets to New York, to be reunited with a mother she barely remembers. There she discovers secrets that no child should ever know, and a legacy of shame that can be healed only when she returns to Haiti--to the women who first reared her. What ensues is a passionate journey through a landscape charged with the supernatural and scarred by political violence, in a novel that bears witness to the traditions, suffering, and wisdom of an entire people.

The Dew Breaker

In her third novel, The Dew Breaker, the prolific Edwidge Danticat spins a series of related stories around a shadowy central figure, a Haitian immigrant to the U.S. who reveals to his artist daughter that he is not, as she believes, a prison escapee, but a former prison guard, skilled in torture and the other violent control methods of a brutal regime. "Your father was the hunter," he confesses, "he was not the prey." Into this brilliant opening, Danticat tucks the seeds of all that follows: the tales of the prison guard's victims, of their families, of those who recognize him decades later on the streets of New York, of those who never see him again, but are so haunted that they believe he's still pursuing them. (A dew breaker, we learn, is a government functionary who comes in the early morning to arrest someone or to burn a house down, breaking the dew on the grass that he crosses.) Although it is frustrating, sometimes, to let go of one narrative thread to follow another, The Dew Breaker is a beautifully constructed novel that spirals back to the reformed prison guard at the end, while holding unanswered the question of redemption. --Regina Marler

We meet him late in life: a quiet man, a good father and husband, a fixture in his Brooklyn neighborhood, a landlord and barber with a terrifying scar across his face. As the book unfolds, moving seamlessly between Haiti in the 1960s and New York City today, we enter the lives of those around him, and learn that he has also kept a vital, dangerous secret. Edwidge Danticat’s brilliant exploration of the “dew breaker”--or torturer--s an unforgettable story of love, remorse, and hope; of personal and political rebellions; and of the compromises we make to move beyond the most intimate brushes with history. It firmly establishes her as one of America’s most essential writers.

Krik? Krak!

When Haitians tell a story, they say "Krik?" and the eager listeners answer "Krak!" In Krik? Krak! In her second novel, Edwidge Danticat establishes herself as the latest heir to that narrative tradition with nine stories that encompass both the cruelties and the high ideals of Haitian life. They tell of women who continue loving behind prison walls and in the face of unfathomable loss; of a people who resist the brutality of their rulers through the powers of imagination. The result is a collection that outrages, saddens, and transports the reader with its sheer beauty.

The Farming of Bones

In a 1930s Dominican Republic village, the scream of a woman in labor rings out like the shot heard around Hispaniola. Every detail of the birth scene--the balance of power between the middle-aged Señora and her Haitian maid, the babies' skin color, not to mention which child is to survive--reverberates throughout Edwidge Danticat's Farming of Bones. In fact, rather than a celebration of fecundity, the unexpected double delivery gels into a metaphor for the military-sponsored mass murder of Haitian emigrants. As the Señora's doctor explains: "Many of us start out as twins in the belly and do away with the other."

But Danticat's powerful second novel is far from a currently modish victimization saga, and can hold its own with such modern classics as One Hundred Years of Solitude and The Color Purple. Its watchful narrator, the Señora's shy Haitian housemaid, describes herself as "one of those sea stones that sucks its colors inside and loses its translucence once it's taken out into the sun." An astute observer of human character, Amabelle Désir is also a conduit for the author's tart, poetic prose. Her lover, Sebastian, has "arms as wide as one of my bare thighs," while the Señora's complicit officer husband is "still shorter than the average man, even in his military boots."

The orphaned Amabelle comes to assume almost messianic proportions, but she is entirely fictional, as is the town of Alegría where the tale begins. The genocide and exodus, however, are factual. Indeed, the atrocities committed by Dominican president Rafael Trujillo's army back in 1937 rival those of Duvalier's Touton Macoutes. History has rendered Trujillo's carnage much less visible than Duvalier's, but no less painful. As Amabelle's father once told her, "Misery won't touch you gentle. It always leaves its thumbprints on you; sometimes it leaves them for others to see, sometimes for nobody but you to know of." Thanks to Danticat's stellar novel, the world will now know. --Jean Lenihan

From the bestselling author of Breath, Eyes, Memory, a passionate and profound novel of two lovers struggling against political violence

The Farming of Bones begins in 1937 in a village on the Dominican side of the river that separates the country from Haiti. Amabelle Desir, Haitian-born and a faithful maidservant to the Dominican family that took her in when she was orphaned, and her lover Sebastien, an itinerant sugarcane cutter, decide they will marry and return to Haiti at the end of the cane season. However, hostilities toward Haitian laborers find a vitriolic spokesman in the ultra-nationalist Generalissimo Trujillo who calls for an ethnic cleansing of his Spanish-speaking country. As rumors of Haitian persecution become fact, as anxiety turns to terror, Amabelle and Sebastien's dreams are leveled to the most basic human desire: to endure. Based on a little-known historical event, this extraordinarily moving novel memorializes the forgotten victims of nationalist madness and the deeply felt passion and grief of its survivors.

* New York Times Notable Book
* Named one of the Best Books of the Year by People, Entertainment Weekly, Chicago Tribune, Time Out New York, Publishers Weekly, and the American Library Association
* The author was nominated for a National Book Award and named one of the "20 Best Young Novelists" by Granta

"A remarkable new novel . . . Danticat writes in wonderful, evocative prose, and she is especially adept at treading the path between oppression and grace. At times, it's a particularly painful path, but, always, a compelling one." --The Boston Sunday Globe

"[With] hallucinatory vigor and a sense of mission . . . Danticat capably evokes the shock with which a small personal world is disrupted by military mayhem . . . The Farming of Bones offers ample confirmation of Edwidge Danticat's considerable talents." --The New York Times Book Review

"It's a testament to her talent that the novel, while almost unbearably sad, is still a joy to read." --Newsweek

Penguin Readers Guide Available

Brother, I'm Dying (Vintage Contemporaries)

From the age of four, award-winning writer Edwidge Danticat came to think of her uncle Joseph as her “second father,” when she was placed in his care after her parents left Haiti for America. And so she was both elated and saddened when, at twelve, she joined her parents and youngest brothers in New York City. As Edwidge made a life in a new country, adjusting to being far away from so many who she loved, she and her family continued to fear for the safety of those still in Haiti as the political situation deteriorated.

In 2004, they entered into a terrifying tale of good people caught up in events beyond their control. Brother I'm Dying is an astonishing true-life epic, told on an intimate scale by one of our finest writers.

Brown Girl, Brownstones (Contemporary Classics by Women)

"Remarkable for its courage, its color and its natural control."-The New Yorker

"Unforgettable...written with pride and anger, with rebellion and tears."-The Herald Tribune

This beloved coming-of-age story set in Brooklyn during the Depression and World War II follows the life of Selina Boyce, a daughter of Barbadians immigrants. Her mother craves the American Dream while her father longs for his island birthplace. The new foreword by contemporary Caribbean author Edwidge Danticat explores the novel's themes of identity, sexuality and values as well as Selina's struggle against the racism and poverty surrounding her.

The Kingdom of This World: A Novel

After the Dance: A Walk Through Carnival in Jacmel, Haiti (Crown Journeys)

In After the Dance, one of Haiti’s most renowned daughters returns to her homeland, taking readers on a stunning, exquisitely rendered journey beyond the hedonistic surface of Carnival and into its deep heart.

Edwidge Danticat had long been scared off from Carnival by a loved one, who spun tales of people dislocating hips from gyrating with too much abandon, losing their voices from singing too loudly, going deaf from the clamor of immense speakers, and being punched, stabbed, pummeled, or fondled by other lustful revelers. Now an adult, she resolves to return and exorcise her Carnival demons. She spends the week before Carnival in the area around Jacmel, exploring the rolling hills and lush forests and meeting the people who live and die in them. During her journeys she traces the heroic and tragic history of the island, from French colonists and Haitian revolutionaries to American invaders and home-grown dictators. Danticat also introduces us to many of the performers, artists, and organizers who re-create the myths and legends that bring the Carnival festivities to life. When Carnival arrives, we watch as she goes from observer to participant and finally loses herself in the overwhelming embrace of the crowd.

Part travelogue, part memoir, this is a lyrical narrative of a writer rediscovering her country along with a part of herself. It’s also a wonderful introduction to Haiti’s southern coast and to the true beauty of Carnival.

The Butterfly's Way: Voices from the Haitian Dyaspora in the United States

In four sections-Childhood, Migration, First Generation, and Return-the contributors to this anthology write powerfully, often hauntingly, of their lives in Haiti and the United States. Jean-Robert Cadet's description of his Haitian childhood as a restavec-a child slave-in Port-au-Prince contrasts with Dany Laferriere's account of a ten-year-old boy and his beloved grandmother in Petit-Gove. We read of Marie Helene Laforest's realization that while she was white in Haiti, in the United States she is black. Patricia Benoit tells us of a Haitian woman refugee in a detention center who has a simple need for a red dress-dignity. The reaction of a man who has married the woman he loves is the theme of Gary Pierre-Pierre's "The White Wife"; the feeling of alienation is explored in "Made Outside" by Francie Latour. The frustration of trying to help those who have remained in Haiti and of the do-gooders who do more for themselves than the Haitians is described in Babette Wainwright's "Do Something for Your Soul, Go to Haiti." The variations and permutations of the divided self of the Haitian emigrant are poignantly conveyed in this unique anthology.

Massacre River

By the acclaimed Haitian poet and scholar René Philoctète, the novel Massacre River: "a tour de force by an extraordinary writer" (Edwidge Danticat).

Nestled along a border, Haitians and Dominicans have lived as one people for generations. But in 1937, when Generalissimo Trujillo—"the Lord of demented death"—orders the slaughter of all "Haitian devils," a monstrous raptor appears in the sky over the little Dominican town of Elias Piña, brooding a nightmare. Desperate to save Adèle, the Haitian wife he cherishes, the Dominican Pedro Brito sets out into the dawn—and so begins Massacre River, a tale unlike any other, where machetes can fly, severed heads demand justice, towns are flooded by "the foaming filth of genocides," the wind thinks it's a radio, and a word can literally cut throats. At the heart of this kaleidoscopic drama is the loving and sensual bond between Pedro and Adèle, tenderly evoked in language of astonishing inventiveness by a narrative voice that can turn on a dime, careening through young romance, heartbreak, skin-crawling evil, and Looney Tunes madness to a tumultuous, breathtaking finale worthy of Hieronymus Bosch.