Perfume: The Story of a Murderer
by Patrick Suskind
from Vintage
An acclaimed bestseller and international sensation, Patrick Suskind's classic novel provokes a terrifying examination of what happens when one man's indulgence in his greatest passion—his sense of smell—leads to murder.
In the slums of eighteenth-century France, the infant Jean-Baptiste Grenouille is born with one sublime gift-an absolute sense of smell. As a boy, he lives to decipher the odors of Paris, and apprentices himself to a prominent perfumer who teaches him the ancient art of mixing precious oils and herbs. But Grenouille's genius is such that he is not satisfied to stop there, and he becomes obsessed with capturing the smells of objects such as brass doorknobs and frest-cut wood. Then one day he catches a hint of a scent that will drive him on an ever-more-terrifying quest to create the "ultimate perfume"—the scent of a beautiful young virgin. Told with dazzling narrative brillance, Perfume is a hauntingly powerful tale of murder and sensual depravity.
Translated from the German by John E. Woods.
The Complete Stories
by Franz Kafka
from Schocken
How many writers get their own adjective? The work of this terminally alienated master narrator of the subconscious demanded a new descriptor; I guess they gave up and just settled on "Kafkaesque." But if you ever wonder what the original Kafkaesque work was, take a look here. The book contains all of Kafka's short and longer stories -- everything but his three novels. Most of these stories weren't even published during the author's lifetime. The widely-anthologized The Metamorphosis is here, wherein Gregor Samsa awakes from uneasy dreams to find himself insectoidally transformed, as are equally lovely pieces like A Hunger Artist, A Country Doctor and A Little Woman.
The only available collection that brings together all of Kafka's stories--those published during his lifetime and those released after his death.
Siddhartha: Siddhartha (Shambhala Classics)
by Hermann Hesse
from Shambhala
In the shade of a banyan tree, a grizzled ferryman sits listening to the river. Some say he's a sage. He was once a wandering shramana and, briefly, like thousands of others, he followed Gotama the Buddha, enraptured by his sermons. But this man, Siddhartha, was not a follower of any but his own soul. Born the son of a Brahmin, Siddhartha was blessed in appearance, intelligence, and charisma. In order to find meaning in life, he discarded his promising future for the life of a wandering ascetic. Still, true happiness evaded him. Then a life of pleasure and titillation merely eroded away his spiritual gains until he was just like all the other "child people," dragged around by his desires. Like Hermann Hesse's other creations of struggling young men, Siddhartha has a good dose of European angst and stubborn individualism. His final epiphany challenges both the Buddhist and the Hindu ideals of enlightenment. Neither a practitioner nor a devotee, neither meditating nor reciting, Siddhartha comes to blend in with the world, resonating with the rhythms of nature, bending the reader's ear down to hear answers from the river. In this translation Sherab Chodzin Kohn captures the slow, spare lyricism of Siddhartha's search, putting her version on par with Hilda Rosner's standard edition. --Brian Bruya
This classic of twentieth-century literature chronicles the spiritual evolution of a man living in India at the time of the Buddha—a spiritual journey that has inspired generations of readers. Here is a fresh translation from Sherab Chödzin Kohn, a gifted translator and longtime student of Buddhism and Eastern philosophy. Kohn's flowing, poetic translation conveys the philosophical and spiritual nuances of Hesse's text, paying special attention to the qualities of meditation experience. This edition also includes an introduction exploring Hesse's own spiritual journey as evidenced in his journals and personal letters.
Death in Venice
by Thomas Mann
from Harper Perennial
The world-famous masterpiece by Nobel laureate Thomas Mann -- here in a new translation by Michael Henry Heim
Published on the eve of World War I, a decade after Buddenbrooks had established Thomas Mann as a literary celebrity, Death in Venice tells the story of Gustav von Aschenbach, a successful but aging writer who follows his wanderlust to Venice in search of spiritual fulfillment that instead leads to his erotic doom.
In the decaying city, besieged by an unnamed epidemic, he becomes obsessed with an exquisite Polish boy, Tadzio. "It is a story of the voluptuousness of doom," Mann wrote. "But the problem I had especially in mind was that of the artist's dignity."
The Glass Bead Game: (Magister Ludi) A Novel
by Hermann Hesse
from Picador
Set in the 23rd century, The Glass Bead Game is the story of Joseph Knecht, who has been raised in Castalia, the remote place his society has provided for the intellectual elite to grow and flourish. Since childhood, Knecht has been consumed with mastering the Glass Bead Game, which requires a synthesis of aesthetics and scientific arts, such as mathematics, music, logic, and philosophy, which he achieves in adulthood, becoming a Magister Ludi (Master of the Game).
Faceless Killers
by Henning Mankell
from Vintage
If you remember with pleasure those dark and gloomy Martin Beck mysteries by Maj Sjowall and Per Wahloo, you'll be glad to plunge into the first of Henning Mankell's Kurt Wallender mysteries to appear in English. Wallender's personal life can occasionally seem more depressing than even a provincial Swedish detective should be asked to bear, but his investigative skills are strictly first rate. And Mankell's story of the brutal murder of an elderly farm couple uncovers an unusual aspect of life in modern Sweden--a streak of fear and prejudice against the many newcomers from Africa, the Middle East and Eastern Europe who have sought asylum there.
First in the Kurt Wallander series.
It was a senselessly violent crime: on a cold night in a remote Swedish farmhouse an elderly farmer is bludgeoned to death, and his wife is left to die with a noose around her neck. And as if this didn’t present enough problems for the Ystad police Inspector Kurt Wallander, the dying woman’s last word is foreign, leaving the police the one tangible clue they have–and in the process, the match that could inflame Sweden’s already smoldering anti-immigrant sentiments.
Unlike the situation with his ex-wife, his estranged daughter, or the beautiful but married young prosecuter who has peaked his interest, in this case, Wallander finds a problem he can handle. He quickly becomes obsessed with solving the crime before the already tense situation explodes, but soon comes to realize that it will require all his reserves of energy and dedication to solve.
Death in Venice: And Seven Other Stories
by Thomas Mann
from Vintage
Eight complex stories illustrative of the author's belief that "a story must tell itself," highlighted by the high art style of the famous title novella.
The Orientalist: Solving the Mystery of a Strange and Dangerous Life
by Tom Reiss
from Random House Trade Paperbacks
A thrilling page-turner of epic proportions, Tom Reiss’s panoramic bestseller tells the true story of a Jew who transformed himself into a Muslim prince in Nazi Germany. Lev Nussimbaum escaped the Russian Revolution in a camel caravan and, as “Essad Bey,” became a celebrated author with the enduring novel Ali and Nino as well as an adventurer, a real-life Indiana Jones with a fatal secret. Reiss pursued Lev’s story across ten countries and found himself caught up in encounters as dramatic and surreal–and sometimes as heartbreaking–as his subject’s life.
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Faust I & II (Goethe : The Collected Works, Vol 2)
by Johann Wolfgang von Goethe
from Princeton University Press
Goethe's most complex and profound work, Faust was the effort of the great poet's entire lifetime. Written over 60 years, it can be read as a document of Goethe's moral and artistic development. Faust is made available to the English reader in a completely new translation that communicates both its poetic variety and its many levels of tone. The language is present-day English, and Goethe's formal and rhythmic variety is reproduced in all its richness.
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