Gallant, Mavis

Paris Stories (New York Review Books Classics)

Mavis Gallant is an undisputed master of the short story whose peerless prose captures the range of human experience while evoking time and place with unequaled skill. This new selection of Gallant’s stories, edited by best-selling author Michael Ondaatje, gathers the best of her many stories set in Paris, where Gallant has long lived. Here she writes of expatriates and locals, exile and homecoming, and of the illusions of youth and age, offering a kaleidoscopic impression of the world within a world that is Paris. "A master of the short story who breaks every rule of the form." — Booklist "Her fiction, never fooled into trying to keep up with history, will last a long time." — The New York Times Book Review

Varieties of Exile (New York Review Books Classics Series)

Mavis Gallant is the modern master of what Henry James called the international story, the fine-grained evocation of the quandaries of people who must make their way in the world without any place to call their own. The irreducible complexity of the very idea of home is especially at issue in the stories Gallant has written about Montreal, where she was born, although she has lived in Paris for more than half a century.

Varieties of Exile, Russell Banks's extensive new selection from Gallant's work, demonstrates anew the remarkable reach of this writer's singular art. Among its contents are three previously uncollected stories, as well as the celebrated semi-autobiographical sequence about Linnet Muir—stories that are wise, funny, and full of insight into the perils and promise of growing up and breaking loose.

From the Fifteenth District: A Novella and Eight Short Stories

In Transit: 20 Stories (King Penguin)

Paris Notebooks: Essays and Reviews

The Wandering Jews

As a journalist, Joseph Roth's greatest strength, and perhaps his greatest weakness, was his self-professed love for his subjects. Roth, who is best known for his novels (particularly The Radetzky March), was the star journalist for the Frankfurter Zeitung in the early 1920s, when he began writing stories that led to The Wandering Jews. This book, newly translated by Michael Hofmann, is a masterpiece of literary journalism whose political prescience (regarding tensions between Eastern and Western Jews and the too-easy consolations of assimilation) is grounded in eclectic character studies (of, for instance, Parisian elites, a carnival performer from Radziwillow, a dock worker in Odessa). In an age of idea-driven journalism, when stories are often tailored to prove a writer's pre-existing thesis, Roth's lovingly inductive reasoning is refreshing. And his aphoristic insights are as spontaneous as they are circumspect. ("When a catastrophe occurs, people on hand are shocked into helpfulness.") The statement that best summarizes Roth's belief about the unalterable fate of the Jews also epitomizes the polished spontaneity of his style: Roth writes that wandering is "a tribulation that is appropriate to all Jews, and to all others besides. Lest we forget that nothing in this world endures, not even a home; and that our life is short, shorter even than the life of the elephant, the crocodile, and the crow. Even the parrots outlive us." --Michael Joseph Gross

A masterpiece of twentieth-century history, only recently rediscovered in Germany, appears for the first time in English. Every few decades, a book is published that shapes Jewish consciousness. One thinks of Elie Wiesel's Night or Primo Levi's Survival in Auschwitz. In 1927, however, before these works were written, Joseph Roth (1894-1939) composed The Wandering Jews. At the time a correspondent in Berlin, emotionally ravaged by the whirlwind events of Weimar Germany, Roth examined the concept of Jewish identity and questioned what lay in store for it. Whether writing of the schism between Eastern and Western Jews, warning of the false comforts of assimilation, or eerily foreseeing the horrors posed by Nazism, The Wandering Jews remains as unforgettably vital today as it was when first published.

Collected Stories of Mavis Gallant, The

In these 52 stories, which were written in over almost as many years and published mostly in the New Yorker, Gallant shows herself to be one of the century's most accomplished, and least conventional, writers of short fiction. Gallant was never afraid to push the boundaries of the form: many of her longer stories stray into novella territory, and even her shortest pieces often defy the expectations created in the first few pages. Gallant's characters are almost all exiles of one sort or another, 20th century seekers often marked by World War II and its aftermath. Gallant, a Canadian expatriate, spent much of her life in Paris, and that city of exiles and emigres provides the setting for some of her most memorable stories.

With irony and an unfailing eye for the telling detail, Gallant weaves stories of such intricate simplicity and spare complexity that critics have rightly compared her with Henry James and Anton Chekhov. Readers will discover, or rediscover, the pleasure of reading one of the finest writers of our time.

The Pegnitz Junction: a Novella and Five Short Stories

Home Truths: Selected Canadian Stories

Across the Bridge: Stories

With remarkable perception, Gallant weaves stories of intricate simplicity and spare complexity. With irony and an unfailing eye for telling detail, she cannily observes the illusions that people necessarily create and destroy in the tangle of life.