The Best American Short Stories 2007 (The Best American Series)
from Houghton Mifflin
Wonderfully eclectic, The Best American Short Stories 2007 collects stories by undeniable talents, both newcomers and favorites. These stories examine the turning points in life when we, as children or parents, siblings or friends or colleagues, must break certain rules in order to remain true to ourselves. In T.C. Boyle's heartbreaking "Balto," a 13-year-old girl provides devastating courtroom testimony in her alcoholic father's trial. Aryn Kyle's charming story "Allegiance" shows a young girl caught between her despairing British mother and motherly American father. In "The Bris," Eileen Pollack brilliantly writes of a son struggling to fulfill his filial obligations, even if this requires a breach of morality and religion. Kate Walbert's stunning "Do Something" portrays one mother's impassioned and revolutionary refusal to accept her son's death. And in Richard Russo's graceful "Horseman," an English professor comes to understand that plagiarism can reveal more about a student than original work.
Questions for Best American Short Stories Series Editor Heidi Pitlor
Each year's edition of the Best American Short Stories is edited by a prominent guest editor who makes the final selections for the collection--for 2007, it's Stephen King. But working alongside the guest editor is the series editor, who reads thousands and thousands of stories all year long and passes the best on to the guest editor. For years, Katrina Kenison held that one-of-a-kind role for the Best American Short Stories, but in 2007 she handed the reins over to Heidi Pitlor, a former editor at Houghton Mifflin and a novelist in her own right (her debut, The Birthdays, came out in 2006). We asked Pitlor a few questions about what many would consider a dream job.
Amazon.com: Congratulations: you now have one of those jobs that must make people say to you, "Oh my goodness, you just sit around reading stories all day! What a life!" Please dispel all relevant myths.
Pitlor: The key is to have young children. I have one-year-old twins, so I have yet to hear the question above.
I used to imagine Katrina Kenison, the former series editor, swinging in a hammock on a sunny day (there was always a hammock in my mind, and always sunshine), lost in her short stories, the twitter of birds somewhere nearby, a bonbon in her hand. I can assure you that none of the above applies to my day-to-day life--and I'm guessing it didn't apply to hers. Reading this volume of fiction requires intense concentration, large amounts of coffee, total quiet, a babysitter for my kids, and sadly, no bonbons, at least not on a regular basis. Still, I have no complaints. I do love my job and being able to read this much.
Amazon.com: Can you explain the process of selecting the best American short stories? What's your relationship as series editor with the year's guest editor (in this case, Stephen King)?
Pitlor: Magazines that publish fiction send copies to me. Literary journals, mainstream magazines, you name it. I probably receive three to four magazines a day. Typically, I read all of this fiction--more specifically, the short stories (no novel excerpts allowed) written by Americans or those who have made the United States their home. I choose 120 that I think are the best, and pass them along to the year's guest editor.
Stephen King wanted to read along with me, and so he went out and bought tons of magazines himself. We spoke quite often about what we'd read. But typically, I go off on my own for most of the year, pull the stories, and then work with the guest editor at the end of the year to help him or her choose the final twenty for the book.
Amazon.com: You're a novelist as well as an editor. How do you read all these different (or depressingly similar) voices every day and keep your own voice strong when you sit down to imagine your own work?
Pitlor: Good question! When I'm writing regularly--and I must admit that I need to get back to this--I try to write each day before I begin reading. Again, coffee plays a big role. I get up, take care of the twins for a few hours until the sitter comes, then take typically my third cup of coffee out to my office, which is above my garage. I write first, so that my mind is clear of other writers' voices. I try not to think too much when writing a first draft. For me, thinking sometimes leads to inadvertent stealing. If I'm trying to sort out some sort of puzzle in what I'm writing, it's too easy to remember another writer's approach to a similar one. If I can write a first draft quickly, I'm better off.
Amazon.com: In his introduction to this year's collection, King writes that many of this year's submissions felt like "copping-a-feel reading"--stories driven not by a need to be told, but the desire to show off for editors and other writers (rather than regular old readers). Did you have the same reaction? What was your sense of the year's reading?
Pitlor: I'll put it a different way than he did. I often felt that writers put on airs. To me, it's apparent when writers aren't being true to themselves, especially in their writing voice. I want to forget that I'm reading--unless being aware that I'm reading is exactly what the writer is after. But typically, I want to lose myself in the words, to forget that someone is behind them. I want to believe the characters more than that.
That said, I was pleasantly surprised by the amount of stories that did feel true and urgent, that did take me out of myself for a brief while.
Amazon.com: Story writing seems to ride waves of influence, driven at various times by the models, say, of Updike or Barthelme or Carver. Is there a writer now who you feel is the most influential in the stories you read?
Pitlor: Carver still seems to be a big influence--I'm not sure his influence ever waned. Hemingway too, as well as Chekhov, Faulkner, Cheever, Flannery O'Connor, Philip Roth, Alice Munro, Lorrie Moore, Tim O'Brien. No one model comes to mind more than the others at this point.
Amazon.com: What story was your most exciting discovery of the year? (And did King like it too?)Pitlor: There were many for both of us--this is the best part of the job. He and I frequently enthused to each other about this or that new writer. But also about great stories by more familiar writers--that can feel like a discovery too. I don't know, though--naming the most exciting writer feels a bit like admitting you have a favorite child.
In his introduction to this volume, Stephen King writes, "Talent does more than come out; it bursts out, again and again, doing exuberant cartwheels while the band plays 'Stars and Stripes Forever' . . . Talent can't help itself; it roars along in fair weather or foul, not sparing the fireworks. It gets emotional. It struts its stuff. In fact, that's its job."
Wonderfully eclectic, The Best American Short Stories 2007 collects stories by writers of undeniable talent, both newcomers and favorites. These stories examine the turning points in life when we, as children or parents, lovers or friends or colleagues, must break certain rules in order to remain true to ourselves. In T. C. Boyle's heartbreaking "Balto," a thirteen-year-old girl provides devastating courtroom testimony in her father's trial. Aryn Kyle's charming story "Allegiance" shows a young girl caught between her despairing British mother and motherly American father. In "The Bris," Eileen Pollack brilliantly writes of a son struggling to fulfill his filial obligations, even when they require a breach of morality and religion. Kate Walbert's stunning "Do Something" portrays one mother's impassioned and revolutionary refusal to accept her son's death. And in Richard Russo's graceful "Horseman," an English professor comes to understand that plagiarism reveals more about a student than original work can.
New series editor Heidi Pitlor writes, "[Stephen King's] dedication, unflagging hard work, and enthusiasm for excellent writing shone through on nearly a daily basis this past year . . . We agreed, disagreed, and in the end very much concurred on the merit of the twenty stories chosen." The result is a vibrant assortment of stories and voices brimming with attitude, deep wisdom, and rare compassion.
The Best American Mystery Stories 2007 (The Best American Series)
from Houghton Mifflin
The best-selling author Carl Hiaasen takes the reins for the eleventh edition of this series, featuring twenty of the past year's most distinguished tales of mystery, crime, and suspense.
Laura Lippman introduces us to a suburban soccer mom who moonlights as a call girl and who has a fateful encounter with a former client at her son's soccer game. Ridley Pearson traces a famous author of horror tales who becomes trapped in a real one after his wife vanishes while jogging. Joyce Carol Oates travels to a New Jersey racetrack where the animals that break down are of the two-legged type. Lawrence Block tells the story of Keller, a hitman for hire who happens to live in Greenwich Village, loves spicy food, and collects stamps as a hobby. And Scott Wolven plunges us into the world of an ex-con who takes a job at a private and very illegal Nevada racetrack where each day millions are won and lost. Mostly lost.
As Carl Hiaasen notes in his introduction, "The stories in this collection would do honor to any anthology of short literature. More than transcending the genre of crime, they blow away its nebulous boundaries." The Best American Mystery Stories 2007 is a powerful collection certain to delight mystery aficionados and all lovers of great fiction.
The Best American Short Stories 2005 (The Best American Series)
from Houghton Mifflin
The Best American Series
First, Best, and Best-Selling
The Best American series has been the premier annual showcase for the country's finest short fiction and nonfiction since 1915. Each volume's series editor selects notable works from hundreds of periodicals. A special guest editor, a leading writer in the field, then chooses the very best twenty or so pieces to publish. This unique system has made the Best American series the most respected -- and most popular -- of its kind.
The Best American Short Stories 2005 includes
Dennis Lehane • Tom Perrotta • Alice Munro • Edward P. Jones • Joy Williams • Joyce Carol Oates • Thomas McGuane • Kelly Link • Charles D'Ambrosio • Cory Doctorow • George Saunders • and others
Michael Chabon, guest editor, is the best-selling author of The Mysteries of Pittsburgh, Wonder Boys, A Model World, and, most recently, The Final Solution. His novel The Amazing Adventures of Kavalier and Clay won the Pulitzer Prize in 2000.
The Best American Short Stories 2006 (The Best American Series)
from Houghton Mifflin
"While a single short story may have a difficult time raising enough noise on its own to be heard over the din of civilization, short stories in bulk can have the effect of swarming bees, blocking out sound and sun and becoming the only thing you can think about," writes Ann Patchett in her introduction to The Best American Short Stories 2006.
This vibrant, varied sampler of the American literary scene revels in life's little absurdities, captures timely personal and cultural challenges, and ultimately shares subtle insight and compassion. In "The View from Castle Rock," the short story master Alice Munro imagines a fictional account of her Scottish ancestors' emigration to Canada in 1818. Nathan Englander's cast of young characters in "How We Avenged the Blums" confronts a bully dubbed "The Anti-Semite" to both comic and tragic ends. In "Refresh, Refresh," Benjamin Percy gives a forceful, heart-wrenching look at a young man's choices when his father -- along with most of the men in his small town -- is deployed to Iraq. Yiyun Li's "After a Life" reveals secrets, hidden shame, and cultural change in modern China. And in "Tatooizm," Kevin Moffett weaves a story full of humor and humanity about a young couple's relationship that has run its course.
Ann Patchett "brought unprecedented enthusiasm and judiciousness [to The Best American Short Stories 2006]," writes Katrina Kenison in her foreword, "and she is, surely, every story writer's ideal reader, eager to love, slow to fault, exquisitely attentive to the text and all that lies beneath it."
The Scribner Anthology of Contemporary Short Fiction: Fifty North American American Stories Since 1970
from Touchstone
Selected from a survey of more than 200 English professors, award-winning short-story writers, novelists, and fiction workshop directors, a remarkable collection of North American literature written since 1970.
Sherman Alexie Margaret Atwood Toni Cade Bambara Russell Banks John Barth Donald Barthelme Rick Bass Richard Bausch Charles Baxter Madison Smartt Bell Amy Bloom Kate Braverman Robert Olen Butler Ethan Canin Raymond Carver Sandra Cisneros Michael Cunningham Junot Diaz Stuart Dybek Tony Earley Louise Erdrich Richard Ford David Gates Tim Gautreaux Ron Hansen Amy Hempel Denis Johnson Edward P. Jones Thom Jones David Michael Kaplan Janet Kaufman Jamaica Kincaid David Leavitt Reginald McKnight Lorrie Moore Bharati Mukherjee Alice Munro Joyce Carol Oates Tim O'Brien Cynthia Ozick Annie Proulx Mark Richard Lee Smith Susan Sontag Amy Tan Melanie Rae Thon Stephanie Vaughn Alice Walker John Edgar Wideman Joy Williams
The Best American Mystery Stories 2006 (The Best American Series)
from Houghton Mifflin
"[Most of] these stories are portraits, in styles ranging from sly to harrowing, of how crimes occurred ... If you like all your characters living at the end of a story, this may not be the book for you." -- from the introduction by Scott Turow
Best-selling author Scott Turow takes the helm for the tenth edition of this annual, featuring twenty-one of the past year's most distinguished tales of mystery, crime, and suspense.
Elmore Leonard tells the tale of a young woman who's fled home with a convicted bank robber. Walter Mosley describes an over-the-hill private detective and his new client, a woman named Karma. C. J. Box explores the fate of two Czech immigrants stranded by the side of the road in Yellowstone Park. Ed McBain begins his story on role-playing with the line "'Why don't we kill somebody?' she suggested." Wendy Hornsby tells of a wild motorcycle chase through the canyons outside Las Vegas. Laura Lippman describes the "Crack Cocaine Diet." And James Lee Burke writes of a young boy who may have been a close friend of Bugsy Siegel.
As Scott Turow notes in his introduction, these stories are "about crime -- its commission, its aftermath, its anxieties, its effect on character." The Best American Mystery Stories 2006 is a powerful collection for all readers who enjoy fiction that deals with the extremes of human passion and its dark consequences.
Origins: Selected Letters of Charles Darwin, 1822-1859. Anniversary edition. (Selected Letters of C. Darwin)
from Cambridge University Press
Charles Darwin changed the direction of modern thought by establishing the basis of evolutionary biology. This fascinating selection of letters, offers a glimpse of his daily experiences, scientific observations, personal concerns and friendships. Beginning with a charming set of letters at the age of twelve, through his university years in Edinburgh and Cambridge up to the publication of his most famous work, On the Origin of Species in 1859, these letters chart one of the most exciting periods of Darwin's life, including the voyage of the Beagle and subsequent studies which led him to develop his theory of natural selection. Darwin's vivid writing style enables the reader to see the world through his own eyes, as he matures from grubby schoolboy in Shropshire to one of the most controversial thinkers of modern times. This is a special Anniversary Edition of the best-selling Burkhardt: Charles Darwin's Letters: A Selection, 1825-1859
Special Anniversary Edition of the best-selling Burkhardt: Charles Darwin's Letters: A Selection 1825-1859 now with new, previously unpublished letters. This fascinating selection of the actual letters written to and from Darwin charts some of the most exciting periods in the life of one of the most controversial thinkers of modern times.
The Best American Short Stories 2001 (The Best American Series)
from Houghton Mifflin
This year's Best American Short Stories is edited by the critically acclaimed and best-selling author Barbara Kingsolver, whose latest book is Prodigal Summer. Kingsolver's selections for The Best American Short Stories 2001 showcase a wide variety of new voices and masters, such as Alice Munro, Rick Moody, Dorothy West, and John Updike. "Reading these stories was both a distraction from and an anchor to the complexities of my life — my pleasure, my companionship, my salvation. I hope they will be yours." — Barbara Kingsolver
The Handmaid's Tale (Cliffs Notes)
by Mary Ellen Snodgrass
from Cliffs Notes
The original CliffsNotes study guides offer expert commentary on major themes, plots, characters, literary devices, and historical background. The latest generation of titles in this series also feature glossaries and visual elements that complement the classic, familiar format.
In CliffsNotes on The Handmaid's Tale, you come to realize that for every utopia, there's a corresponding dystopia. This tale of a bleak future depicts a time where women are valued only for their reproductive capacities. While this cautionary tale of repression and totalitarianism is horrifying, there are moments of poetic warmth and humor. It is a brilliant satire.
This concise supplement to Atwood's The Handmaid's Tale helps you understand the overall structure of the novel, actions and motivations of the characters, and the social and cultural perspectives of the author. Features that help you study include
- Â Chapter-by-chapter summaries and commentaries
- A timeline of critical events that leads to the climax of the novel
- A character map that graphically illustrates the relationships among the characters
- Critical essays on women's roles in the novel, and the use of literary devices, themes, and settings
- A review section that tests your knowledge
Classic literature or modern modern-day treasure — you'll understand it all with expert information and insight from CliffsNotes study guides.
+++



