Chinese

Poems of the Masters: China's Classic Anthology of T'ang and Sung Dynasty Verse

Poetry is China's greatest art, and for the past eight centuries Poems of the Masters has been that country's most studied and memorized collection of verse. For the first time ever in English, here is the complete text, with an introduction and extensive notes by renowned translator, Red Pine. Over one hundred poets are represented in this bilingual edition, including many of China's celebrated poets: Li Pai, Wang Wei, Tu Fu, Wang Po, and Ou-yang Hsiu.

Poems of the Masters was compiled during the Sung dynasty (9601278), a time when poetry became the defining measure of human relationships and understanding.

As Red Pine writes in his introduction: "Nothing was significant without a poem, no social or ritual occasion, no political or personal event was considered complete without a few well-chosen words that summarized the complexities of the Chinese vision of reality and linked that vision with the beat of their hearts . . . [Poetry's] greatest flowering was in the T'ang and Sung, when suddenly it was everywhere: in the palace, in the street, in every household, every inn, every monastery, in every village square."

"Chiupu River Song" by Li Pai

My white hair extends three miles
the sorrow of parting made it this long
who would guess to look in a mirror
where autumn frost comes from

Red Pine (the pen name of writer and independent scholar Bill Porter) is one of the world's most respected translators of Chinese literature, bringing into English several of China's central religious and literary texts: Taoteching, The Diamond Sutra, Zen Teachings of Bodhidharma, and Collected Songs of Cold Mountain. He lives near Seattle, Washington.

The Book of Songs: The Ancient Chinese Classic of Poetry

The Poetry of Zen

A Zen poem is nothing other than an expression of the enlightened mind, a handful of simple words that disappear beneath the moment of insight to which it bears witness. Poetry has been an essential aid to Zen Buddhist practice from the dawn of Zen—and Zen has also had a profound influence on the secular poetry of the countries in which it has flourished. Here, two of America’s most renowned poets and translators provide an overview of Zen poetry from China and Japan in all its rich variety, from the earliest days to the twentieth century. Included are works by Lao Tzu, Han Shan, Li Po, Dogen Kigen, Saigyo, Basho, Chiao Jan, Yuan Mei, Ryokan, and many others. Hamill and Seaton provide illuminating introductions to the Chinese and Japanese sections that set the poets and their work in historical and philosophical context. Short biographies of the poets are also included.

Mountain Home: The Wilderness Poetry of Ancient China

The earliest and most extensive literary engagement with wilderness in human history, Mountain Home is vital poetry that feels utterly contemporary.

China's tradition of "rivers-and-mountains" poetry stretches across millennia. This is a plain-spoken poetry of immediate day-to-day experience, and yet seems most akin to China's grand landscape paintings. Although its wisdom is ancient, rooted in Taoist and Zen thought, the work feels utterly contemporary, especially as rendered here in Hinton's rich and accessible translations.

Mountain Home collects poems from 5th- through 13th-century China and includes the poets Li Po, Po Chü-i and Tu Fu. The "rivers-and-mountains" tradition covers a remarkable range of topics: comic domestic scenes, social protest, travel, sage recluses, and mountain landscapes shaped into forms of enlightenment. And within this range, the poems articulate the experience of living as an organic part of the natural world and its processes. In an age of global ecological disruption and mass extinction, this tradition grows more urgently important every day. Mountain Home offers poems that will charm and inform not just readers of poetry, but also the large community of readers who are interested in environmental awareness.

The Shambhala Anthology of Chinese Poetry (Shambhala Pocket Classics)

In traditional Chinese culture, poetic artistry held a place that was unrivaled by any other single talent, and was a source of prestige and even of political power. In this rich collection, J. P. Seaton introduces the reader to the main styles of Chinese poetry and the major poets, from the classic Shih Ching to the twentieth century. Seaton has a poet's ear, and his translations here are fresh and vivid.

The Clouds Should Know Me By Now: Buddhist Poet Monks of China

Gary Snyder brought the Chinese Zen poet Han-Shan (Cold Mountain) to prominence through translations that struck a cord with Zen enthusiasts and back-to-nature mystics alike. Now Red Pine, Mike O'Connor, and four other translators have breathed life into the literary descendants of Han-Shan, poet monks who are most at home in misty hills, contemplating "crimson leaves" and "azure depths." Like its Japanese cousin, the haiku, Chinese Zen poetry conveys pregnant images in spare structures that cascade into layers of emotion and rich associations. The Buddhism itself lies offstage, the poems recalling more of Thoreau or Whitman than Hui-neng or Nagarjuna. The translations here pause and flow like the originals, with poet-painter Paul Hansen's renderings of early Sung monks especially brilliant, outshining even the celebrated Burton Watson's translations of the Tang poet Ch'i Chi. For that trip to your mountain hermitage or when simply hiding out in the backyard, you'll find sure companionship in The Clouds Should Know Me By Now. --Brian Bruya

The voices of fourteen eminent Chinese poet monks whose works span twelve centuries (A.D.700 -1900) are here presented both in the original Chinese and in English translation. The collection includes 136 poems divided into six sections with translator introductions to each poet and his work. The poets in this book have been chosen by the translators for their insight into the human condition and for the beauty of their poetic expression. In presenting the work of six very talented translators, including Red Pine (Bill Porter), Burton Watson, and J. P. Seaton, this book provides any reader, novice or expert, with an appreciation and understanding of this elegant and traditional Chinese expression of spirituality.

Zen Poetry: Let the Spring Breeze Enter

The Selected Poems of T'ao Ch'ien

Chinese, tr David Hinton

Five T'ang Poets

Five great poets of the T'ang dynasty (eighth and ninth centuries A.D.) are represented in this collection: Wang Wei, Li Po, Tu Fu, Li Ho, and Li Shang-Yin. Each poet is introduced by the translator and represented by a selection that spans the poet's development and career. These constitute some of the greatest lyric poems ever written.

The Anchor Book of Chinese Poetry: From Ancient to Contemporary, The Full 3000-Year Tradition

Unmatched in scope and literary quality, The Anchor Book of Chinese Poetry spans three thousand years, bringing together more than six hundred poems by more than one hundred thirty poets, in translations–many new and exclusive to the book–by an array of distinguished translators.

Here is the grand sweep of Chinese poetry, from the Book of Songs–ancient folk songs said to have been collected by Confucius himself–and Laozi’s Dao De Jing to the vividly pictorial verse of Wang Wei, the romanticism of Li Po, the technical brilliance of Tu Fu, and all the way up to the twentieth-century poetry of Mao Zedong and the post—Cultural Revolution verse of the Misty poets. Encompassing the spiritual, philosophical, political, mystical, and erotic strains that have emerged over millennia, this broadly representative selection also includes a preface on the art of translation, a general introduction to Chinese poetic form, biographical headnotes for each of the poets, and concise essays on the dynasties that structure the book. A landmark anthology, The Anchor Book of Chinese Poetry captures with impressive range and depth the essence of China’s illustrious poetic tradition.