Divisadero (Vintage International)
by Michael Ondaatje
from Vintage
From the celebrated author of The English Patient, comes another breathtaking, unforgettable story, this time about a family torn apart by an act of violence. Divisadero is a rich and rewarding read, one that Jhumpa Lahiri, in her guest review for Amazon.com (see below), calls "Ondaatje's finest novel to date." --Daphne Durham
Guest Reviewer: Jhumpa Lahiri
Jhumpa Lahiri was awarded the 2000 Pulitzer Prize for fiction, as well as the PEN/Hemingway Award for her mesmerizing debut collection of stories, Interpreter of Maladies. Her poignant and powerful debut novel, The Namesake was adapted by screenwriter Sooni Taraporevala, and released in theaters in 2007. My life always stops for a new book by Michael Ondaatje. I began Divisadero as soon as it came into my possession and over the course of a few evenings was captivated by Ondaatje's finest novel to date. The story is simple, almost mythical, stemming from a family on a California farm that is ruptured just as it is about to begin. Two daughters, Anna and Claire, are raised not just as siblings but with the intense bond of twins, interchangeable, inseparable. Coop, a boy from a neighboring farm, is folded into the girls' lives as a hired hand and quasi-brother. Anna, Claire, and Coop form a triangle that is intimate and interdependent, a triangle that brutally explodes less than thirty pages into the book. We are left with a handful of glass, both narratively and thematically. But Divisadero is a deeply ordered, full-bodied work, and the fragmented characters, severed from their shared past, persevere in relation to one another, illuminating both what it means to belong to a family and what it means to be alone in the world. The notion of twins, of one becoming two, pervades the novel, and so the farm in California is mirrored by a farm in France, the setting for another plot line in the second half of the book and giving us, in a sense, two novels in one. But the stories are not only connected but calibrated by Ondaatje to reveal a haunting pattern of parallels, echoes, and reflections across time and place. Like Nabokov, another master of twinning, Ondaatje's method is deliberate but discreet, and it was only in rereading this beautiful book--which I wanted to do as soon as I finished it--that the intricate play of doubles was revealed. Every sign of the author's genius is here: the searing imagery, the incandescent writing, the calm probing of life's most turbulent and devastating experiences. No one writes as affectingly about passion, about time and memory, about violence--subjects that have shaped Ondaatje's previous novels. But there is a greater muscularity to Divisadero, an intensity born from its restraint. Episodes are boiled down to their essential elements, distilled but dramatic, resulting in a mosaic of profound dignity, with an elegiac quietude that only the greatest of writers can achieve. --Jhumpa Lahiri
From the celebrated author of The English Patient and Anil's Ghost comes a remarkable, intimate novel of intersecting lives that ranges across continents and time.
In the 1970s in Northern California a father and his teenage daughters, Anna and Claire, work their farm with the help of Coop, an enigmatic young man who makes his home with them. Theirs is a makeshift family, until it is shattered by an incident of violence that sets fire to the rest of their lives. Divisadero takes us from San Francisco to the raucous backrooms of Nevada's casinos and eventually to the landscape of southern France. As the narrative moves back and forth through time and place, we find each of the characters trying to find some foothold in a present shadowed by the past.
Red Bird: Poems
by Mary Oliver
from Beacon Press
"Red bird came all winter / firing up the landscape / as nothing else could." So begins Mary Oliver's twelfth book of poetry, and the image of that fiery bird stays with the reader, appearing in unexpected forms and guises until, in a postscript, he explains himself: "For truly the body needs / a song, a spirit, a soul. And no less, to make this work, / the soul has need of a body, / and I am both of the earth and I am of the inexplicable / beauty of heaven / where I fly so easily, so welcome, yes, / and this is why I have been sent, to teach this to your heart."
This collection of sixty-one new poems, the most ever in a single volume of Oliver's work, includes an entirely new direction in the poet's work: a cycle of eleven linked love poems—a dazzling achievement. As in all of Mary Oliver's work, the pages overflow with her keen observation of the natural world and her gratitude for its gifts, for the many people she has loved in her seventy years, as well as for her disobedient dog, Percy. But here, too, the poet's attention turns with ferocity to the degradation of the Earth and the denigration of the peoples of the world by those who love power. Red Bird is unquestionably Mary Oliver's most wide-ranging volume to date.
"Mary Oliver has done it again. She has assembled a collection of poems that is moving, intense and evocative in its engagement of the natural world. Yet this latest book by the Pulitzer Prize– and National Book Award–winner is distinctive among her 17 volumes for the dark undercurrent that runs through the poems . . . the hard lesson that this earth is fallen and fragile, now more than ever, and unless we learn to cherish the world, we will destroy it . . . The song Mary Oliver sings in Red Bird is the song she has always sung, but now more urgent, more needful, more true."
—Angela O'Donnell, America magazine, April 28, 2008
"Last April, Book Sense's poetry bestseller list included two titles by Billy Collins. This year the Top 5 can be summed up in six words: Mary Oliver, Mary Oliver, Mary Oliver. Oliver's impressive feat reflects both an enduring popularity and an unparalleled ability to touch readers on a deep, almost primal level."
—Elizabeth Lund, The Christian Science Monitor, April 15, 2008
"Mary Oliver celebrates the creatures she observes on Cape Cod in "Red Bird" (Beacon), her 17th book of poetry. A longtime resident of Provincetown, Oliver, at 72, is among the nation's most popular poets . . . Oliver's grief ripples through the book, as does an unwavering sense of gratitude for the moment, the memories, and her trusty dog, Percy."
—Jan Gardner, Boston Globe, April 13, 2008
"Mary Oliver is 70 years old and still 'in love with life' and 'still full of beans' as she notes in 'Self-Portrait.' She savors the ocean, visits a graveyard, salutes a red bird in winter, heeds the invitation of a group of goldfinches to attend their performance, and finds lessons in teachings of an owl and a mockingbird. We depend on this poet for her hallowings in the animal kingdoms. We look to her for a reverence that lifts up and celebrates the little things in nature."
—Frederic and Mary Ann Brussat, Spirituality & Practice, April 9, 2008
"In Red Bird, Oliver maintains the lyrical connection to the natural world that has made her work so popular. But in the new book she speaks even more loudly than usual against mankind's growing list of abuses of the planet, while celebrating such seemingly ordinary creatures as crows."
—Poets & Writers, March/April 2008
"One of few avidly read living poets, Oliver revels in the beauty of the living world, and takes to heart its lessons in patience and pleasure, cessation and renewal. As piercingly observant as ever in this substantial and forthright collection, Oliver is rhapsodic."
—Donna Seaman, Booklist, March 1, 2008
"Mary Oliver, who won the Pultizer Prize in poetry, is my choice for her joyous, accessible, intimate observations of the natural world . . . She teaches us the profound act of paying attention—a living wonder that makes it possible to appreciate all the others."
—Renee Loth, Boston Globe
"It has always seemed . . . that Mary Oliver might leave us any minute. Even a 1984 Pulitzer Prize couldn't pin her to the ground. She'd change quietly into a heron or a bear and fly or walk off forever."
—Susan Salter Reynolds, Los Angeles Times
"'My work is loving the world,' Oliver tells us . . . She has always done that work . . . in poems of considerable beauty. Now she rises, not above the world, but through it."
—Jay Parini, The Guardian
The Prophet
by Kahlil Gibran
from Alfred A. Knopf
In a distant, timeless place, a mysterious prophet walks the sands. At the moment of his departure, he wishes to offer the people gifts but possesses nothing. The people gather round, each asks a question of the heart, and the man's wisdom is his gift. It is Gibran's gift to us, as well, for Gibran's prophet is rivaled in his wisdom only by the founders of the world's great religions. On the most basic topics--marriage, children, friendship, work, pleasure--his words have a power and lucidity that in another era would surely have provoked the description "divinely inspired." Free of dogma, free of power structures and metaphysics, consider these poetic, moving aphorisms a 20th-century supplement to all sacred traditions--as millions of other readers already have. --Brian Bruya
A brilliant man's philosophy on love, marriage, joy and sorrow, time, friendship and much more. Originally published in 1923 - translated into more than 20 languages. With 12 full page drawings by Gibran.
The Craftsman
by Richard Sennett
from Yale University Press
Defining craftsmanship far more broadly than “skilled manual labor,” Richard Sennett maintains that the computer programmer, the doctor, the artist, and even the parent and citizen engage in a craftsman’s work. Craftsmanship names the basic human impulse to do a job well for its own sake, says the author, and good craftsmanship involves developing skills and focusing on the work rather than ourselves. In this thought-provoking book, one of our most distinguished public intellectuals explores the work of craftsmen past and present, identifies deep connections between material consciousness and ethical values, and challenges received ideas about what constitutes good work in today’s world.
The Craftsman engages the many dimensions of skill—from the technical demands to the obsessive energy required to do good work. Craftsmanship leads Sennett across time and space, from ancient Roman brickmakers to Renaissance goldsmiths to the printing presses of Enlightenment Paris and the factories of industrial London; in the modern world he explores what experiences of good work are shared by computer programmers, nurses and doctors, musicians, glassblowers, and cooks. Unique in the scope of his thinking, Sennett expands previous notions of crafts and craftsmen and apprises us of the surprising extent to which we can learn about ourselves through the labor of making physical things.
Time and Materials: Poems 1997-2005
by Robert Hass
from Ecco
The poems in Robert Hass's new collection—his first to appear in a decade—are grounded in the beauty and energy of the physical world, and in the bafflement of the present moment in American culture. This work is breathtakingly immediate, stylistically varied, redemptive, and wise.
His familiar landscapes are here—San Francisco, the Northern California coast, the Sierra high country—in addition to some of his oft-explored themes: art; the natural world; the nature of desire; the violence of history; the power and limits of language; and, as in his other books, domestic life and the conversation between men and women. New themes emerge as well, perhaps: the essence of memory and of time.
The works here look at paintings, at Gerhard Richter as well as Vermeer, and pay tribute to his particular literary masters, friend Czesław Miłosz, the great Swedish poet Tomas Tranströmer, Horace, Whitman, Stevens, Nietszche, and Lucretius. We are offered glimpses of a surprisÂingly green and vibrant twenty-first-century Berlin; of the demilitarized zone between the Koreas; of a Bangkok night, a Mexican desert, and an early summer morning in Paris, all brought into a vivid present and with a passionate meditation on what it is and has been to be alive. "It has always been Mr. Hass's aim," the New York Times Book Review wrote, "to get the whole man, head and heart and hands and everyÂthing else, into his poetry."
Every new volume by Robert Hass is a major event in poetry, and this beautiful collection is no exception.
The Divine Comedy (The Inferno, The Purgatorio, and The Paradiso)
by Dante Alighieri
from NAL Trade
Dante Alighieri's poetic masterpiece, The Divine Comedy, is a moving human drama, an unforgettable visionary journey through the infinite torment of Hell, up the arduous slopes of Purgatory, and on to the glorious realm of Paradise-the sphere of universal harmony and eternal salvation.
Thirst: Poems
by Mary Oliver
from Beacon Press
Now in paperback: the national bestseller from the Pulitzer Prize–winning poet
"To read Thirst, Mary Oliver's most recent book of poems, is to feel gratitude for the simple fact of being alive." —Angela O'Donnell, America Magazine
Thirst, a collection of forty-three new poems from Pulitzer Prize–winner Mary Oliver, introduces two new directions in the poet's work. Grappling with grief at the death of her beloved partner of over forty years, she strives to experience sorrow as a path to spiritual progress, grief as part of loving and not its end. And within these pages she chronicles for the first time her discovery of faith, without abandoning the love of the physical world that has been a hallmark of her work for four decades.
"Mary Oliver moves by instinct, faith, and determination. She is among our finest poets, and still growing."
—Alicia Ostriker, The Nation
"It has always seemed, across her [many] books of poetry, . . . that Mary Oliver might leave us at any minute. Even a 1984 Pulitzer Prize couldn't pin her to the ground. She'd change quietly into a heron or a bear and fly or walk on forever."
—Susan Salter Reynolds, Los Angeles Times
"'My work is loving the world,' Oliver tells us….She has always done that work…in poems of considerable beauty. Now she rises, not above the world, but through it."
—Jay Parini, The Guardian, 10/6/2007
"Mary Oliver is, to my mind, one of the most gifted American poets working in English today. In her hands, the language acquires a lucidity approaching translucence; the accuracy of her vision and the precision of her voice are unique in their refreshing simplicity. Perhaps most singular is the tendency of her poems to be at once powerful and appealing; an affection for the natural world and a sympathy toward the reader abide."
—Katherine Hollander, Pleiades, Fall 2007
"To read Thirst is to feel gratitude for the simple fact of being alive. This is not surprising, as it is the effect [Oliver's] best work has produced in readers for the past 43 years."
—Angela O'Donnell, America magazine
"'My work is loving the world.' That first line of 'Messenger,' the first poem in Mary Oliver's new collection Thirst (Beacon Press), names what she does better than any other poet writing today. Just as Joan Didion's memoir The Year of Magical Thinking, which had a similar 'occasion,' was arguably her best work ever, so is Thirst Oliver's."
—Tim Pfaff, Bay Area Reporter, 1/11/07
Leaves of Grass: The Original 1855 Edition (Thrift Edition)
by Walt Whitman
from Dover Publications
I Know Why the Caged Bird Sings
by Maya Angelou
from Bantam
In this first of five volumes of autobiography, poet Maya Angelou recounts a youth filled with disappointment, frustration, tragedy, and finally hard-won independence. Sent at a young age to live with her grandmother in Arkansas, Angelou learned a great deal from this exceptional woman and the tightly knit black community there. These very lessons carried her throughout the hardships she endured later in life, including a tragic occurrence while visiting her mother in St. Louis and her formative years spent in California--where an unwanted pregnancy changed her life forever. Marvelously told, with Angelou's "gift for language and observation," this "remarkable autobiography by an equally remarkable black woman from Arkansas captures, indelibly, a world of which most Americans are shamefully ignorant."
A phenomenal #1 bestseller that has appeared on the New York Times bestseller list for nearly three years, this memoir traces Maya Angelou's childhood in a small, rural community during the 1930s.  Filled with images and recollections that point to the dignity and courage of black men and women,
Angelou paints a sometimes disquieting, but always affecting picture of the people--and the times--that touched her life.
The Sermon on the Mount: The Key to Success in Life
by Emmet Fox
from HarperOne
The Sermon on the Mount--now passing its 65th birthday--remains a vital and provocative introduction to the ideas at the heart of Christian Science. At heart it means to be entirely practical, as the "Science" of the name would indicate. Denying any interest in theology (there is no theology in the Bible, Fox argues), the author instead suggests that what Jesus was after was results: "Jesus explains to us what the nature of God is, and what our own nature is; tells us the meaning of life and of death; shows us why we make mistakes; why we yield to temptation; why we become sick, and impoverished, and old; and, most important of all, he tells us how all these evils may be overcome, and how we may bring health, happiness, and true prosperity into our lives."
And the Spiritual Key? Fox puts it quite simply: "The Truth turns out to be nothing less than the amazing but undeniable fact that the whole outer world--whether it be the physical body, the common things of life, the winds and the rain, the clouds, the earth itself--is amenable to man's thought, and that he has dominion over it when he knows it." --Doug Thorpe
Fresh with contemporary relevance, this classic of positive thinking from one of the world's great motivational writers offers galvanizing insights on self-transformation. Based on Emmet Fox's simple message that "thoughts are things" and all potential lies in their creative and constructive use, these thirty-one inspiring essays how to have it all -- health, healing, happiness, and a liberated spirit -- through the power of constructive though. First published in 1940, Power Through Constructive Thinking has been a never-failing source of strength and renewal for generations of readers.
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