How to Read Literature Like a Professor: A Lively and Entertaining Guide to Reading Between the Lines
by Thomas C. Foster
from Harper Paperbacks
What does it mean when a fictional hero takes a journey?. Shares a meal? Gets drenched in a sudden rain shower? Often, there is much more going on in a novel or poem than is readily visible on the surface—a symbol, maybe, that remains elusive, or an unexpected twist on a character—and there's that sneaking suspicion that the deeper meaning of a literary text keeps escaping you.
In this practical and amusing guide to literature, Thomas C. Foster shows how easy and gratifying it is to unlock those hidden truths, and to discover a world where a road leads to a quest; a shared meal may signify a communion; and rain, whether cleansing or destructive, is never just rain. Ranging from major themes to literary models, narrative devices, and form, How to Read Literature Like a Professor is the perfect companion for making your reading experience more enriching, satisfying, and fun.
The Garden of Last Days: A Novel
by Andre Dubus III
from W. W. Norton
From the author of the New York Times bestseller and Oprah's Book Club selection House of Sand and Fog—a new big-hearted, painful, page-turning novel.
One early September night in Florida, a stripper brings her daughter to work. April's usual babysitter is in the hospital, so she decides it's best to have her three-year-old daughter close by, watching children's videos in the office, while she works.
Except that April works at the Puma Club for Men. And tonight she has an unusual client, a foreigner both remote and too personal, and free with his money. Lots of it, all cash. His name is Bassam. Meanwhile, another man, AJ, has been thrown out of the club for holding hands with his favorite stripper, and he's drunk and angry and lonely.
From these explosive elements comes a relentless, raw, searing, passionate, page-turning narrative, a big-hearted and painful novel about sex and parenthood and honor and masculinity. Set in the seamy underside of American life at the moment before the world changed, it juxtaposes lust for domination with hunger for connection, sexual violence with family love. It seizes the reader by the throat with the same psychological tension, depth, and realism that characterized Andre Dubus's #1 bestseller, House of Sand and Fog—and an even greater sense of the dark and anguished places in the human heart.
Our Dumb World: The Onion's Atlas of the Planet Earth, 73rd Edition
by The Onion
from Little, Brown and Company
Our Dumb World: The Onion's Atlas of The Planet Earth, 73rd Edition features incorrect statistics on all of the Earth's 168, 182, or 196 independent nations. It also features maps, including a fold-out world map at actual size. Readers will learn about every country from
Today's news-parody consumer cannot possibly understand made-up current events without the context of fake world history and geography. That is why The Onion is publishing a world atlas: to help us.
Our Dumb World is an invaluable tool for any reader interested in overthrowing a weakened government in East Asia, exploiting a developing nation in Africa, or for directions to tonight's party at Erica's. It is a reference guide to 250,000 of the world's most important places, such as
Fight Club: A Novel
by Chuck Palahniuk
from W. W. Norton
The only person who gets called Ballardesque more often than Chuck Palahniuk is, well... J.G. Ballard. So, does Portland, Oregon's "torchbearer for the nihilistic generation" deserve that kind of treatment? Yes and no. There is a resemblance between Fight Club and works such as Crash and Cocaine Nights in that both see the innocuous mundanities of everyday life as nothing more than the severely loosened cap on a seething underworld cauldron of unchecked impulse and social atrocity. Welcome to the present-day U.S. of A. As Ballard's characters get their jollies from staging automobile accidents, Palahniuk's yuppies unwind from a day at the office by organizing bloodsport rings and selling soap to fund anarchist overthrows. Let's just say that neither of these guys are going to be called in to do a Full House script rewrite any time soon.
But while the ingredients are the same, Ballard and Palahniuk bake at completely different temperatures. Unlike his British counterpart, who tends to cast his American protagonists in a chilly light, holding them close enough to dissect but far enough away to eliminate any possibility of kinship, Palahniuk isn't happy unless he's first-person front and center, completely entangled in the whole sordid mess. An intensely psychological novel that never runs the risk of becoming clinical, Fight Club is about both the dangers of loyalty and the dreaded weight of leadership, the desire to band together and the compulsion to head for the hills. In short, it's about the pride and horror of being an American, rendered in lethally swift prose. Fight Club's protagonist might occasionally become foggy about who he truly is (you'll see what I mean), but one thing is for certain: you're not likely to forget the book's author. Never mind Ballardesque. Palahniukian here we come! --Bob Michaels
The first rule about fight club is you don't talk about fight club.
Chuck Palahniuk's outrageous and startling debut novel that exploded American literature and spawned a movement. Every weekend, in the basements and parking lots of bars across the country, young men with white-collar jobs and failed lives take off their shoes and shirts and fight each other barehanded just as long as they have to. Then they go back to those jobs with blackened eyes and loosened teeth and the sense that they can handle anything. Fight club is the invention of Tyler Durden, projectionist, waiter, and dark, anarchic genius, and it's only the beginning of his plans for violent revenge on an empty consumer-culture world.
Jane Eyre (Penguin Classics)
by Charlotte Brontë
from Penguin Classics
A new edition of one of Penguin’s top ten Classics—the novel that has been “teaching true strength of character for generations”
(The Guardian)
A novel of intense power and intrigue, Jane Eyre has dazzled generations of readers with its depiction of a womanÂ’s quest for freedom. This updated edition features a new introduction discussing the novelÂ’s political and magical dimensions.
Having grown up an orphan in the home of her cruel aunt and at a harsh charity school, Jane Eyre becomes an independent and spirited survivor—qualities that serve her well as governess at Thornfield Hall. But when she finds love with her sardonic employer, Rochester, the discovery of his terrible secret forces her to make a choice. Should she stay with him whatever the consequences or follow her convictions, even if it means leaving her beloved?
Mythology: Timeless Tales of Gods and Heroes
by Edith Hamilton
from Grand Central Publishing
How to Read a Book (A Touchstone Book)
by Mortimer J. Adler
from Touchstone
How to Read a Book, originally published in 1940, has become a rare phenomenon, a living classic. It is the best and most successful guide to reading comprehension for the general reader. And now it has been completely rewritten and updated.
You are told about the various levels of reading and how to achieve them -- from elementary reading, through systematic skimming and inspectional reading, to speed reading, you learn how to pigeonhole a book, X-ray it, extract the author's message, criticize. You are taught the different reading techniques for reading practical books, imaginative literature, plays, poetry, history, science and mathematics, philosophy and social science.
Finally, the authors offer a recommended reading list and supply reading tests whereby you can measure your own progress in reading skills, comprehension and speed.
The History of Love: A Novel
by Nicole Krauss
from W. W. Norton
Nicole Krauss's The History of Love is a hauntingly beautiful novel about two characters whose lives are woven together in such complex ways that even after the last page is turned, the reader is left to wonder what really happened. In the hands of a less gifted writer, unraveling this tangled web could easily give way to complete chaos. However, under Krauss's watchful eye, these twists and turns only strengthen the impact of this enchanting book.
The History of Love spans of period of over 60 years and takes readers from Nazi-occupied Eastern Europe to present day Brighton Beach. At the center of each main character's psyche is the issue of loneliness, and the need to fill a void left empty by lost love. Leo Gursky is a retired locksmith who immigrates to New York after escaping SS officers in his native Poland, only to spend the last stage of his life terrified that no one will notice when he dies. ("I try to make a point of being seen. Sometimes when I'm out, I'll buy a juice even though I'm not thirsty.") Fourteen-year-old Alma Singer vacillates between wanting to memorialize her dead father and finding a way to lift her mother's veil of depression. At the same time, she's trying to save her brother Bird, who is convinced he may be the Messiah, from becoming a 10-year-old social pariah. As the connection between Leo and Alma is slowly unmasked, the desperation, along with the potential for salvation, of this unique pair is also revealed.
The poetry of her prose, along with an uncanny ability to embody two completely original characters, is what makes Krauss an expert at her craft. But in the end, it's the absolute belief in the uninteruption of love that makes this novel a pleasure, and a wonder to behold. --Gisele Toueg
The illuminating national bestseller: "Vertiginously exciting…vibrantly imagined….[Krauss is] a prodigious talent."—Janet Maslin, New York Times
A long-lost book reappears, mysteriously connecting an old man searching for his son and a girl seeking a cure for her widowed mother's loneliness.
Leo Gursky is just about surviving, tapping his radiator each evening to let his upstairs neighbor know he's still alive. But life wasn't always like this: sixty years ago, in the Polish village where he was born, Leo fell in love and wrote a book. And though Leo doesn't know it, that book survived, inspiring fabulous circumstances, even love. Fourteen-year-old Alma was named after a character in that very book. And although she has her hands full—keeping track of her brother, Bird (who thinks he might be the Messiah), and taking copious notes on How to Survive in the Wild—she undertakes an adventure to find her namesake and save her family. With consummate, spellbinding skill, Nicole Krauss gradually draws together their stories.
This extraordinary book was inspired by the author's four grandparents and by a pantheon of authors whose work is haunted by loss—Bruno Schulz, Franz Kafka, Isaac Babel, and more. It is truly a history of love: a tale brimming with laughter, irony, passion, and soaring imaginative power.
The Man Who Mistook His Wife For A Hat: And Other Clinical Tales
by Oliver Sacks
from Touchstone
In his most extraordinary book, "one of the great clinical writers of the 20th century" (The New York Times) recounts the case histories of patients lost in the bizarre, apparently inescapable world of neurological disorders. Oliver Sacks's The Man Who Mistook His Wife for a Hat tells the stories of individuals afflicted with fantastic perceptual and intellectual aberrations: patients who have lost their memories and with them the greater part of their pasts; who are no longer able to recognize people and common objects; who are stricken with violent tics and grimaces or who shout involuntary obscenities; whose limbs have become alien; who have been dismissed as retarded yet are gifted with uncanny artistic or mathematical talents.
If inconceivably strange, these brilliant tales remain, in Dr. Sacks's splendid and sympathetic telling, deeply human. They are studies of life struggling against incredible adversity, and they enable us to enter the world of the neurologically impaired, to imagine with our hearts what it must be to live and feel as they do. A great healer, Sacks never loses sight of medicine's ultimate responsibility: "the suffering, afflicted, fighting human subject."
The Catcher in the Rye
by J.D. Salinger
from Little, Brown and Company
Since his debut in 1951 as The Catcher in the Rye, Holden Caulfield has been synonymous with "cynical adolescent." Holden narrates the story of a couple of days in his sixteen-year-old life, just after he's been expelled from prep school, in a slang that sounds edgy even today and keeps this novel on banned book lists. It begins,
"If you really want to hear about it, the first thing you'll probably want to know is where I was born and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth. In the first place, that stuff bores me, and in the second place, my parents would have about two hemorrhages apiece if I told anything pretty personal about them."
His constant wry observations about what he encounters, from teachers to phonies (the two of course are not mutually exclusive) capture the essence of the eternal teenage experience of alienation.
Since his debut in 1951 as The Catcher in the Rye, Holden Caulfield has been synonymous with "cynical adolescent." Holden narrates the story of a couple of days in his sixteen-year-old life, just after he's been expelled from prep school, in a slang that sounds edgy even today and keeps this novel on banned book lists. It begins, "If you really want to hear about it, the first thing you'll probably want to know is where I was born and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth. In the first place, that stuff bores me, and in the second place, my parents would have about two hemorrhages apiece if I told anything pretty personal about them." His constant wry observations about what he encounters, from teachers to phonies (the two of course are not mutually exclusive) capture the essence of the eternal teenage experience of alienation.
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