War

The Things They Carried

"They carried all the emotional baggage of men who might die. Grief, terror, love, longing--these were intangibles, but the intangibles had their own mass and specific gravity, they had tangible weight. They carried shameful memories. They carried the common secret of cowardice.... Men killed, and died, because they were embarrassed not to."

A finalist for both the 1990 Pulitzer Prize and the National Book Critics Circle Award, The Things They Carried marks a subtle but definitive line of demarcation between Tim O'Brien's earlier works about Vietnam, the memoir If I Die in a Combat Zone and the fictional Going After Cacciato, and this sly, almost hallucinatory book that is neither memoir nor novel nor collection of short stories but rather an artful combination of all three. Vietnam is still O'Brien's theme, but in this book he seems less interested in the war itself than in the myriad different perspectives from which he depicts it. Whereas Going After Cacciato played with reality, The Things They Carried plays with truth. The narrator of most of these stories is "Tim"; yet O'Brien freely admits that many of the events he chronicles in this collection never really happened. He never killed a man as "Tim" does in "The Man I Killed," and unlike Tim in "Ambush," he has no daughter named Kathleen. But just because a thing never happened doesn't make it any less true. In "On the Rainy River," the character Tim O'Brien responds to his draft notice by driving north, to the Canadian border where he spends six days in a deserted lodge in the company of an old man named Elroy while he wrestles with the choice between dodging the draft or going to war. The real Tim O'Brien never drove north, never found himself in a fishing boat 20 yards off the Canadian shore with a decision to make. The real Tim O'Brien quietly boarded the bus to Sioux Falls and was inducted into the United States Army. But the truth of "On the Rainy River" lies not in facts but in the genuineness of the experience it depicts: both Tims went to a war they didn't believe in; both considered themselves cowards for doing so. Every story in The Things They Carried speaks another truth that Tim O'Brien learned in Vietnam; it is this blurred line between truth and reality, fact and fiction, that makes his book unforgettable. --Alix Wilber

One of the first questions people ask about The Things They Carried is this: Is it a novel, or a collection of short stories? The title page refers to the book simply as "a work of fiction," defying the conscientious reader's need to categorize this masterpiece. It is both: a collection of interrelated short pieces which ultimately reads with the dramatic force and tension of a novel. Yet each one of the twenty-two short pieces is written with such care, emotional content, and prosaic precision that it could stand on its own.

The Things They Carried depicts the men of Alpha Company: Jimmy Cross, Henry Dobbins, Rat Kiley, Mitchell Sanders, Norman Bowker, Kiowa, and of course, the character Tim O'Brien who has survived his tour in Vietnam to become a father and writer at the age of forty-three. They battle the enemy (or maybe more the idea of the enemy), and occasionally each other. In their relationships we see their isolation and loneliness, their rage and fear. They miss their families, their girlfriends and buddies; they miss the lives they left back home. Yet they find sympathy and kindness for strangers (the old man who leads them unscathed through the mine field, the girl who grieves while she dances), and love for each other, because in Vietnam they are the only family they have. We hear the voices of the men and build images upon their dialogue. The way they tell stories about others, we hear them telling stories about themselves.

With the creative verve of the greatest fiction and the intimacy of a searing autobiography, The Things They Carried  is a testament to the men who risked their lives in America's most controversial war. It is also a mirror held up to the frailty of humanity. Ultimately The Things They Carried and its myriad protagonists call to order the courage, determination, and luck we all need to survive.

World War Z: An Oral History of the Zombie War

“The end was near.” —Voices from the Zombie War

The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.

Ranging from the now infamous village of New Dachang in the United Federation of China, where the epidemiological trail began with the twelve-year-old Patient Zero, to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the cold, to the United States of Southern Africa, where the Redeker Plan provided hope for humanity at an unspeakable price, to the west-of-the-Rockies redoubt where the North American tide finally started to turn, this invaluable chronicle reflects the full scope and duration of the Zombie War.

Most of all, the book captures with haunting immediacy the human dimension of this epochal event. Facing the often raw and vivid nature of these personal accounts requires a degree of courage on the part of the reader, but the effort is invaluable because, as Mr. Brooks says in his introduction, “By excluding the human factor, aren’t we risking the kind of personal detachment from history that may, heaven forbid, lead us one day to repeat it? And in the end, isn’t the human factor the only true difference between us and the enemy we now refer to as ‘the living dead’?”

Note: Some of the numerical and factual material contained in this edition was previously published under the auspices of the United Nations Postwar Commission.


Eyewitness reports from the first truly global war

“I found ‘Patient Zero’ behind the locked door of an abandoned apartment across town. . . . His wrists and feet were bound with plastic packing twine. Although he’d rubbed off the skin around his bonds, there was no blood. There was also no blood on his other wounds. . . . He was writhing like an animal; a gag muffled his growls. At first the villagers tried to hold me back. They warned me not to touch him, that he was ‘cursed.’ I shrugged them off and reached for my mask and gloves. The boy’s skin was . . . cold and gray . . . I could find neither his heartbeat nor his pulse.” —Dr. Kwang Jingshu, Greater Chongqing, United Federation of China


“‘Shock and Awe’? Perfect name. . . . But what if the enemy can’t be shocked and awed? Not just won’t, but biologically can’t! That’s what happened that day outside New York City, that’s the failure that almost lost us the whole damn war. The fact that we couldn’t shock and awe Zack boomeranged right back in our faces and actually allowed Zack to shock and awe us! They’re not afraid! No matter what we do, no matter how many we kill, they will never, ever be afraid!” —Todd Wainio, former U.S. Army infantryman and veteran of the Battle of Yonkers


“Two hundred million zombies. Who can even visualize that type of number, let alone combat it? . . . For the first time in history, we faced an enemy that was actively waging total war. They had no limits of endurance. They would never negotiate, never surrender. They would fight until the very end because, unlike us, every single one of them, every second of every day, was devoted to consuming all life on Earth.” —General Travis D’Ambrosia, Supreme Allied Commander, Europe


From the Hardcover edition.

Tree of Smoke: A Novel

Amazon Significant Seven, September 2007: Denis Johnson is one of those few great hopes of American writing, fully capable of pulling out a ground-changing masterpiece, as he did in 1992 with the now-legendary collection, Jesus' Son. Tree of Smoke showed every sign of being his "big book": 600+ pages, years in the making, with a grand subject (the Vietnam War). And in the reading it lives up to every promise. It's crowded with the desperate people, always short of salvation, who are Johnson's specialty, but despite every temptation of the Vietnam dreamscape it is relentlessly sober in its attention to on-the-ground details and the gradations of psychology. Not one of its 614 pages lacks a sentence or an observation that could set you back on your heels. This is the book Johnson fans have been waiting for--along with everybody else, whether they knew it or not. --Tom Nissley

The Steel Wave: A Novel of World War II

Jeff Shaara, America’s premier author of military historical fiction, brings us the centerpiece of his epic trilogy of the Second World War.

General Dwight Eisenhower once again commands a diverse army that must find its single purpose in the destruction of Hitler’s European fortress. His primary subordinates, Omar Bradley and Bernard Montgomery, must prove that this unique blend of Allied armies can successfully confront the might of Adolf Hitler’s forces, who have already conquered Western Europe. On the coast of France, German commander Erwin Rommel fortifies and prepares for the coming invasion, acutely aware that he must bring all his skills to bear on a fight his side must win. But Rommel’s greatest challenge is to strike the Allies on his front, while struggling behind the lines with the growing insanity of Adolf Hitler, who thwarts the strategies Rommel knows will succeed.

Meanwhile, Sergeant Jesse Adams, a no-nonsense veteran of the 82nd Airborne, parachutes with his men behind German lines into a chaotic and desperate struggle. And as the invasion force surges toward the beaches of Normandy, Private Tom Thorne of the 29th Infantry Division faces the horrifying prospects of fighting his way ashore on a stretch of coast more heavily defended than the Allied commanders anticipate–Omaha Beach.

From G.I. to general, this story carries the reader through the war’s most crucial juncture, the invasion that altered the flow of the war, and, ultimately, changed history.

All Quiet on the Western Front

Paul Baumer enlisted with his classmates in the German army of World War I. Youthful, enthusiastic, they become soldiers. But despite what they have learned, they break into pieces under the first bombardment in the trenches. And as horrible war plods on year after year, Paul holds fast to a single vow: to fight against the principles of hate that meaninglessly pits young men of the same generation but different uniforms against each other--if only he can come out of the war alive.
"The world has a great writer in Erich Maria Remarque. He is a craftsman of unquestionably first trank, a man who can bend language to his will. Whether he writes of men or of inanimate nature, his touch is sensitive, firm, and sure."
THE NEW YORK TIMES BOOK REVIEW

The Killer Angels

This novel reveals more about the Battle of Gettysburg than any piece of learned nonfiction on the same subject. Michael Shaara's account of the three most important days of the Civil War features deft characterizations of all of the main actors, including Lee, Longstreet, Pickett, Buford, and Hancock. The most inspiring figure in the book, however, is Col. Joshua Lawrence Chamberlain, whose 20th Maine regiment of volunteers held the Union's left flank on the second day of the battle. This unit's bravery at Little Round Top helped turned the tide of the war against the rebels. There are also plenty of maps, which convey a complete sense of what happened July 1-3, 1863. Reading about the past is rarely so much fun as on these pages.

"My favorite historical novel...A superb re-creation of the Battle of Gettysburg, but its real importance is its insight into what the war was about, and what it meant."
JAMES M. McPHERSON
Author of BATTLE CRY OF FREEDOM
Winner of the 1975 Pulitzer Prize for fiction
In the four most bloody and courageous days of our nation's history, two armies fought for two dreams. One dreamed of freedom, the other of a way of life. Far more than rifles and bullets were carried into battle. There were memories. There were promises. There was love. And far more than men fell on those Pennsylvania fields. Shattered futures, forgotten innocence, and crippled beauty were also the casualties of war. Unique, sweeping, an unforgettable, THE KILLER ANGELS is a dramatic re-creation of the battleground for America's destiny.

For Whom the Bell Tolls

For Whom the Bell Tolls begins and ends in a pine-scented forest, somewhere in Spain. The year is 1937 and the Spanish Civil War is in full swing. Robert Jordan, a demolitions expert attached to the International Brigades, lies "flat on the brown, pine-needled floor of the forest, his chin on his folded arms, and high overhead the wind blew in the tops of the pine trees." The sylvan setting, however, is at sharp odds with the reason Jordan is there: he has come to blow up a bridge on behalf of the antifascist guerrilla forces. He hopes he'll be able to rely on their local leader, Pablo, to help carry out the mission, but upon meeting him, Jordan has his doubts: "I don't like that sadness, he thought. That sadness is bad. That's the sadness they get before they quit or before they betray. That is the sadness that comes before the sell-out." For Pablo, it seems, has had enough of the war. He has amassed for himself a small herd of horses and wants only to stay quietly in the hills and attract as little attention as possible. Jordan's arrival--and his mission--have seriously alarmed him.

"I am tired of being hunted. Here we are all right. Now if you blow a bridge here, we will be hunted. If they know we are here and hunt for us with planes, they will find us. If they send Moors to hunt us out, they will find us and we must go. I am tired of all this. You hear?" He turned to Robert Jordan. "What right have you, a foreigner, to come to me and tell me what I must do?"

For Whom the Bell Tolls combines two of the author's recurring obsessions: war and personal honor. The pivotal battle scene involving El Sordo's last stand is a showcase for Hemingway's narrative powers, but the quieter, ongoing conflict within Robert Jordan as he struggles to fulfill his mission perhaps at the cost of his own life is a testament to his creator's psychological acuity. By turns brutal and compassionate, it is arguably Hemingway's most mature work and one of the best war novels of the 20th century. --Alix Wilber

In 1937 Ernest Hemingway traveled to Spain to cover the civil war there for the North American Newspaper Alliance. Three years later he completed the greatest novel to emerge from "the good fight," For Whom the Bell Tolls. The story of Robert Jordan, a young American in the International Brigades attached to an antifascist guerilla unit in the mountains of Spain, it tells of loyalty and courage, love and defeat, and the tragic death of an ideal. In his portrayal of Jordan's love for the beautiful Maria and his superb account of El Sordo's last stand, in his brilliant travesty of La Pasionaria and his unwillingness to believe in blind faith, Hemingway surpasses his achievement in The Sun Also Rises and A Farewell to Arms to create a work at once rare and beautiful, strong and brutal, compassionate, moving, and wise. "If the function of a writer is to reveal reality," Maxwell Perkins wrote Hemingway after reading the manuscript, "no one ever so completely performed it." Greater in power, broader in scope, and more intensely emotional than any of the author's previous works, it stands as one of the best war novels of all time.

Miracle at St. Anna (Movie Tie-in)

In Miracle at St. Anna, James McBride, author of the bestselling memoir The Color of Water, tells a war story that, like all great tales of conflict, connects the enormous tragedy of war with the intimate stories of individual soldiers. Miracle at St. Anna vividly follows four of the U.S. Army's 92nd Division of all-black buffalo soldiers as they become trapped between forces beyond their control and between worlds. Three of the soldiers have bolted behind enemy lines to rescue their comrade, the colossal, but simple, Private Sam Train. They find themselves stranded between worlds in a remote central Italian village, with the German Army hidden on one side and their racist and largely mismanaged American commanding officers on the other. The strange world of the village floats between myth and reality, where belief in magic coexists with the most horrific acts of war. In the melee that opens the book, the giant Sam Train suddenly comes to believe he can turn invisible, the local miser believes he is cursed with a wealth of rabbits, and each of the other soldiers also exists in a mythical world of his own. But they are all about to be shattered by the Miracle.

McBride illuminates an ironic moment in American history, a time when black soldiers fought bravely for the country whose "freedoms" included Jim Crow laws, segregation, and institutional and widespread personal racism. Miracle at St. Anna puts these intimate stories at the center of the much larger story of the struggle of people of color in this country. Each character is trapped and forced to act as nobly and as bravely as he can in the midst of forces beyond not only his control, but beyond his world. --Paul Ford

Inspired by a historical incident that took place in the village of St. Anna di Stazzema in Tuscany and by the experiences of the famed Buffalo Soldiers of the 92nd Division in Italy during World War 11, Miracle at St. Anna is a singular evocation of war, cruelty, passion, heroism, and love. It is the story of four American soldiers, the villagers among whom they take refuge, a band of partisans, and an Italian boy, all of whom encounter a miracle -- though perhaps the true miracle lies in themselves.

Traversing class, race, and geography, Miracle at St. Anna is above,, all a hymn to the brotherhood of man and the power to do good that lives in each of us. It reveals a little-known but fascinating moment in history through the eyes and imagination of a gifted writer. Like The Color of Water, James McBride's stunning' first novel will change the way we perceive ourselves and our world.

Black Ops

The Russian bear is stirring—and it’s hungry— in the #1 New York Times–bestselling series’ thrilling fifth novel.

The first disturbing reports reached Delta Force Lieutenant Colonel Charley Castillo in the form of backchannel messages concerning covert U.S. intelligence assets working for a variety of agencies suddenly gone missing and then, suddenly, inexplicably, found dying. Or dead. One in Budapest, Hungary. One in Kiev, Ukraine. One in Ashgabat, Turkmenistan, mere klicks from the Iran border. And then one in Virginia, along the Potomac River, practically in the shadow of CIA headquarters.

Castillo finds the information both infuriating and fascinating, particularly after a recent experience with two CIA traitors whose own deaths were swift and suspicious. Despite there being some similarities, though, he thinks thereÂ’s something different with these new cases, something he canÂ’t quite put his finger on. At first, itÂ’s idle thought, but Castillo expects itÂ’s only a matter of time before the commander in chief assigns him and his group of troubleshooters in the innocuously named Office of Organizational Analysis to look into the deaths while all those intel agencies fight among themselves trying to put the pieces together.

Meanwhile, Castillo has problems of his own—fallout from recent missions involving a clandestine rescue of a DEA agent from South American drug runners, and the confiscation of some fifty million dollars from thieves in the Iraqi oil-for-food scandal. He’s made more than a few enemies, he knows—both foreign and domestic. And then comes another back-channel message, this one delivered personally by his lethal friend, the Russian mobster arms dealer. All that has happened so far, he says, is just a warm-up for what’s about to come out of the Kremlin.

Could sabers be rattling for a new Cold War? Or worse? Presidential Agent C. G. Castillo is about to find out. . . .

Filled with GriffinÂ’s trademark rich characters and cutting-edge drama, this is another exceptional novel in an exceptional series.

Titanicus (Warhammer 40,000 Novel)

Black Library’s best-selling SF author Dan Abnett takes his talents to a whole new level recounting an epic tale of Titans, the massive war machines of Warhammer 40,000.