Family Saga

Keeping Faith

When the marriage of Mariah White and her cheating husband, Colin, turns ugly and disintegrates, their seven-year-old daughter, Faith, is there to witness it all. In the aftermath of a rapid divorce, Mariah falls into a deep depression—and suddenly Faith, a child with no religious background whatsoever, hears divine voices, starts reciting biblical passages, and develops stigmata. And when the miraculous healings begin, mother and daughter are thrust into the volatile center of controversy and into the heat of a custody battle—trapped in a mad media circus that threatens what little stability the family has left.

In Keeping Faith, #1 New York Times bestselling author Jodi Picoult—one of the most powerful writers in contemporary fiction—brilliantly examines belief, miracles, and the complex core of family.

Middlesex: A Novel (Oprah's Book Club)

"I was born twice: first, as a baby girl, on a remarkably smogless Detroit day in January of 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of 1974." And so begins Middlesex, the mesmerizing saga of a near-mythic Greek American family and the "roller-coaster ride of a single gene through time." The odd but utterly believable story of Cal Stephanides, and how this 41-year-old hermaphrodite was raised as Calliope, is at the tender heart of this long-awaited second novel from Jeffrey Eugenides, whose elegant and haunting 1993 debut, The Virgin Suicides, remains one of the finest first novels of recent memory.

Eugenides weaves together a kaleidoscopic narrative spanning 80 years of a stained family history, from a fateful incestuous union in a small town in early 1920s Asia Minor to Prohibition-era Detroit; from the early days of Ford Motors to the heated 1967 race riots; from the tony suburbs of Grosse Pointe and a confusing, aching adolescent love story to modern-day Berlin. Eugenides's command of the narrative is astonishing. He balances Cal/Callie's shifting voices convincingly, spinning this strange and often unsettling story with intelligence, insight, and generous amounts of humor:

Emotions, in my experience aren't covered by single words. I don't believe in "sadness," "joy," or "regret." Â… I'd like to have at my disposal complicated hybrid emotions, Germanic traincar constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." ... I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever.

When you get to the end of this splendorous book, when you suddenly realize that after hundreds of pages you have only a few more left to turn over, you'll experience a quick pang of regret knowing that your time with Cal is coming to a close, and you may even resist finishing it--putting it aside for an hour or two, or maybe overnight--just so that this wondrous, magical novel might never end. --Brad Thomas Parsons

Peace Like a River

To the list of great American child narrators that includes Huck Finn and Scout Finch, let us now add Reuben "Rube" Land, the asthmatic 11-year-old boy at the center of Leif Enger's remarkable first novel, Peace Like a River. Rube recalls the events of his childhood, in small-town Minnesota circa 1962, in a voice that perfectly captures the poetic, verbal stoicism of the northern Great Plains. "Here's what I saw," Rube warns his readers. "Here's how it went. Make of it what you will." And Rube sees plenty.

In the winter of his 11th year, two schoolyard bullies break into the Lands' house, and Rube's big brother Davy guns them down with a Winchester. Shortly after his arrest, Davy breaks out of jail and goes on the lam. Swede is Rube's younger sister, a precocious writer who crafts rhymed epics of romantic Western outlawry. Shortly after Davy's escape, Rube, Swede, and their father, a widowed school custodian, hit the road too, swerving this way and that across Minnesota and North Dakota, determined to find their lost outlaw Davy. In the end it's not Rube who haunts the reader's imagination, it's his father, torn between love for his outlaw son and the duty to do the right, honest thing. Enger finds something quietly heroic in the bred-in-the-bone Minnesota decency of America's heartland. Peace Like a River opens up a new chapter in Midwestern literature. --Claire Dederer

The Blade Itself (The First Law: Book One)

Logen Ninefingers, infamous barbarian, has finally run out of luck. Caught in one feud too many, he's on the verge of becoming a dead barbarian - leaving nothing behind him but bad songs, dead friends, and a lot of happy enemies.

Nobleman, dashing officer, and paragon of selfishness, Captain Jezal dan Luthar has nothing more dangerous in mind than fleecing his friends at cards and dreaming of glory in the fencing circle. But war is brewing, and on the battlefields of the frozen North they fight by altogether bloodier rules.

Inquisitor Glokta, cripple turned torturer, would like nothing better than to see Jezal come home in a box. But then Glokta hates everyone: cutting treason out of the Union one confession at a time leaves little room for friendship. His latest trail of corpses may lead him right to the rotten heart of government, if he can stay alive long enough to follow it.

Enter the wizard, Bayaz. A bald old man with a terrible temper and a pathetic assistant, he could be the First of the Magi, he could be a spectacular fraud, but whatever he is, he's about to make the lives of Logen, Jezal, and Glotka a whole lot more difficult.

Murderous conspiracies rise to the surface, old scores are ready to be settled, and the line between hero and villain is sharp enough to draw blood. Unpredictable, compelling, wickedly funny, and packed with unforgettable characters, The Blade Itself is noir fantasy with a real cutting edge.

Picture Perfect

Jodi Picoult's novels have been hailed as "engrossing" (People) and "addictively readable" (Entertainment Weekly). Now, the author of Salem Falls and Plain Truth examines the fault lines of a troubled marriage in Picture Perfect-an "unfailingly intelligent...undeniably literary psychological drama."(Booklist)

"Picoult writes with an all-knowing and piercing eye. Hers is an important book from a talented writer we hope to hear from again and again." (Library Journal)

The House at Riverton: A Novel

Amazon Best of the Month, April 2008: In her cinematic debut novel, Kate Morton immerses readers in the dramas of the Ashbury family at their crumbling English country estate in the years surrounding World War I, an age when Edwardian civility, shaken by war, unravels into the roaring Twenties. Grace came to serve in the house as a girl. She left as a young woman, after the presumed suicide of a famous young poet at the property's lake. Though she has dutifully kept the family's secrets for decades, memories flood back in the twilight of her life when a young filmmaker comes calling with questions about how the poet really died--and why the Ashbury sisters never again spoke to each other afterward. With beautifully crafted prose, Morton methodically reveals how passion and fate transpired that night at the lake, with truly shocking results. Her final revelation at the story's close packs a satisfying (and not overly sentimental) emotional punch. --Mari Malcolm

The House at Riverton is a gorgeous debut novel set in England between the wars. It is the story of an aristocratic family, a house, a mysterious death and a way of life that vanished forever, told in flashback by a woman who witnessed it all and kept a secret for decades.

Grace Bradley went to work at Riverton House as a servant when she was just a girl, before the First World War. For years her life was inextricably tied up with the Hartford family, most particularly the two daughters, Hannah and Emmeline.

In the summer of 1924, at a glittering society party held at the house, a young poet shot himself. The only witnesses were Hannah and Emmeline and only they -- and Grace -- know the truth.

In 1999, when Grace is ninety-eight years old and living out her last days in a nursing home, she is visited by a young director who is making a film about the events of that summer. She takes Grace back to Riverton House and reawakens her memories. Told in flashback, this is the story of Grace's youth during the last days of Edwardian aristocratic privilege shattered by war, of the vibrant twenties and the changes she witnessed as an entire way of life vanished forever.

The novel is full of secrets -- some revealed, others hidden forever, reminiscent of the romantic suspense of Daphne du Maurier. It is also a meditation on memory, the devastation of war and a beautifully rendered window into a fascinating time in history.

Originally published to critical acclaim in Australia, already sold in ten countries and a #1 bestseller in England, The House at Riverton is a vivid, page-turning novel of suspense and passion, with characters -- and an ending -- the reader won't soon forget.

The Joy Luck Club

A stunning literary achievement, The Joy Luck Club explores the tender and tenacious bond between four daughters and their mothers. The daughters know one side of their mothers, but they don't know about their earlier never-spoken of lives in China. The mothers want love and obedience from their daughters, but they don't know the gifts that the daughters keep to themselves. Heartwarming and bittersweet, this is a novel for mother, daughters, and those that love them.

The God of Small Things

In her first novel, award-winning Indian screenwriter Arundhati Roy conjures a whoosh of wordplay that rises from the pages like a brilliant jazz improvisation. The God of Small Things is nominally the story of young twins Rahel and Estha and the rest of their family, but the book feels like a million stories spinning out indefinitely; it is the product of a genius child-mind that takes everything in and transforms it in an alchemy of poetry. The God of Small Things is at once exotic and familiar to the Western reader, written in an English that's completely new and invigorated by the Asian Indian influences of culture and language.

The story of the tragic decline of an Indian family whose members suffer the terrible consequences of forbidden love, The God of Small Things is set in the state of Kerala, on the southernmost tip of India. Armed only with the invincible innocence of children, the twins Rahel and Esthappen fashion a childhood for themselves in the shade of the wreck that is their family -- their lonely, lovely mother, Ammu (who loves by night the man her children love by day), their blind grandmother, Mammachi (who plays Handel on her violin), their beloved uncle Chacko (Rhodes scholar, pickle baron, radical Marxist, bottom-pincher), their enemy, Baby Kochamma (ex-nun and incumbent grandaunt), and the ghost of an imperial entomologist's moth (with unusually dense dorsal tufts).

When their English cousin and her mother arrive on a Christmas visit, the twins learn that Things Can Change in a Day. That lives can twist into new, ugly shapes, even cease forever. The brilliantly plotted story uncoils with an agonizing sense of foreboding and inevitability. Yet nothing prepares you for what lies at the heart of it.

Sword Song (The Saxon Chronicles, Book 4)

The year is 885, and England is at peace, divided between the Danish kingdom to the north and the Saxon kingdom of Wessex in the south. Uhtred, the dispossessed son of a Northumbrian lord—warrior by instinct, Viking by nature—has finally settled down. He has land, a wife, and two children, and a duty given to him by King Alfred to hold the frontier on the Thames. But then trouble stirs: a dead man has risen, and new Vikings have arrived to occupy the decayed Roman city of London. Their dream is to conquer Wessex, and to do it they need Uhtred's help.

Alfred has other ideas. He wants Uhtred to expel the Viking raiders from London. Uhtred must weigh his oath to the king against the dangerous turning tide of shifting allegiances and deadly power struggles. And other storm clouds are gathering: Ætheleflæd—Alfred's daughter—is newly married, but by a cruel twist of fate, her very existence now threatens Alfred's kingdom. It is Uhtred—half Saxon, half Dane—whose uncertain loyalties must now decide England's future.

A gripping story of love, deceit, and violence, Sword Song is set in an England of tremendous turmoil and strife—yet one galvanized by the hope that Alfred may prove an enduring force. Uhtred, his lord of war and greatest warrior, has become his sword—a man feared and respected the length and breadth of Britain.

Behind the Scenes at the Museum: A Novel

"I exist!" exclaims Ruby Lennox upon her conception in 1951, setting the tone for this humorous and poignant first novel in which Ruby at once celebrates and mercilessly skewers her middle-class English family. Peppered with tales of flawed family traits passed on from previous generations, Ruby's narrative examines the lives in her disjointed clan, which revolve around the family pet shop. But beneath the antics of her philandering father, her intensely irritable mother, her overly emotional sisters, and a gaggle of eccentric relatives are darker secrets--including an odd "feeling of something long forgotten"--that will haunt Ruby for the rest of her life. Kate Atkinson earned a Whitbread Prize in 1995 for this fine first effort.