Japanese

Rashomon and Seventeen Other Stories (Penguin Classics Deluxe Edition)

This collection features a brilliant new translation of the Japanese masterÂ’s stories, from the source for the movie Rashomon to his later, more autobiographical writings.

The Tale of Genji (Penguin Classics)

“Superbly written and genuinely engaging . . . one of those works that can be read and reread throughout one’s life.” —Liza Dalby, Los Angeles Times Book Review

Written in the eleventh century, this exquisite portrait of courtly life in medieval Japan is widely celebrated as the world’s first novel—and is certainly one of its finest. Genji, the Shining Prince, son of an emperor, is a passionate character whose tempestuous nature, family circumstances, love affairs, alliances, and shifting political fortunes form the core of this magnificent epic. Royall Tyler’s superb translation is detailed, poetic, and true to the Japanese original while allowing the English reader to appreciate its timeless beauty. In this deftly abridged edition, Tyler focuses on the early chapters, which vividly evoke Genji as a young man and leave him at his first moment of triumph.

Kusamakura (Penguin Classics)

A stunning new translation—the first in more than forty years—of a major novel by the father of modern Japanese fiction

Natsume S?seki’s Kusamakura follows its nameless young artist-narrator on a meandering walking tour of the mountains. At the inn at a hot spring resort, he has a series of mysterious encounters with Nami, the lovely young daughter of the establishment. Nami, or “beauty,” is the center of this elegant novel, the still point around which the artist moves and the enigmatic subject of S?seki’s word painting. In the author’s words, Kusamakura is “a haiku-style novel, that lives through beauty.” Written at a time when Japan was opening its doors to the rest of the world, Kusamakura turns inward, to the pristine mountain idyll and the taciturn lyricism of its courtship scenes, enshrining the essence of old Japan in a work of enchanting literary nostalgia.

The Tale of Genji

Widely acknowledged as the world's first novel, this astonishingly lovely book was written by a court lady in Heian Japan and offers a window into that formal, mannered world. Genji, a man of passionate impulses and a lover of beauty, is the favorite son of the Emperor, though his position at court is not entirely stable. He follows his wayward longings through moonlight-soaked gardens and jeweled pavilions, with mysterious women such as the Lady of the Orange Blossoms, the Akashi lady, and his own father's Empress. This version is translated by Edward G. Seidensticker, who has translated a number of other great Japanese writers such as Mishima and Kawabata.

In the eleventh century Murasaki Shikibu, a lady in the Heian court of Japan, wrote the world's first novel. But The Tale of Genji is no mere artifact. It is, rather, a lively and astonishingly nuanced portrait of a refined society where every dalliance is an act of political consequence, a play of characters whose inner lives are as rich and changeable as those imagined by Proust. Chief of these is "the shining Genji," the son of the emperor and a man whose passionate impulses create great turmoil in his world and very nearly destroy him. This edition, recognized as the finest version in English, contains a dozen chapters from early in the book, carefully chosen by the translator, Edward G. Seidensticker, with an introduction explaining the selection. It is illustrated throughout with woodcuts from a seventeenth-century edition.

The Samurai Banner of Furin Kazan (Tuttle Classics of Japanese Literature)

The Temple of the Golden Pavilion (Everyman's Library (Cloth))

(Book Jacket Status: Jacketed)

In The Temple of the Golden Pavilion, celebrated Japanese novelist Yukio Mishima creates a haunting portrait of a young man’s obsession with idealized beauty and his destructive quest to possess it fully.

Mizoguchi, an ostracized stutterer, develops a childhood fascination with Kyoto’s famous Golden Temple. While an acolyte at the temple, he fixates on the structure’s aesthetic perfection and it becomes his one and only object of desire. But as Mizoguchi begins to perceive flaws in the temple, he determines that the only true path to beauty lies in an act of horrific violence. Based on a real incident that occurred in 1950, The Temple of the Golden Pavilion brilliantly portrays the passions and agonies of a young man in postwar Japan, bringing to the subject the erotic imagination and instinct for the dramatic moment that marked Mishima as one of the towering makers of modern fiction.


Introduction by Donald Keene; Translated from the Japanese by Ivan Morris

The Tale of Genji (Everyman's Library (Cloth))

(Book Jacket Status: Jacketed)

In the early eleventh century Murasaki Shikibu, a lady in the Heian court of Japan, wrote what many consider to be the world’s first novel, more than three centuries before Chaucer. The Heian era (794—1185) is recognized as one of the very greatest periods in Japanese literature, and The Tale of Genji is not only the unquestioned prose masterpiece of that period but also the most lively and absorbing account we have of the intricate, exquisite, highly ordered court culture that made such a masterpiece possible.

Genji is the favorite son of the emperor but also a man of dangerously passionate impulses. In his highly refined world, where every dalliance is an act of political consequence, his shifting alliances and secret love affairs create great turmoil and very nearly destroy him.

Edward Seidensticker’s translation of Lady Murasaki’s splendid romance has been honored throughout the English-speaking world for its fluency, scholarly depth, and deep literary tact and sensitivity.

Pagoda, Skull & Samurai (Tuttle Classics of Japanese Literature)

Twenty-Four Eyes: A Novel (Tuttle Classics of Japanese Literature)

Sanshiro: A Novel (Michigan Classics in Japanese Studies)