Black and Blue (Oprah's Book Club)
by Anna Quindlen
from Delta
Oprah Book Club® Selection, April 1998: "The first time my husband hit me I was nineteen years old," begins Fran Benedetto, the broken heroine of Anna Quindlen's Black and Blue. With one sweeping sentence, the door to an abused and tortured world is swung wide open and the psyche of a crushed and tattered self-image exposed. "Frannie, Frannie, Fran"--as Bobby Benedetto liked to call her before smashing her into kitchen appliances--was a young, energetic nursing student when she met her husband-to-be at a local Brooklyn bar. She was instantly captivated by his dark, brooding looks and magnetic personality, but her fascination soon solidified into a marital prison sentence of incessant abuse and the destruction of her own identity. After an especially horrific beating and rape, Fran realizes that the next attack could be the last. Fearing her son would be left alone with Bobby, she escapes one morning with her child. Fran's salvation comes in the form of Patty Bancroft and Co., a relocation agency for abused women that touts better service than the witness protection program. Armed only with a phone number, a few hundred dollars, and the help of several anonymous volunteers, Fran begins a new life. The agency relocates her to Florida, where she becomes Beth Crenshaw, a recently divorced home-care assistant from Delaware. Fran and her son adapt, meeting challenges with unexpected resilience and resolve until their past returns to haunt them. Quindlen renders the intricacies of spousal abuse with eerie accuracy, taking the reader deep within the realm of dysfunctional human ties. However, her vivid descriptions of abuse, emotional disintegration, and acute loneliness at times numb the reader with their realism.
With daring and compassion, Anna Quindlen weaves a forceful, harrowing portrait of a woman and a marriage, capturing the profound intricacies of love and rage, passion and violence. At once heartbreaking and utterly riveting, BLACK AND BLUE is an extraordinary work of fiction and a brilliant achievement.
For eighteen years, Fran Benedetto kept her secret, hid her bruises, and stayed with Bobby because she wanted her son to have a father and because, in spite of everything, she loved him. Then one night, when she saw the look on her ten-year-old son's face, Fran finally made a choice--and ran for both their lives.
With the repackaging of BLACK AND BLUE and One True Thing, Anna Quindlen takes her place alongside Dell's Alice McDermott and Rosellen Brown bringing their beloved, acclaimed contemporary classics to a whole new audience of trade paperback readers in Delta editions.
Rise and Shine: A Novel
by Anna Quindlen
from Ballantine Books
From Anna Quindlen, acclaimed author of Blessings, Black and Blue, and One True Thing, a superb novel about two sisters, the true meaning of success, and the qualities in life that matter most.
It’s an otherwise ordinary Monday when Meghan Fitzmaurice’s perfect life hits a wall. A household name as the host of Rise and Shine, the country’s highest-rated morning talk show, Meghan cuts to a commercial break–but not before she mutters two forbidden words into her open mike.
In an instant, it’s the end of an era, not only for Meghan, who is unaccustomed to dealing with adversity, but also for her younger sister, Bridget, a social worker in the Bronx who has always lived in Meghan’s long shadow. The effect of Meghan’s on-air truth telling reverberates through both their lives, affecting Meghan’s son, husband, friends, and fans, as well as Bridget’s perception of her sister, their complex childhood, and herself. What follows is a story about how, in very different ways, the Fitzmaurice women adapt, survive, and manage to bring the whole teeming world of New York to heel by dint of their smart mouths, quick wits, and the powerful connection between them that even the worst tragedy cannot shatter.
From the Hardcover edition.
Exercises in Style
by Raymond Queneau
from New Directions Publishing Corporation
A twentysomething bus rider with a long, skinny neck and a goofy hat accuses another passenger of trampling his feet; he then grabs an empty seat. Later, in a park, a friend encourages the same man to reorganize the buttons on his overcoat. In Raymond Queneau's Exercises in Style, this determinedly pointless scenario unfolds 99 times in twice as many pages. Originally published in 1947 (in French), these terse variations on a theme are a wry lesson in creativity. The story is told as an official letter, as a blurb for a novel, as a sonnet, and in "Opera English." It's told onomatopoetically, philosophically, telegraphically, and mathematically. The result, as translator Barbara Wright writes in her introduction, is "a profound exploration into the possibilities of language." I'd say it's a refresher course of sorts, but it's more like a graduate seminar. After all, how many of us are familiar with terms such as litote, alexandrine, apheresis, and epenthesis in the first place?
One True Thing: A Novel
by Anna Quindlen
from Random House Trade Paperbacks
One True Thing is a film starring Meryl Streep as the cancer-stricken homemaker mother, Renee Zellweger as the daughter who quits her top-dog job to care for her, and William Hurt as the chilly professor who lets the women in the family do the heavy emotional lifting dying requires. But the real star of the project remains former New York Times everyday-life columnist Anna Quindlen, who quit her top-dog job to write novels (and who took time off from college to nurse her own dying mother).
Quindlen hit a nerve with One True Thing, which captures an experience seldom dealt with in popular culture. (One exception: the sensitive 1996 film with Streep and Leonardo DiCaprio of the play Marvin's Room.) Though the heroine of One True Thing, Ellen Gulden, is a golden girl with two brothers who'll lose her career the instant she steps off the fast track, society concurs with her dad, who says, "It seems to me another woman is what's wanted here."
The book is a mother-daughter tale that should please fans of, say, The Joy Luck Club. It's not flashy, but it has a deep feel for the way children often discover, just before it's too late, who their parents really are. "Our parents are never people to us," Ellen writes, "they're always character traits.... There is only room in the lifeboat of your life for one, and you always choose yourself, and turn your parents into whatever it takes to keep you afloat." The mercy-killing subplot isn't gripping, but the palpable sense of deepening family intimacy certainly is. --Tim Appelo
A mother.  A daughter.  A shattering choice.
From Anna Quindlen, bestselling author of Black and Blue, comes a novel of life, love and everyday acts of mercy.
"A triumph."
--San Francisco Chronicle
From the Paperback edition.
Mad About Madeline
by Ludwig Bemelmans
from Viking Juvenile
This elegant volume--perhaps one of the best gift books on the planet--contains all six adventures of the irrepressible, mischievous Madeline (the smallest and spunkiest of the twelve little girls in two straight lines). Ludwig Bemelmans's Madeline was first published in 1939, and its five sequels have all become classics. In Pulitzer Prize-winning journalist Anna Quindlen's introduction to Mad About Madeline she writes, "Amid a childhood full of children's books, amid glorious pictures and imaginative plots, it is worth wondering why this story is among a handful of books that now-grown children invariably buy for their own more than half a century after Ludwig Bemelmans began writing it on the back of a restaurant menu."
Inside this hefty, richly illustrated edition, you'll find Madeline, Madeline and the Bad Hat, Madeline's Rescue, Madeline and the Gypsies, Madeline in London, and Madeline's Christmas, in addition to Quindlen's splendidly insightful introduction, an essay by Bemelmans on how he invented Madeline, never-before-published working sketches of Madeline, and photos of the Bemelmans family. The perfect gift for anyone who has made friends with--or should be introduced to--the precocious Madeline. (The jaunty verse makes Madeline perfect for reading aloud, and readers ages 6 and older will enjoy sounding out names such as Lord Cucuface.)
For over sixty years, Madeline's adventures have enthralled her ever-growing audience. This collection brings together all six of the Madeline books in one volume. Every well-loved word and picture is here, plus an introduction by Pulitzer Prize-winning journalist Anna Quindlen, an essay by Ludwig Bemelmans on how he created Madeline, and working sketches of Madeline, as well as photos of the Bemelmans family. This landmark volume will be treasured by the entire family.
Blessings
by Anna Quindlen
from Fawcett
The plot of Anna Quindlen's novel Blessings is constructed on the same model as E.T.: adorable orphaned creature is found by unlikely caregiver who against his or her better judgment falls in love with the little beast, while all the while, the authorities loom in the background, threatening to take the foundling away. In Quindlen's book, however, the foundling in question isn't an alien, but a squalling baby left at Blessings, a vast estate owned by an ancient, crabby matriarch named Lydia Blessing. By a fluke, the baby's parents abandon her by the garage rather than at the front door, and so she is discovered by Skip Cuddy, Lydia Blessing's newly hired handyman, who happens to be an ex-con. The plot proceeds from there in fairly E.T.-like fashion, minus the Reese's Pieces and flying bicycles. Skip, Lydia, and the baby they name Faith form a surprisingly loving and sustaining, albeit temporary, family unit.
Quindlen wrings a remarkable amount of pathos from this somewhat simple setup. One of her strengths as a writer is the quietness she brings to her story; family secrets of paternity and lost love are buried deep in the narrative, hidden in descriptive paragraphs where they subtly zing us with their news. Her ear is good, too: we believe Skip and his bad-boy friends when they're shooting the breeze. Best of all is her flair for observation. The book wouldn't work at all if she couldn't make us feel Skip and Lydia's amazement at the small joys of a baby ("The deep pleat in the fat at her elbow made her arms look muscled"). Here is a book that lives up to its title. --Claire Dederer
Late one night, a teenage couple drives up to the big white clapboard home on the Blessing estate and leaves a box. In that instant, the lives of those who live and work there are changed forever. Skip Cuddy, the caretaker, finds a baby girl asleep in that box and decides he wants to keep the child . . . while Lydia Blessing, the matriarch of the estate, for her own reasons, agrees to help him. Blessings explores how the secrets of the past affect decisions and lives in the present; what makes a person or a life legitimate or illegitimate and who decides; and the unique resources people find in themselves and in a community. This is a powerful novel of love, redemption, and personal change by the Pulitzer Prize–winning writer about whom The Washington Post Book World said, “Quindlen knows that all the things we ever will be can be found in some forgotten fragment of family.”
This powerful novel by the bestselling author of Black and Blue, One True Thing, Object Lessons, and A Short Guide to a Happy Life begins when a teenage couple drives up, late at night, headlights out, to Blessings, the estate owned by Lydia Blessing. They leave a box and drive away, and in this instant, the world of Blessings is changed forever.
Richly written, deeply moving, beautifully crafted, Blessings tells the story of Skip Cuddy, caretaker of the estate, who finds a baby asleep in that box and decides he wants to keep her, and of matriarch Lydia Blessing, who, for her own reasons, decides to help him.
The secrets of the past, how they affect the decisions and lives of people in the present; what makes a person, a life, legitimate or illegitimate, and who decides; the unique resources people find in themselves and in a community -- these are at the center of this wonderful novel of love, redemption, and personal change by the writer about whom The Washington Post Book World said, "Quindlen knows that all the things we ever will be can be found in some forgotten fragment of family."
Anne Frank: Beyond the Diary - A Photographic Remembrance
by Rian Verhoeven
from Puffin
How Reading Changed My Life
by Anna Quindlen
from Ballantine Books
A recurring theme throughout Anna Quindlen's How Reading Changed My Life is the comforting premise that readers are never alone. "There was waking, and there was sleeping. And then there were books," she writes, "a kind of parallel universe in which anything might happen and frequently did, a universe in which I might be a newcomer but never really a stranger. My real, true world." Later, she quotes editor Hazel Rochman: "Reading makes immigrants of us all. It takes us away from home, but, most important, it finds homes for us everywhere." Indeed, Quindlen's essays are full of the names of "friends," real or fictional--Anne of Green Gables and Heidi; Anthony Trollope and Jane Austen, to name just a few--who have comforted, inspired, educated, and delighted her throughout her life. In four short essays Quindlen shares her thoughts on the act of reading itself ("It is like the rubbing of two sticks together to make a fire, the act of reading, an improbable pedestrian task that leads to heat and light"); analyzes the difference between how men and women read ("there are very few books in which male characters, much less boys, are portrayed as devoted readers"); and cheerfully defends middlebrow literature:
Most of those so-called middlebrow readers would have readily admitted that the Iliad set a standard that could not be matched by What Makes Sammy Run? or Exodus. But any reader with common sense would also understand intuitively, immediately, that such comparisons are false, that the uses of reading are vast and variegated and that some of them are not addressed by Homer.The Canon, censorship, and the future of publishing, not to mention that of reading itself, are all subjects Quindlen addresses with intelligence and optimism in a book that may not change your life, but will no doubt remind you of other books that did. --Alix Wilber
THE LIBRARY OF CONTEMPORARY THOUGHT is a groundbreaking series where America's finest writers and most brilliant minds tackle today's most provocative, fascinating, and relevant issues. Striking and daring, creative and important, these original voices on matters political, social, economic, and cultural, will enlighten, comfort, entertain, enrage, and ignite healthy debate across the country.
The House of Mirth (Signet Classics)
by Edith Wharton
from Signet Classics
"The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth," warns Ecclesiastes 7:4, and so does the novel by Edith Wharton that takes its title from this call to heed. New York at the turn of the century was a time of opulence and frivolity for those who could afford it. But for those who couldn't and yet wanted desperately to keep up with the whirlwind, like Wharton's charming Lily Bart, it was something else altogether: a gilded cage rather than the Gilded Age.
One of Wharton's earliest descriptions of her heroine, in the library of her bachelor friend and sometime suitor Lawrence Selden, indicates that she appears "as though she were a captured dryad subdued to the conventions of the drawing room." Indeed, herein lies Lily's problem. She has, we're told, "been brought up to be ornamental," and yet her spirit is larger than what this ancillary role requires. By today's standards she would be nothing more than a mild rebel, but in the era into which Wharton drops her unmercifully, this tiny spark of character, combined with numerous assaults by vicious society women and bad luck, ultimately renders Lily persona non grata. Her own ambivalence about her position serves to open the door to disaster: several times she is on the verge of "good" marriage and squanders it at the last moment, unwilling to play by the rules of a society that produces, as she calls them, "poor, miserable, marriageable girls.
Lily's rather violent tumble down the social ladder provides a thumbnail sketch of the general injustices of the upper classes (which, incidentally, Wharton never quite manages to condemn entirely, clearly believing that such life is cruel but without alternative). From her start as a beautiful woman at the height of her powers to her sad finale as a recently fired milliner's assistant addicted to sleeping drugs, Lily Bart is heroic, not least for her final admission of her own role in her downfall. "Once--twice--you gave me the chance to escape from my life and I refused it: refused it because I was a coward," she tells Selden as the book draws to a close. All manner of hideous socialite beasts--some of whose treatment by Wharton, such as the token social-climbing Jew, Simon Rosedale, date the book unfortunately--wander through the novel while Lily plummets. As her tale winds down to nothing more than the remnants of social grace and cold hard cash, it's hard not to agree with Lily's own assessment of herself: "I have tried hard--but life is difficult, and I am a very useless person. I can hardly be said to have an independent existence. I was just a screw or a cog in the great machine I called life, and when I dropped out of it I found I was of no use anywhere else." Nevertheless, it's even harder not to believe that she deserved better, which is why The House of Mirth remains so timely and so vital in spite of its crushing end and its unflattering portrait of what life offers up. --Melanie Rehak
Beautiful, intelligent, and hopelessly addicted to luxury, Lily Bart is the heroine of this Wharton masterpiece. But it is her very taste and moral sensibility that render her unfit for survival in this world.
Happily Ever After (Puffin Chapters)
by Anna Quindlen
from Puffin
Eight-year-old Kate is a tomboy, but not your typical tomboy. She loves baseball and hates wearing dresses, but she can often be found in her room reading a good old fairy tale and imagining herself as the beautiful princess. One day, while dreamily staring at the princess's crown, Kate magically wishes herself into the fairy tale. Now Kate is the princess and she will soon find out that being royalty isn't all that it's cracked up to be. After rescuing herself from the evil knight (the "wimp" of a prince couldn't manage this on his own), teaching a witch and troll to play jacks, and training her ladies-in-waiting in the art of baseball, Kate finds the princess life pretty dull and wishes her way back home. Kate realizes that being her old tomboy self, minus the crown, isn't so bad, and in fact it's pretty great. Author Anna Quindlen's charming story will appeal to all children interested in dragons, knights, adventures, and living happily ever after. (Ages 5 to 9)
One day, while holding her treasured baseball mitt, Kate makes a wish. And poof!— she turns into a princess in a fairy tale. But being a princess isn't at all what Kate imagined. Before long, she's fighting off dragons, entertaining witches, and teaching the ladies-in-waiting how to play baseball. With Kate around, fairy tale land will never be the same again!
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