Icefields
by Thomas Wharton
from Washington Square Press
This first novel begins with an imaginative and ingenious premise: a physician trekking across the Arcturus Glacier in the Canadian Rockies in 1898 slips and tumbles into a crevasse, where he beholds a winged human figure. The rest of the book tells of Dr. Edward Byrne's efforts to get to the bottom of the mystery in the ice. Along the way, he encounters a series of eccentrics, each involved in their own quest: the explorer Freya; the industrialist Trask; the poet Hal; and the slightly mad Elspeth, Byrne's lover. Told through scientific notes, journal entries, letters, and dialogue, this historical tale of the incalculable encountered in the mountains marks a promising debut.
Winner of:The Banff Grand National Prize for Literature The Writers Guild of Alberta Best First Book Award The Commonwealth Best First Novel Prize (Caribbean and Canada Region)
At a quarter past three in the afternoon, on August 17, 1898, Doctor Edward Byrne slipped on the ice of Acturus glacier in the Canadian Rockies and slid into a crevasse . . .
Nearly sixty feet below the surface, Byrne is wedged upside down between the narrowing walls of a chasm, fighting his desire to sleep. The ice in front of him is lit with a pale blue-green radiance. There, embedded in he pure, antediluvian glacier, Byrne sees something that will inextricably link him to the vast bed of ice, and the people who inhabit this strange corner of the world. In this moment, his life becomes a quest to uncover the mystery of the icefield that almost became his tomb.
Within the deceptively simple framework of a tourist guidebook, Icefields takes a breathtaking, imaginative look at the human spirit, loss, myth, and elusive truths. Here is an impressive literary landscape, and an expedition unlike any you have ever experienced.
Salamander
by Thomas Wharton
from Washington Square Press
Nicholas Flood, an unassuming eighteenth-century London printer, specializes in novelty books -- books that nestle into one another, books comprised of one spare sentence, books that emit the sounds of crashing waves. When his work captures the attention of an eccentric Slovakian count, Flood is summoned to a faraway castle -- a moving labyrinth that embodies the count's obsession with puzzles -- where he is commissioned to create the infinite book, the ultimate never-ending story. Probing the nature of books, the human thirst for knowledge, and the pursuit of immortality, Salamander careens through myth and metaphor as Flood travels the globe in search of materials for the elusive book without end.
The Logogryph: A Bibliography Of Imaginary Books
by Thomas Wharton
from Gaspereau Press
"The particular volume I’m looking for is nameless, lacking a cover, title page, or any other outward markings of identity. Over the centuries its leaves have known nothing but change. They have been removed, replaced, altered, lost. The nameless book has been bound, taken apart, and reassembled with the pieces of other dismembered volumes, until one could ask whether there is anything left of the original. Or if there ever was an original."
So begins Thomas Wharton's book about books. What follows is a sequence of variations on the experience of reading and on the book a physical and imaginative object. One tale traces the origins of a fictional card game. Another tells of a duel between two margin scribblers. Roving across the globe and from parable to mystery, Wharton positions his reader between the covers of a book that is not. How are we to read the pieces that follow? As extraneous to the nameless book, as parts of it in its original form or perhaps as evidence that it has relocated to other existing volumes?
The Logogryph takes its cues from magic realism and the techniques of cinematography. The result is a mind-bending caper through the process of reading, the relationships we establish with fictitious worlds and the possibility of worlds yet unread. Wharton indulges his reader with tales of fantastical cities where the only occupation is reading and of the plight of a protagonist suddenly dislodged from his own novel. And what becomes of the reader who reads all of this?
This book is a Smyth-sewn paperback with a jacket and full sleeve. The text was typeset by Andrew Steeves in Caslon types and printed on Rolland Zephyr Laid paper. The jacket was printed letterpress. The inside features illustrations by Wesley Bates.
Icefields (Nunatak New Fiction Ser.)
Notes on the provincial literature of Pennsylvania, (Memoirs of the Historical Society of Pennsylvania)
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