Tyler, Anne

Digging to America: A Novel

Anne Tyler’s richest, most deeply searching novel–a story about what it is to be an American, and about Iranian-born Maryam Yazdan, who, after 35 years in this country, must finally come to terms with her “outsiderness.”

Two families, who would otherwise never have come together, meet by chance at the Baltimore airport – the Donaldsons, a very American couple, and the Yazdans, Maryam’s fully assimilated son and his attractive Iranian wife. Each couple is awaiting the arrival of an adopted infant daughter from Korea. After the instant babies from distant Asia are delivered, Bitsy Donaldson impulsively invites the Yazdans to celebrate: an “arrival party” that from then on is repeated every year as the two families become more and more deeply intertwined. Even Maryam is drawn in – up to a point. When she finds herself being courted by Bitsy Donaldson’s recently widowed father, all the values she cherishes – her traditions, her privacy, her otherness–are suddenly threatened.

A luminous novel brimming with subtle, funny, and tender observations that immerse us in the challenges of both sides of the American story.


From the Hardcover edition.

Ladder of Years

"UTTERLY COMPELLING . . . WONDERFULLY SATISFYING . . . VIRTUALLY FLAWLESS."
--Chicago Tribune

BALTIMORE WOMAN DISAPPEARS DURING FAMILY VACATION, declares the headline. Forty-year-old Delia Grinstead is last seen strolling down the Delaware shore, wearing nothing more than a bathing suit and carrying a beach tote with five hundred dollars tucked inside. To her husband and three almost-grown children, she has vanished without trace or reason. But for Delia, who feels like a tiny gnat buzzing around her family's edges, "walking away from it all" is not a premeditated act but an impulse that will lead her into a new, exciting, and unimagined life. . . .

"TYLER DETAILS DELIA'S ADVENTURE WITH GREAT SKILL. . . . As so often in her earlier fiction, [she] creates distinct characters caught in poignantly funny situations. . . . Tyler writes with a clarity that makes the commonplace seem fresh and the pathetic touching."
--The New York Times

Dinner at the Homesick Restaurant: A Novel (Ballantine Reader's Circle)

“Beautiful . . . funny, heart-hammering, wise . . . superb entertainment.”
–The New York Times

“A book that should join those few that every literate person will have to read.”
–The Boston Globe


Pearl Tull is nearing the end of her life but not of her memory. It was a Sunday night in 1944 when her husband left the little row house on Baltimore’s Calvert Street, abandoning Pearl to raise their three children alone: Jenny, high-spirited and determined, nurturing to strangers but distant to those she loves; the older son, Cody, a wild and incorrigible youth possessed by the lure of power and money; and sweet, clumsy Ezra, Pearl’s favorite, who never stops yearning for the perfect family that could never be his own.

Now Pearl and her three grown children have gathered together again–with anger, hope, and a beautiful, harsh, and dazzling story to tell.


“A novelist who knows what a proper story is . . . [Tyler is] not only a good and artful writer, but a wise one as well.”
–Newsweek

“Anne Tyler is surely one of the most satisfying novelists working in America today.”
–Chicago Tribune

“In her ninth novel she has arrived at a new level of power.”
–John Updike, The New Yorker

“Marvelous, astringent, hilarious, [and] strewn with the banana peels of love.”
–Cosmopolitan

The Accidental Tourist: A Novel (Ballantine Reader's Circle)

“POIGNANT . . . FUNNY . . . THE ACCIDENTAL TOURIST IS ONE OF HER BEST. . . . [TYLER] HAS NEVER BEEN STRONGER.”
–The New York Times

Macon Leary is a travel writer who hates both travel and anything out of the ordinary. He is grounded by loneliness and an unwillingness to compromise his creature comforts when he meets Muriel, a deliciously peculiar dog-obedience trainer who up-ends Macon’s insular world–and thrusts him headlong into a remarkable engagement with life.

“BITTERSWEET . . . EVOCATIVE . . . It’s easy to forget this is the warm lull of fiction; you half-expect to run into her characters at the dry cleaners . . . Tyler [is] a writer of great compassion.”
–The Boston Globe

“Tyler has given us an endlessly diverting book whose strength gathers gradually to become a genuinely thrilling one.”
–Los Angeles Times

“A DELIGHT . . . A GRACEFUL COMIC NOVEL ABOUT GETTING THROUGH LIFE.”
–The Wall Street Journal

Saint Maybe

Tyler makes things look so easy that she never gets enough credit, yet she portrays everyday Americans with such humor, grace and, ultimately, emotional force that her books are always deeply satisfying. In Saint Maybe her protagonist Ian Bedloe, stricken with guilt over the death of his older brother, raises three children unrelated to him by blood. He is strengthened in this Herculean task by the storefront Church of the Second Chance, to which he devotes himself with equal fervor. Someone once said all great writers are comic writers. Among living Americans, Tyler is exhibit A.

9 weeks on the New York Times bestseller list!

"A novel that attests once again to Ms. Tyler's enormous gifts as a writer."
--THE NEW YORK TIMES

"Captivating . . . . Compelling . . . . There is a kind of magic at work in this novel."
--THE WASHINGTON POST BOOK WORLD


In 1965, the happy Bedloe family is living an ideal, apple-pie existence in Baltimore.  Then, in the blink of an eye, a single tragic event occurs that will transform their lives forever--particularly that of seventeen-year-old Ian Bedloe, the youngest son, who blames himself for the sudden "accidental" death of his older brother.

Depressed and depleted, Ian is almost crushed under the weight of an unbearable, secret guilt.  Then one crisp January evening, he catches sight of a window with glowing yellow neon, the CHURCH OF THE SECOND CHANCE.  He enters and soon discovers that forgiveness must be earned, through a bit of sacrifice and a lot of love...


A New York Times Notable Book

The Amateur Marriage: A Novel

Anne Tyler's The Amateur Marriage is not so much a novel as a really long argument. Michael is a good boy from a Polish neighborhood in Baltimore; Pauline is a harum-scarum, bright-cheeked girl who blows into Michael's family's grocery store at the outset of World War II. She appears with a bloodied brow, supported by a gaggle of girlfriends. Michael patches her up, and neither of them are ever the same. Well, not the same as they were before, but pretty much the same as everyone else. After the war, they live over the shop with Michael's mother till they've saved enough to move to the suburbs. There they remain with their three children, until the onset of the sixties, when their eldest daughter runs away to San Francisco. Their marriage survives for a while, finally crumbling in the seventies. If this all sounds a tad generic, Tyler's case isn't helped by the characteristics she's given the two spouses. Him: repressed, censorious, quiet. Her: voluble, emotional, romantic. Mars, meet Venus. What marks this couple, though, and what makes them come alive, is their bitter, unproductive, tooth-and-nail fighting. Tyler is exploring the way that ordinary-seeming, prosperous people can survive in emotional poverty for years on end. She gets just right the tricks Michael and Pauline play on themselves in order to stay together: "How many times," Pauline asks herself, "when she was weary of dealing with Michael, had she forced herself to recall the way he'd looked that first day? The slant of his fine cheekbones, the firming of his lips as he pressed the adhesive tape in place on her forehead." Only in antogonism do Michael and Pauline find a way to express themselves. --Claire Dederer

From the inimitable Anne Tyler, a rich and compelling novel about a mismatched marriage—and its consequences, spanning three generations.

They seemed like the perfect couple—young, good-looking, made for each other. The moment Pauline, a stranger to the Polish Eastern Avenue neighborhood of Baltimore (though she lived only twenty minutes away), walked into his mother’s grocery store, Michael was smitten. And in the heat of World War II fervor, they are propelled into a hasty wedding. But they never should have married.

Pauline, impulsive, impractical, tumbles hit-or-miss through life; Michael, plodding, cautious, judgmental, proceeds deliberately. While other young marrieds, equally ignorant at the start, seemed to grow more seasoned, Pauline and Michael remain amateurs. In time their foolish quarrels take their toll. Even when they find themselves, almost thirty years later, loving, instant parents to a little grandson named Pagan, whom they rescue from Haight-Ashbury, they still cannot bridge their deep-rooted differences. Flighty Pauline clings to the notion that the rifts can always be patched. To the unyielding Michael, they become unbearable.

From the sound of the cash register in the old grocery to the counterculture jargon of the sixties, from the miniskirts to the multilayered apparel of later years, Anne Tyler captures the evocative nuances of everyday life during these decades with such telling precision that every page brings smiles of recognition. Throughout, as each of the competing voices bears witness, we are drawn ever more fully into the complex entanglements of family life in this wise, embracing, and deeply perceptive novel.


From the Hardcover edition.

Back When We Were Grownups

The first sentence of Anne Tyler's 15th novel sounds like something out of a fairy tale: "Once upon a time, there was a woman who discovered she had turned into the wrong person." Alas, this discovery has less to do with magic than with a late-middle-age crisis, which is visited upon Rebecca Davitch in the opening pages of Back When We Were Grownups. At 53, this perpetually agreeable widow is "wide and soft and dimpled, with two short wings of dry, fair hair flaring almost horizontally from a center part." Given her role as the matriarch of a large family--and the proprietress of a party-and-catering concern, the Open Arms--Rebecca is both personally and professionally inclined toward jollity. But at an engagement bash for one of her multiple stepdaughters, she finds herself questioning everything about her life: "How on earth did I get like this? How? How did I ever become this person who's not really me?"

She spends the rest of the novel attempting to answer these questions--and trying to resurrect her older, extinguished self. Should she take up the research she began back in college on Robert E. Lee's motivation for joining the Confederacy? More to the point, should she take up with her college sweetheart, who's now divorced and living within easy striking range? None of these quick fixes pans out exactly as Rebecca imagines. What she emerges with is a kind of radiant resignation, best expressed by 100-year-old Poppy on his birthday: "There is no true life. Your true life is the one you end up with, whatever it may be." A tautology, perhaps, but Tyler's delicate, densely populated novel makes it stick.

Yes, Poppy. There are also characters named NoNo, Biddy, and Min Foo--the sort of saccharine roll call that might send many a reader scampering in the opposite direction. But Tyler knows exactly how to mingle the sweet with the sour, and in Back When We Were Grownups she manages this balancing act like the old pro she is. Even the familiar backdrop--shabby-genteel Baltimore, which resembles a virtual game preserve of Tylerian eccentrics--seems freshly observed. Can any human being really resist this novel? It is, to quote Rebecca, "a report on what it was like to be alive," and an appealingly accurate one to boot. --James Marcus

"Once upon a time, there was a woman who discovered that she had turned into the wrong person." So Anne Tyler opens this irresistible new novel.

The woman is Rebecca Davitch, a fifty-three-year-old grandmother. Is she an impostor in her own life? she asks herself. Is it indeed her own life? Or is it someone else’s?

On the surface, Beck, as she is known to the Davitch clan, is outgoing, joyous, a natural celebrator. Giving parties is, after all, her vocation—something she slipped into even before finishing college, when Joe Davitch spotted her at an engagement party in his family’s crumbling nineteenth-century Baltimore row house, where giving parties was the family business. What caught his fancy was that she seemed to be having such a wonderful time. Soon this large-spirited older man, a divorcé with three little girls, swept her into his orbit, and before she knew it she was embracing his extended family plus a child of their own, and hosting endless parties in the ornate, high-ceilinged rooms of The Open Arms.

Now, some thirty years later, after presiding over a disastrous family picnic, Rebecca is caught un-awares by the question of who she really is. How she answers it—how she tries to recover her girlhood self, that dignified grownup she had once been—is the story told in this beguiling, funny, and deeply moving novel.

As always with Anne Tyler’s novels, once we enter her world it is hard to leave. But in Back When We Were Grownups she so sharpens our perceptions and awakens so many untapped feelings that we come away not only refreshed and delighted, but also infinitely wiser.


From the Hardcover edition.

When Joe Davitch first saw Rebecca, it was at a party at the Davitch home -- a crumbling 19th century row house in Baltimore where giving parties was the family business. Young Rebecca appeared to Joe as the girl having more fun than anyone in the room and he wanted some of that happiness to spill over onto him, a 33-year-old divorcee with three little girls. Swept away, Rebecca soon found herself mistress of "The Open Arms", embracing not only just this large spirited man and his extended family but expertly hosting endless parties in the ornate, high-ceilinged rooms where people paid to have their family celebrations in style. But now, years after she has lost her husband in an automobile accident, Beck (as she is known to the Davitch clan) asks herself whether she has turned into the wrong person. Is she really this natural-born celebrator, joyous and outgoing? Can she always be there for Poppy, her almost 100-year-old uncle-in-law who lives on the top floor, for stepdaughters -- Biddy and NoNo and Patch and the husbands, as they come and go, and their children -- and for her own daughter MinFoo, about to marry a stockbroker? Can one really recover the person one has left behind? With perfect pitch Anne Tyler explores these questions of love and loss, of identity and of family, making us both laugh and cry in a novel that we wish would never end.

Breathing Lessons: A Novel

Maggie Moran's mission is to connect and unite people, whether they want to be united or not. Maggie is a meddler and as she and her husband, Ira, drive 90 miles to the funeral of an old friend, Ira contemplates his wasted life and the traffic, while Maggie hatches a plant to reunite her son Jesse with his long-estranged wife and baby. As Ira explains, "She thinks the people she loves are better than they really are, and so then she starts changing things around to suit her view of them." Though everyone criticizes her for being "ordinary," Maggie's ability to see the beauty and potential in others ultimately proves that she is the only one fighting the resignation they all fear. The book captured the Pulitzer Prize for literature in 1989.

Maggie and Ira Moran have been married for twenty-eight years–and it shows: in their quarrels, in their routines, in their ability to tolerate with affection each other’s eccentricities. Maggie, a kooky, lovable meddler and an irrepressible optimist, wants nothing more than to fix her son’s broken marriage. Ira is infuriatingly practical, a man “who should have married Ann Landers.” And what begins as a day trip to a funeral becomes an adventure in the unexpected. As Maggie and Ira navigate the riotous twists and turns, they intersect with an assorted cast of eccentrics–and rediscover the magic of the road called life and the joy of having somebody next to you to share the ride . . . bumps and all.


From the Trade Paperback edition.

Digging to America

In what is perhaps her richest and most deeply searching novel, Anne Tyler gives us a story about what it is to be an American, and about Maryam Yazdan, who after
Thirty-five years in this country must finally come to terms with her “outsiderness.”

Two families, who would otherwise never have come together, meet by chance at the Baltimore airport—the Donaldsons, a very American couple, and the Yazdans, Maryam’s fully assimilated son and his attractive Iranian American wife. Each couple is awaiting the arrival of an adopted infant daughter from Korea. After the babies from distant Asia are delivered, Bitsy Donaldson impulsively invites the Yazdans to celebrate with an “arrival party,” an event that is repeated every year as the two families become more deeply intertwined.

Even independent-minded Maryam is drawn in. But only up to a point. When she finds herself being courted by one of the Donaldson clan, a good-hearted man of her vintage, recently widowed and still recovering from his wife’s death, suddenly all the values she cherishes—her traditions, her privacy, her otherness—are threatened. Somehow this big American takes up so much space that the orderly boundaries of her life feel invaded.

A luminous novel brimming with subtle, funny, and tender observations that cast a penetrating light on the American way as seen from two perspectives, those who are born here and those who are still struggling to fit in.

Celestial Navigation

"Tyler is steadily raising a body of fiction of major dimensions."

THE NEW YORK TIMES

Thirty-eight-year-old Jeremy Pauling has never left home. He lives on the top floor of a Baltimore row house where he creates collages of little people snipped from wrapping paper. His elderly mother putters in the rooms below, until her death. And it is then that Jeremy is forced to take in Mary Tell and her child as boarders. Mary is unaware of how much courage it takes Jaremy to look her in the eye. For Jeremy, like one of his paper creations, is fragile and easily torn--especially when he's falling in love....


From the Paperback edition.