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The Collected Stories of Isaac Bashevis Singer
by Isaac Bashevis Singer
from Farrar, Straus and Giroux
The forty-seven stories in this collection, selected by Singer himself out of nearly one hundred and fifty, range from the publication of his now-classic first collection, Gimpel the Fool, in 1957, until 1981. They include supernatural tales, slices of life from Warsaw and the shtetls of Eastern Europe, and stories of the Jews displaced from that world to the New World, from the East Side of New York to California and Miami.
Enemies, A Love Story
by Isaac Bashevis Singer
from Farrar, Straus and Giroux
Almost before he knows it, Herman Broder, refugee and survivor of World War II, has three wives: Yadwiga, the Polish peasant who hid him from the Nazis; Masha , his beautiful and neurotic true love; and Tamara, his first wife, miraculously returned from the dead. Astonished by each new complication, and yet resigned to a life of evasion, Herman navigates a crowded, Yiddish New York with a sense of perpetually impending doom.
In My Father's Court
by Isaac Bashevis Singer
from Farrar, Straus and Giroux
Like Isaac Bashevis Singer's fiction, this poignant memoir of his childhood in the household and rabbinical court of his father is full of spirits and demons, washerwomen and rabbis, beggars and rich men. This rememberance of Singer's pious father, his rational yet adoring mother, and the never-ending parade of humanity that marched through their home is a portrait of a magnificent writer's childhood self and of the world, now gone, that formed him.
The Slave
by Isaac Bashevis Singer
from Farrar, Straus and Giroux
Four years after the Chmielnicki massacres of the seventeenth century, Jacob, a slave and cowherd in a Polish village high in the mountains, falls in love with Wanda, his master's daughter. Even after he is ransomed, he finds he can't live without her, and the two escape together to a distant Jewish community. Racked by his consciousness of sin in taking a Gentile wife and by the difficulties of concealing her identity, Jacob nonetheless stands firm as the violence of the era threatens to destroy the ill-fated couple.
Shosha: A Novel
by Isaac Bashevis Singer
from Farrar, Straus and Giroux
Shosha is a hauntingly lyrical love story set in Jewish Warsaw on the eve of its annihilation. Aaron Greidinger, an aspiring Yiddish writer and the son of a distinguished Hasidic rabbi, struggles to be true to his art when faced with the chance at riches and a passport to America. But as he and the rest of the Writers' Club wait in horror for Nazi Germany to invade Poland, Aaron rediscovers Shosha, his childhood love-still living on Krochmalna Street, still mysteriously childlike herself-who has been waiting for him all these years.
Shadows on the Hudson: A Novel (FSG Classics)
by Isaac Bashevis Singer
from Farrar, Straus and Giroux
Although Isaac Bashevis Singer emigrated from Poland to the United States in 1935, the circumscribed world of the Polish Jews remained at the heart of his imagination. Beginning with his first major work, Satan in Goray (1935), he used the life of the shtetl as raw material, transforming its folkways, religious practices, superstitions, and sexual habits into superior works of art. From time to time, however, Singer turned his eye upon New World Jews like himself, recording their rapid or reluctant assimilation into the American mainstream. One such book is Shadows on the Hudson. This massive novel originally was serialized in the Yiddish-language Jewish Daily Forward in 1957. Now it has finally been translated into English--in a capable version by Joseph Sherman--and Singer fans should be very grateful. Center stage is occupied by Boris Makaver, a master builder equally devoted to I-beams and the Talmud, and Anna, his much-married daughter. Fanning out from this duo, however, is a small universe of refugees, all of them served up with Singer's customary brio. (Here's a comical snapshot of a shyster named Hertz Grein: "His nose had a Jewish hook, but then had second thoughts and straightened itself out. His lips were thin, and his blue eyes revealed a curious mixture of bashfulness, sharpness, and something else that was hard to define. Margolin used to say that he looked like a Yeshiva boy from Scandinavia.") As the subplots pile up in an unruly heap, the novel sometimes reveals its installment-plan origins. Still, Singer puts his large cast through some wonderful paces, and the endless talk--for these are characters who truly come alive through the medium of rapid, contentious, Yiddish-accented conversation--allows the author to speculate about destiny, identity, and freedom without slowing his story a whit. As Singer said more than once, "Of course I believe in free will. Do we have a choice?"
"A piercing work of fiction with a strong claim to being Singer’s masterpiece” (Richard Bernstein, The New York Times), Shadows on the Hudson traces the intertwined lives of a group of Jewish refugees in New York City in the late 1940s. At its center is Boris Makaver, a pious, wealthy businessman whose greatest trial is his unstable daughter, Anna. A chain of events disrupts the lives of the close-knit community as each refugee struggles to reconcile the horrific past with the difficult present, as Singer explores both the nature of faith and the nature of love in the aftermath of the Holocaust.
Isaac Bashevis Singer: Collected Stories V. 1 Gimpel the Fool to The Letter Writer (Library of America, 149)
by Isaac Bashevis Singer
from Library of America
Satan in Goray: A Novel
by Isaac Bashevis Singer
from Farrar, Straus and Giroux
As messianic zeal sweeps through medieval Poland, the Jews of Goray divide between those who, like the Rabbi, insist that no one can "force the end" and those who follow the messianic pretender Sabbatai Zevi. But as hysteria and depravity increase, it becomes clear that it is not the Messiah who has come to Goray.
Isaac Bashevis Singer Stories V. 3 : One Night in Brazil to the Death of Methuselah (Library of America)
by Isaac Bashevis Singer
from Library of America
Yentyl the Yeshiva Boy
by Isaac Bashevis Singer
from Farrar, Straus and Giroux
Recognizing that Yentyl seems to have the soul and disposition of a man, her father studies the Torah and other holy books with her. When he dies, Yentyl feels that she no longer has a reason to remain in the village, and so, late one night, she cuts off her hair, dresses as a young man, and sets out to find a yeshiva where she can continue her studies and live secretly as a man.
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