Ethan Frome (Signet Classics)
by Edith Wharton
from Signet Classics
`I had the story, bit by bit, from various people, and, as generally happens in such cases, each time it was a different story.' Who is this strange man Ethan Frome? What is his dreadful secret? . . . Amidst a bleak New England winter landscape, powerful emotions lead to far-reaching consequences, when Ethan Frome struggles to break free from a loveless marriage. . . Cambridge Literature is a series of study texts which presents writing in the English-speaking world from the 16th century up to the present day. The series includes novels, drama, short stories, poetry, essays and other types of non-fiction. Each edition has the complete text with an appropriate glossary. The student will find in each volume a helpful introduction and a full section of resource notes encouraging active and imaginative study methods.
Body Surfing: A Novel
by Anita Shreve
from Back Bay Books
The beach house in New Hampshire which figured in Anita Shreve's The Pilot's Wife, Fortune's Rocks, and Sea Glass is once again featured in Body Surfing. This time, it is the summer home of the Edwards family, Anna and Mark and daughter Julie. Mrs. Edwards has great hopes for Julie, who is "slow," so she hires Sydney to tutor her, in preparation for her senior year. There are two older brothers, Jeff and Ben, whose arrival changes the household dynamic considerably.
Once again, Shreve revisits the minefield of love and betrayal that she has explored so well in her best novels. Sydney is 29, twice married, once divorced, and once a widow. She is floundering, not sure she wants to go back to school, accepting whatever job comes along and then moving on. She answers the ad for a tutor and finds herself in the Edwards household, where she discovers that Julie has undiscovered artistic talent. Mrs. Edwards dislikes her instantly, is dismissive, and treats her like a servant. Mr. Edwards befriends her, shows her his roses and talks to her about the history of the house, giving the reader a rundown of the role the house has played in prior novels.
Sydney, Jeff, and Ben go body surfing late one night and Sydney is sure that Ben has tried to grope her underwater. She takes immediate umbrage at this and treats him coldly thereafter. Shreve's other work has a steady narrative flow, but this novel is episodic and disjointed. There is the the arrival of Jeff's girlfriend, her departure, an evening when Julie comes home drunk and won't talk about it, and a liaison between Sydney and Jeff which leads to the complications that eventually define the novel. There is a twist at the end, involving the brothers, that is divisive, destructive and rather hard to believe.
While this is not Shreve's best effort, because the characters are not well-defined, it is worth reading her take on what happens to people when they compete for love. --Valerie Ryan
"Always readable-sometimes compulsively so-Shreve's novels are typically emotionally resonant, nicely paced, and populated by memorable characters." -People
At the age of 29,
But when the Edwardses' two grown sons arrive at the beach house,
With the subtle wit, lyrical language, and brilliant insight into the human heart that has led her to be called "an author at one with her métier" (Miami Herald), Shreve weaves a novel about marriage, family, and the supreme courage it takes to love.
"Shreve excels at nuance and detail. She skillfully illuminates the tiniest of moments, offering readers a peek at the complex undertones coursing through the characters throughout the story." -Rocky Mountain News
"There is something satisfyingly clean, well functioning, pale, and delicious about an Anita Shreve novel. . . . Shreve's characters, grappling with desire, juggling their shame against their regret, are entirely welcome." -
"Shreve's writing is textured, reflective, and generally flows with ease, to the point where the reader may be surprised at how quickly the pages turn."-Newsday
Testimony: A Novel
by Anita Shreve
from Little, Brown and Company
At a
Writing with a pace and intensity surpassing even her own greatest work, Anita Shreve delivers in TESTIMONY a gripping emotional drama with the impact of a thriller. No one more compellinglyexplores the dark impulses that sway the lives of seeming innocents, the needs and fears that drive ordinary men and women into intolerable dilemmas, and the ways in which our best intentions can lead to our worst transgressions.
Strange Fits of Passion: A Novel
by Anita Shreve
from Harvest Books
Everyone believes that Maureen and Harrold English, two successful New York City journalists, have a happy, stable marriage. It's the early '70s and no one discusses or even suspects domestic abuse. But after Maureen suffers another brutal beating, she flees with her infant daughter to a coastal town in Maine. The weeks pass slowly, and just as Maureen settles into her new life and new identity, Harrold reappears, bringing the story to a violent, unforgettable climax. A labyrinth of a tale with an ingenious structure, Strange Fits of Passion is also a powerful portrait of truth and deception.
The Pilot's Wife
by Anita Shreve
from Little, Brown and Company
With five novels to her credit, including the acclaimed The Weight of Water, Anita Shreve now offers a skillfully crafted exploration of the long reach of tragedy in The Pilot's Wife. News of Jack Lyons's fatal crash sends his wife into shock and emotional numbness: "Kathryn wished she could manage a coma. Instead, it seemed that quite the opposite had happened: She felt herself to be inside of a private weather system, one in which she was continuously tossed and buffeted by bits of news and information, sometimes chilled by thoughts of what lay immediately ahead, thawed by the kindness of others ... frequently drenched by memories that seemed to have no regard for circumstance or place, and then subjected to the nearly intolerable heat of reporters, photographers and curious on-lookers. It was a weather system with no logic, she had decided, no pattern, no progression, no form." The situation becomes even more dire when the plane's black box is recovered, pinning responsibility for the crash on Jack. In an attempt to clear his name, Kathryn searches for any and all clues to the hours before the flight. Yet each discovery forces her to realize that she didn't know her husband of 16 years at all. Shreve's complex and highly convincing treatment of Kathryn's dilemma, coupled with intriguing minor characters and an expertly paced plot, makes The Pilot's Wife really take off.
With five novels to her credit, including the acclaimed The Weight of Water, Anita Shreve now offers a skillfully crafted exploration of the long reach of tragedy in The Pilot's Wife. News of Jack Lyons's fatal crash sends his wife into shock and emotional numbness: "Kathryn wished she could manage a coma. Instead, it seemed that quite the opposite had happened: She felt herself to be inside of a private weather system, one in which she was continuously tossed and buffeted by bits of news and information, sometimes chilled by thoughts of what lay immediately ahead, thawed by the kindness of others ... frequently drenched by memories that seemed to have no regard for circumstance or place, and then subjected to the nearly intolerable heat of reporters, photographers and curious on-lookers. It was a weather system with no logic, she had decided, no pattern, no progression, no form." The situation becomes even more dire when the plane's black box is recovered, pinning responsibility for the crash on Jack. In an attempt to clear his name, Kathryn searches for any and all clues to the hours before the flight. Yet each discovery forces her to realize that she didn't know her husband of 16 years at all. Shreve's complex and highly convincing treatment of Kathryn's dilemma, coupled with intriguing minor characters and an expertly paced plot, makes The Pilot's Wife really take off.
The Weight of Water
by Anita Shreve
from Little, Brown and Company
A newspaper photographer, Jean, researches the lurid and sensational ax murder of two women in 1873 as an editorial tie-in with a brutal modern double murder. (Can you guess which one?) She discovers a cache of papers that appear to give an account of the murders by an eyewitness. The plot weaves between the narrative of the eyewitness and Jean's private struggle with jealousies and suspicions as her marriage teeters. A rich, textured novel.
A newspaper photographer, Jean, researches the lurid and sensational ax murder of two women in 1873 as an editorial tie-in with a brutal modern double murder. (Can you guess which one?) She discovers a cache of papers that appear to give an account of the murders by an eyewitness. The plot weaves between the narrative of the eyewitness and Jean's private struggle with jealousies and suspicions as her marriage teeters. A rich, textured novel.
A Wedding in December : A Novel
by Anita Shreve
from Little, Brown
Writing with the fluent narrative artistry and the acute grasp of human motivation that distinguish all of her bestselling novels, Anita Shreve tells the compelling story of seven former schoolmates who gather at an inn in the Berkshires to celebrate a wedding. Their reunion becomes the occasion of astonishing revelations, recrimination, and forgiveness as the friends collectively recall a long-ago night that forever marked each of their lives.
Where or When
by Anita Shreve
from Harvest Books
Fortune's Rocks: A Novel
by Anita Shreve
from Little, Brown and Company
Hester Prynne never had it so good! The year is 1899, and Olympia Biddeford, the headstrong daughter of a Boston Brahmin family, has decided to test the limits of her cloistered world. Spending the summer at her father's New Hampshire estate, the teenage heroine of Fortune's Rocks is entranced with the visiting salon of artists, writers, and lawyers. She's especially captivated, however, by John Haskell, a charismatic physician who ministers to the blue-collar community in the nearby mill towns. This middle-aged Good Samaritan hires Olympia to assist him as a nurse, and their collaboration soon evolves into a fiery love affair. Alas, it's only a matter of weeks before this passionate exercise in managed care is exposed--with disastrous consequences for the young, impregnated heroine. Even her adoring father now considers her "an overplump sixteen-year-old girl whose judgment can no longer be trusted," and insists that she break off her relationship:
"There is nothing more to be said on this subject," he says. She bites her lip to keep from crying out further. She holds the arms of her chair so tightly she later will have cramps in her fingers. She will refuse to obey him, she thinks. She will accept his implied challenge and set off on her own. But in the next moment, she asks herself: How will she be able to do that? Without her father's support, she cannot hope to survive. And if she herself does not survive, then a child cannot live."In the end, Anita Shreve's seventh novel is a polished, supremely entertaining variation on Wuthering Heights, with Olympia and Haskell sitting in for Catherine and Heathcliff. The author did some meticulous research for her New England background, which gives this study of one particular wayward woman some extra historical heft. Some readers may find the plot twists a bit pat. And despite Olympia's efforts to be an independent woman, she overcomes her trials largely as a result of her family's wealth and station, which takes the edge off Shreve's feminist message. Still, Fortune's Rocks is a romance in the classic sense of the word, and should be enjoyed as such, unless the reader is absolutely allergic to happy endings. --Ted Leventhal
Hester Prynne never had it so good! The year is 1899, and Olympia Biddeford, the headstrong daughter of a Boston Brahmin family, has decided to test the limits of her cloistered world. Spending the summer at her father's New Hampshire estate, the teenage heroine of Fortune's Rocks is entranced with the visiting salon of artists, writers, and lawyers. She's especially captivated, however, by John Haskell, a charismatic physician who ministers to the blue-collar community in the nearby mill towns. This middle-aged Good Samaritan hires Olympia to assist him as a nurse, and their collaboration soon evolves into a fiery love affair. Alas, it's only a matter of weeks before this passionate exercise in managed care is exposed--with disastrous consequences for the young, impregnated heroine. Even her adoring father now considers her "an overplump sixteen-year-old girl whose judgment can no longer be trusted," and insists that she break off her relationship:"There is nothing more to be said on this subject," he says. She bites her lip to keep from crying out further. She holds the arms of her chair so tightly she later will have cramps in her fingers. She will refuse to obey him, she thinks. She will accept his implied challenge and set off on her own. But in the next moment, she asks herself: How will she be able to do that? Without her father's support, she cannot hope to survive. And if she herself does not survive, then a child cannot live."In the end, Anita Shreve's seventh novel is a polished, supremely entertaining variation on Wuthering Heights, with Olympia and Haskell sitting in for Catherine and Heathcliff. The author did some meticulous research for her New England background, which gives this study of one particular wayward woman some extra historical heft. Some readers may find the plot twists a bit pat. And despite Olympia's efforts to be an independent woman, she overcomes her trials largely as a result of her family's wealth and station, which takes the edge off Shreve's feminist message. Still, Fortune's Rocks is a romance in the classic sense of the word, and should be enjoyed as such, unless the reader is absolutely allergic to happy endings.--Ted Leventhal
Everywhere hailed as the richest, most compelling work yet by the author of the #1 bestseller The Pilot's Wife, this magnificent novel transports us to the turn of the last century, to the world of a prominent Boston family summering on the New Hampshire coast, and to the social orbit of a spirited young woman who falls into a passionate, illicit affair with an older man--with cataclysmic results.
The Last Time They Met: A Novel
by Anita Shreve
from Little, Brown and Company
The Last Time They Met opens with two old lovers, both poets, running into each other at a writer's conference. Well, Linda Fallon and Thomas Janes aren't old, actually--just middle-aged, with a lifetime's worth of history between them. In the first section, Anita Shreve only suggests what that history contains: there was adultery, we gather, and a car accident, plus some illicit encounters under a pitiless Kenyan sun. Presumably the rest of the book will lead back to the beginnings of this grand passion, right? We think we know where this is going--but that's the tricky part, because we don't.
The novel does get off to a slow start, with an unnecessarily drawn-out description of a luxury hotel. But it picks up speed as it moves backward in time, from the lovers' vividly evoked interlude in Africa, to their adolescent years in the Massachusetts village of Hull, and finally to Linda's deepest, darkest secret. Only then does the author unveil her final revelation, which should leave most readers somewhat out of breath, and possibly even obliged to turn back to the first page and read the book over again. Shreve is a canny storyteller, and she knows her characters inside and out. (As well she might: Thomas is the husband of Jean, the photographer in The Weight of Water.) And The Last Time They Met is yet another example of the kind of book she does best--one that's as skillfully plotted as a thriller, but with writing that lingers long after the last plot twist is unfurled. No matter whether people actually have affairs like these. Reading this book only makes you wish that they did. --Mary Park
The Last Time They Met opens with two old lovers, both poets, running into each other at a writer's conference. Well, Linda Fallon and Thomas Janes aren't old, actually--just middle-aged, with a lifetime's worth of history between them. In the first section, Anita Shreve only suggests what that history contains: there was adultery, we gather, and a car accident, plus some illicit encounters under a pitiless Kenyan sun. Presumably the rest of the book will lead back to the beginnings of this grand passion, right? We think we know where this is going--but that's the tricky part, because we don't.The novel does get off to a slow start, with an unnecessarily drawn-out description of a luxury hotel. But it picks up speed as it moves backward in time, from the lovers' vividly evoked interlude in Africa, to their adolescent years in the Massachusetts village of Hull, and finally to Linda's deepest, darkest secret. Only then does the author unveil her final revelation, which should leave most readers somewhat out of breath, and possibly even obliged to turn back to the first page and read the book over again. Shreve is a canny storyteller, and she knows her characters inside and out. (As well she might: Thomas is the husband of Jean, the photographer in The Weight of Water.) And The Last Time They Met is yet another example of the kind of book she does best--one that's as skillfully plotted as a thriller, but with writing that lingers long after the last plot twist is unfurled. No matter whether people actually have affairs like these. Reading this book only makes you wish that they did. --Mary Park
Linda Fallon encounters her former lover, Thomas Janes, at a literary festival where both have been invited to give readings from their work. It has been years since their paths crossed, and in that time Thomas has become a kind of literary legend. His renown is enhanced by his elusiveness; for most of the past decade, he has remained in seclusion following a devastating loss. This is no chance meeting. Thomas learned that Linda was reading at the festival and chose this moment to reestablish contact with a woman he passionately pursued years earlier. Their affair was disastrous, and a turning point in both their lives. Neither the intensity of their relationship nor the damage it did has ever been far from his memory. From the moment they speak, The Last Time They Met unfolds the story of Linda and Thomas in an extraordinary way: it travels back into their past, bypassing layers of memory and interpretation to present their earlier encounters with unshakable immediacy. In Africa, when Linda and Thomas were twenty-seven, and in Massachusetts, when they were in high school, the novel recreates love at its exhilarating pinnacle--the kind of intense connection that becomes the true north against which all relationships are measured. Moving backward through time, The Last Time They Met traces the extraordinary resonance a single choice, even a single word, can have over the course of a lifetime. At the same time, the novel creates an almost unbearable mystery, a mystery that can only be understood fully in the novel's final pages, in the eyes of young Linda Fallon and the young man who loves her. With a master's control of phrase, observation, emotion, and character, Anita Shreve has written a beautiful and unforgettable exploration of intimacy, loss, and lifelong desire.
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