Shields, Carol

The Stone Diaries (Penguin Essential Edition)

This fictionalized autobiography of Daisy Goodwill Flett, captured in Daisy's vivacious yet reflective voice, has been winning over readers since its publication in 1995, when it won the Pulitzer Prize. After a youth marked by sudden death and loss, Daisy escapes into conventionality as a middle-class wife and mother. Years later she becomes a successful garden columnist and experiences the kind of awakening that thousands of her contemporaries in mid-century yearned for but missed in alcoholism, marital infidelity and bridge clubs. The events of Daisy's life, however, are less compelling than her rich, vividly described inner life--from her memories of her adoptive mother to her awareness of impending death. Shields' sensuous prose and her deft characterizations make this, her sixth novel, her most successful yet.

The Stone Diaries is the story of one woman's life; a truly sensuous novel that reflects and illuminates the unsettled decades of our century.

Born in 1905, Daisy Goodwill drifts through the chapters of childhood, marriage, widowhood, remarriage, motherhood and old age. Bewildered by her inability to understand her own role, Daisy attempts to find a way to tell her own story within a novel that is itself about the limitations of autobiography.

Saturday Night at the Dinosaur Stomp

"Doo-bop-a-loo-bop!" In this rollicking romp through a prehistoric weekend, dinosaurs frolic and caper the night away. After some initial early evening shuffling shyness, these party animals are ready to get down, doing the Triassic Twist and the Brontosaurus Bump, the Raptor Rap and Jurassic Jump. With all this rhythm and rhyme, it's no wonder romance is soon afoot: "Tarchia winked at a stegosaur she liked. They danced together, spike to spike." This outrageous book provides a much more appealing theory behind the disappearance of dinosaurs, and hints at the possibility of another Dinosaur Stomp someday in the future. Scott Nash's wonderfully friendly bopping beasts radiate a contagious exuberance with their smiling, simple faces and bright colors and patterns. Carol Diggory Shields couldn't have found a better match for her rocking, rolling, twirling, tromping, "scientifically accurate (more or less)" dinosaurs. A guaranteed favorite that will have young children gleefully chanting "Boomalacka boomalacka! Whack! Whack! WHACK!" (Click to see a sample spread. Text ©1997 by Carol Diggery Shields. Illustrations ©1997 by Scott Nash. Permission by Candlewick Press.) (Ages 4 and older) --Emilie Coulter

Dancing dinosaurs! Reading aloud has never been so much fun!

What did the dinosaurs do for fun? What really happened when the Jurassic gang wanted to let off some steam? They danced, of course! They rocked and rolled; they twirled and tromped! They had themselves a Dinosaur Stomp! With illustrations by Scott Nash that leap off the page like a raptor doing the fandango, Carol Diggory Shields tells dinosaur devotees all about reptilian revelry with a foot-tapping, tail-whacking beat.

The Bugliest Bug

"A rollicking, tongue-in-cheek entree to the entomological world." —PUBLISHERS WEEKLY

In this rousing read-aloud from the creators of SATURDAY NIGHT AT THE DINOSAUR STOMP, all of insect land is abuzz with news of a big contest! The demure Damselfly Dilly — "neither clever nor frilly" — has no thoughts of winning, but she's curious to see who will. Lively verse mixes fun, fancy, and fascinating fact, while exuberant artwork virtually flies off the page.

Lunch Money And Other Poems About School (Picture Puffin)

Here are twenty-four hilarious poems about school, where all kinds of unexpected things happen. From an unusual pledge of allegiance and jungle gym gossip to recess rules and the rules of addition, Carol Diggory Shields captures the experiences of schoolgoers with wit and verve. This rollicking collection is sure to keep readers laughing until summer vacation. A frisky collection....Kids will greet [the poems] with enthusiasm. --School Library Journal Carol Diggory Shields and Paul Meisel also collaborated on I Am Really a Princess (Dutton and Puffin) and I Wish My Brother Was a Dog (Dutton). Carol Diggory Shields lives in Salinas, California. Paul Meisel lives in Newtown, Connecticut.

Unless: A Novel (P.S.)

Forty-four-year-old Reta Winters, wife, mother, writer, and translator, is living a happy life until one of her three daughters drops out of university to sit on a downtown street corner silent and cross-legged with a begging bowl in her lap and a placard round her neck that says "Goodness."

The final book from Pulitzer Prize-winner Carol Shields, Unless is a candid and deeply moving novel from one of the twentieth century's most accomplished and beloved authors.

Unless: A Novel

"A life is full of isolated events," writes Carol Shields near the end of Unless, "but these events, if they are to form a coherent narrative, require odd pieces of language to link them together, little chips of grammar (mostly adverbs or prepositions) that are hard to define... words like therefore, else, other, also, thereof, therefore, instead, otherwise, despite, already, and not yet." Shield's explanation for her novel's title lends meaning to this multilayered narrative in which a mother's grief over a daughter's break with the family revises her feminist outlook and pushes her craft as a writer in a new direction.

The oldest daughter of 44-year-old Reta Winters suddenly, inexplicably, drops out of college and ends up on a Toronto street corner panhandling, with a cardboard sign around her neck that reads "goodness." The quiet comforts of Reta's small-town life and the constancy of her feminist perspective sustain her hope that her daughter will snap out of this, whatever "this" is. Threaded into her family's crisis is her ongoing internal elegy on the exclusion of women from the literary canon, which she transposes to mean her daughter's exclusion from humanity. Reta wonders if her daughter has discovered, as she herself did years before, that the world is "an endless series of obstacles, an alignment of locked doors," and has chosen to pursue the one thing that doesn't require power or a voice: goodness.

In her own writing, Reta reaffirms her own sense of self, as well as her sense of humor. As her theoretical reflections on modern womanhood play counterpoint to her unwavering sense of creating a home and keeping her family together, Reta's smarts and fears form a wonderfully coherent narrative--a life worth reading about. With Unless, the inaugural title in HarperCollins's Fourth Estate imprint, Shields (author of the Pulitzer Prize-winning novel The Stone Diaries) once again asserts her place in the canon. --Emily Russin

Reta Winters, 44-year-old successful author of lightsummertime fiction, has always considered herself happy, even blessed. That is, until her oldest daughter Norah mysteriously drops out of college to become a panhandler on a Toronto street corner -- silent, with a sign around her neck bearing the word "Goodness".

Happenstance: Two Novels in One About a Marriage in Transition

Food Fight!

With all the energy of a suddenly opened, well-shaken can of soda, the poet Carol Diggory Shields imaginatively creates a universe of food with a mind of its own. The claymation food by Doreen Gay-Kassel looks almost too fabulous to eat!

The Box Garden

Until events run wildly out of hand, Charleen Forrest manages to cope with the uncertainties of a failed marriage, trying to live her own life and raise a son on her frugal income. She is not unaware of the hazards: "family, banktellers, ex-husband, landladies, bus drivers...men on the make who want her to lie back and accept (this is what you need, baby), friends who feel sorry for her." Her resourcefulness is a delight; her uncanny observations and surprising irony reveal a witty, wry edge that is apt to make you laugh out loud.

Larry's Party

Larry Weller is a regular guy, or so Carol Shields has him think. When we first meet him in 1977 Winnipeg at age 26, he's pondering the pluses of Harris tweed, still living at home, and realizing he's in love with his girlfriend, Dorrie, a flinty car saleswoman. Larry is proud of his job at Flowerfolks, even though he fell into floral design by accident, and if his relationship with his parents isn't perfect, it's not too bad, either. (Stu and Flo Weller may have less page-time in Larry's Party, but they are hugely memorable. He is a master upholsterer, happiest when working; she is a woman ruined by nervous guilt, having inadvertently killed off her mother-in-law with some improperly preserved green beans.)

Carol Shields has said that she had "always been struck by the fact that in most novels people aren't working." Though her hero climbs the floral managerial trellis for 17 years and finds more rhapsody in work than marriage, Larry and Dorrie's honeymoon in England points him toward what will be his true vocation--mazes. These living constructs turn him into a thinker, a man of imagination, and the author's descriptions are quietly spectacular as well as effortlessly sweet. Larry wonders at their "teasing elegance and circularity ... a snail, a scribble, a doodle on the earth's skin with no other directed purpose but to wind its sinuous way around itself." Just as Larry changes with the times--each elliptical chapter ages him by one or two years--so does his art. In 1990, he designs a maze in which you can't really lose yourself. In 1997, the McCord Maze "is intended to mirror the descent into unconscious sleep, followed by a slow awakening." Larry, too, has a slow awakening, taking several false turns before reaching midlife. As the novel closes, with a bravura dinner party scene, he may finally be at ease in the world. But his creator knows that he is only halfway there, and still has to negotiate his way from the center of the maze to its exit.

The San Diego Tribune called The Stone Diaries a "universal study of what makes women tick." With Larry's Party Carol Shields has done the same for men. Larry Weller, born in 1950, is an ordinary guy made extraordinary by his creator's perception, irony, and tenderness. Larry's Party gives us, as it were, a CAT scan of his life, in episodes between 1977 and 1997, that seamlessly flash backward and forward. We follow this young floral designer through two marriages and divorces, and his interactions with his parents, friends, and a son. Throughout, we witness his deepening passion for garden mazes--so like life, with their teasing treachery and promise of reward. Among all the paradoxes and accidents of his existence, Larry moves through the spontaneity of the seventies, the blind enchantment of the eighties, and the lean, mean nineties, completing at last his quiet, stubborn search for self. Larry's odyssey mirrors the male condition at the end of our century with targeted wit, unerring poignancy, and faultless wisdom.