Shaw, George Bernard

Pygmalion (Dover Thrift Editions)

George Bernard Shaw's brilliant comedy about class and a flower girl.

Pygmalion (Penguin Classics)

Shaw radically reworks Ovid's tale with a feminist twist: while Henry Higgins successfully teaches Eliza Doolittle to speak and act like a duchess, she adamantly refuses to be his creation. First produced in 1914, it remains one of Shaw's most popular plays.

The Definitive Text under the editorial supervision of Dan H. Laurence
With an Introduction by Nicholas Grene

Saint Joan (Penguin Classics)

Joan of Arc, born in 1412, was burned at the stake in 1431, canonized by the Catholic Church in 1920, and, like most saints, whitewashed by history. Canonization tends to strip a saint of supposedly un-Christian attributes such as rebelliousness, pride, and intolerance. And Joan, despite having been a stubborn, haughty, naive, even foolish girl, has for much of history been remembered only as a pious martyr. However, George Bernard Shaw's play, Saint Joan, completed in 1925, began the modern rehabilitation of the icon as a fully human, fallible character--not to mention a poster girl for teenage rebellion and feminism. Shaw's Joan, like the real Maid of Orleans, leads the fight to drive the English out of her native France, insists on direct communication with her God instead of submitting to the mediation of Catholic priests, and refuses to dress, speak, or act according to traditional notions of how women were expected to behave. Until the closing scene of Shaw's play, however, neither Joan nor her foes are cast in neatly heroic terms. Both are earnestly pursuing their partial visions of the truth. In the play's famous epilogue, Shaw suggests that even 400 years later, most of us are so limited by our own perspectives that we are unable to tell the difference between a saint and a heretic. "O God that madest this beautiful earth, when will it be ready to receive Thy saints?" Joan asks, preparing for her death. "How long, O Lord, how long?" --Michael Joseph Gross

With Saint Joan, Shaw reached the height of his fame as a dramatist. Fascinated by the story of Joan of Arc (canonized in 1920), but unhappy with "the whitewash which disfigures her beyond recognition," he presents a realistic Joan: proud, intolerant, naïve, foolhardy, always brave-a rebel who challenged the conventions and values of her day.

George Bernard Shaw's Plays (Norton Critical Editions)

This collection presents a cross-section of Shaw's most important theater work—Mrs. Warren's Profession, Man and Superman, Major Barbara, and Pygmalion. Each play is fully annotated.

"Contexts and Criticism" features all-new material on the author and his work, from traditional critical readings to more theorized approaches, among them essays on Shaw's Fabianism and his alleged feminism. Contributors include Leon Hugo, Sally Peters, Tracy C. Davis, John A. Bertolini, Stanley Weintraub, and J. Ellen Gainor.
A Chronology and a Selected Bibliography are included.

About the series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.

Pygmalion (Enriched Classics Series)

An idealistic professor transforms an unsophisticated Cockney girl into a refined young lady in this classic drama set in turn-of-the-century London.

This Enriched Classic Edition includes:

• A concise introduction that gives readers important background information

• A chronology of the author's life and work

• A timeline of significant events that provides the book's historical context

• An outline of key themes and plot points to help readers form their own interpretations

• Detailed explanatory notes

• Critical analysis including contemporary and modern perspectives on the work

• Discussion questions to promote lively classroom and book group interaction

• A list of recommended related books and films to broaden the reader's experience

Enriched Classics offer readers affordable editions of great works of literature enhanced by helpful notes and insightful commentary. The scholarship provided in Enriched Classics enables readers to appreciate, understand, and enjoy the world's finest books to their full potential.

Series edited by Cynthia Brantley Johnson

Arms And The Man

Arms and the Man is a comedy written by George Bernard Shaw, and was first produced in 1894 and published in 1898, and has become on the the most popular plays of George Bernard Shaw. Like his other works, Arms and the Man questions conventional values and uses war and love as his satirical targets. This edition of Arms and the Man is in the form of a paperback book.

It's good enough for a man with only you to stand between him and death. (As they look at one another for a moment, Raina hardly able to believe that even a Servian officer can be so cynically and selfishly unchivalrous, they are startled by a sharp fusillade in the street. The chill of imminent death hushes the man's voice as he adds) Do you hear? If you are going to bring those scoundrels in on me you shall receive them as you are.

Pygmalion and Major Barbara (Bantam Classics)

George Bernard Shaw was the greatest British dramatist after Shakespeare, a satirist equal to Jonathan Swift, and a playwright whose most profound gift was his ability to make audiences think by provoking them to laughter.

In one of his best-loved plays, Pygmalion, which later became the basis for the musical My Fair Lady, Shaw compels the audience to see the utter absurdity and hypocrisy of class distinction when Professor Henry Higgins wagers that he can transform a common flower girl into a lady—and then pass her off as a duchess—simply by changing her speech and manners.

In Major Barbara Shaw spins out the drama of an eccentric millionaire, a romantic poet, and a misguided savior of souls, Major Barbara herself, in a topsy-turvy masterpiece of sophisticated banter and urbane humor. His brilliant dialogue, combined with his use of paradox and socialist theory, never fails to tickle, entertain—and challenge.

Man and Superman (Penguin Classics)

How tantalizing to hear Ralph Fiennes (The English Patient, Schindler's List) but not be able to see him! And hear him one does in his role as Jack Tanner, the antihero of Shaw's 1905 classic drama Man and Superman. Fiennes is a veritable mouthpiece--and a frequently sarcastic one at that--for the burning issues on Shaw's philosophical and social laundry list: the state of the English working class, the arms race, women's rights, unwed mothers, the evils of industry and capitalism, and English morality in general. The seriousness of the discussions is tempered by delightful Shavian wit ("There are two tragedies in life. One is to lose your heart's desire. The other is to gain it."), which prevents the dialogue from collapsing under its own weight, although it does teeter at times. The four-act play, directed by the esteemed Peter Hall for BBC Radio, begins in the English countryside and ends in the mountains of Spain after a curious detour to Hell, where, in act 3, the famous dream sequence unfolds and the main characters take on such roles as Don Juan and the Devil to further hash out the meaning of existence, the definition of life force, and the power of the female sex. This is a spirited production of Shaw's imperfect but intellectually challenging work. (Running time: 225 min; four cassettes)

In this caustic satire of romantic conventions, Shaw provides a wonderfully original twist on the Don Juan myth. A finely tuned combination of intellectual seriousness and popular comedy, Man and Superman (1905) articulates a recurrent theme in Shaw's writing: the notion that man is the spiritual creator and woman, the biological life force that inevitably triumphs in the eternal battle of the sexes.

Pygmalion and My Fair Lady (Signet Classics)

Based upon the Greek myth of the sculptor Pygmalion who fell in love with his own statue of a woman, George Bernard Shaw's celebrated play-and the musical adaptation by Alan Jay Lerner-feature phonetics professor Henry Higgins who transformed cockney flower girl Eliza into a lady.

The Doctor's Dilemma