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Beloved (Everyman's Library)

by Toni Morrison from Everyman's Library

In the troubled years following the Civil War, the spirit of a murdered child haunts the Ohio home of a former slave. This angry, destructive ghost breaks mirrors, leaves its fingerprints in cake icing, and generally makes life difficult for Sethe and her family; nevertheless, the woman finds the haunting oddly comforting for the spirit is that of her own dead baby, never named, thought of only as Beloved.

A dead child, a runaway slave, a terrible secret--these are the central concerns of Toni Morrison's Pulitzer Prize-winning Beloved. Morrison, a Nobel laureate, has written many fine novels, including Song of Solomon, The Bluest Eye, and Paradise--but Beloved is arguably her best. To modern readers, antebellum slavery is a subject so familiar that it is almost impossible to render its horrors in a way that seems neither clichéd nor melodramatic. Rapes, beatings, murders, and mutilations are recounted here, but they belong to characters so precisely drawn that the tragedy remains individual, terrifying to us because it is terrifying to the sufferer. And Morrison is master of the telling detail: in the bit, for example, a punishing piece of headgear used to discipline recalcitrant slaves, she manages to encapsulate all of slavery's many cruelties into one apt symbol--a device that deprives its wearer of speech. "Days after it was taken out, goose fat was rubbed on the corners of the mouth but nothing to soothe the tongue or take the wildness out of the eye." Most importantly, the language here, while often lyrical, is never overheated. Even as she recalls the cruelties visited upon her while a slave, Sethe is evocative without being overemotional: "Add my husband to it, watching, above me in the loft--hiding close by--the one place he thought no one would look for him, looking down on what I couldn't look at at all. And not stopping them--looking and letting it happen.... And if he was that broken then, then he is also and certainly dead now." Even the supernatural is treated as an ordinary fact of life: "Not a house in the country ain't packed to its rafters with some dead Negro's grief. We lucky this ghost is a baby," comments Sethe's mother-in-law.

Beloved is a dense, complex novel that yields up its secrets one by one. As Morrison takes us deeper into Sethe's history and her memories, the horrifying circumstances of her baby's death start to make terrible sense. And as past meets present in the shape of a mysterious young woman about the same age as Sethe's daughter would have been, the narrative builds inexorably to its powerful, painful conclusion. Beloved may well be the defining novel of slavery in America, the one that all others will be measured by. --Alix Wilber

(Book Jacket Status: Jacketed)

Winner of the Pulitzer Prize, Toni Morrison’s Beloved is a spellbinding and dazzlingly innovative portrait of a woman haunted by the past.

Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has borne the unthinkable and not gone mad, yet she is still held captive by memories of Sweet Home, the beautiful farm where so many hideous things happened. Meanwhile Sethe’s house has long been troubled by the angry, destructive ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved.

Sethe works at beating back the past, but it makes itself heard and felt incessantly in her memory and in the lives of those around her. When a mysterious teenage girl arrives, calling herself Beloved, Sethe’s terrible secret explodes into the present.

Combining the visionary power of legend with the unassailable truth of history, Morrison’s unforgettable novel is one of the great and enduring works of American literature.

Little Cloud and Lady Wind

by Toni Morrison from Simon & Schuster/Paula Wiseman Books

Little Cloud drifts in the sky with the other clouds and has a life that any cloud would want. But Little Cloud isn't happy. She doesn't want to make thunder and rain like the other clouds. The earth below is so beautiful -- purple mountains, scarves of snow, silver-topped waves. She wants to live and play on the earth and be on her own.

How will Little Cloud ever come to understand that everything has its special place in the world, most especially her?

Inspired by the favorite Aesop story "The Bundle of Sticks," Toni Morrison and Slade Morrison tell a gentle and loving tale that illustrates that the whole is far mightier than any single part. Coretta Scott King Illustrator Honor recipient Sean Qualls's shimmering paintings sparkle from the pages of this timeless fable.

A Mercy

by Toni Morrison from Knopf

A powerful tragedy distilled into a jewel of a masterpiece by the Nobel Prize–winning author of Beloved and, almost like a prelude to that story, set two centuries earlier.

In the 1680s the slave trade was still in its infancy. In the Americas, virulent religious and class divisions, prejudice and oppression were rife, providing the fertile soil in which slavery and race hatred were planted and took root.

Jacob is an Anglo-Dutch trader and adventurer, with a small holding in the harsh north. Despite his distaste for dealing in “flesh,” he takes a small slave girl in part payment for a bad debt from a plantation owner in Catholic Maryland. This is Florens, “with the hands of a slave and the feet of a Portuguese lady.” Florens looks for love, first from Lina, an older servant woman at her new master’s house, but later from a handsome blacksmith, an African, never enslaved.

There are other voices: Lina, whose tribe was decimated by smallpox; their mistress, Rebekka, herself a victim of religious intolerance back in England; Sorrow, a strange girl who’s spent her early years at sea; and finally the devastating voice of Florens’ mother. These are all men and women inventing themselves in the wilderness.

A Mercy reveals what lies beneath the surface of slavery. But at its heart it is the ambivalent, disturbing story of a mother who casts off her daughter in order to save her, and of a daughter who may never exorcise that abandonment.

Acts of mercy may have unforeseen consequences.

The Bluest Eye

by Toni Morrison from Knopf

Oprah Book Club® Selection, April 2000: Originally published in 1970, The Bluest Eye is Toni Morrison's first novel. In an afterword written more than two decades later, the author expressed her dissatisfaction with the book's language and structure: "It required a sophistication unavailable to me." Perhaps we can chalk up this verdict to modesty, or to the Nobel laureate's impossibly high standards of quality control. In any case, her debut is nothing if not sophisticated, in terms of both narrative ingenuity and rhetorical sweep. It also shows the young author drawing a bead on the subjects that would dominate much of her career: racial hatred, historical memory, and the dazzling or degrading power of language itself.

Set in Lorain, Ohio, in 1941, The Bluest Eye is something of an ensemble piece. The point of view is passed like a baton from one character to the next, with Morrison's own voice functioning as a kind of gold standard throughout. The focus, though, is on an 11-year-old black girl named Pecola Breedlove, whose entire family has been given a cosmetic cross to bear:

You looked at them and wondered why they were so ugly; you looked closely and could not find the source. Then you realized that it came from conviction, their conviction. It was as though some mysterious all-knowing master had given each one a cloak of ugliness to wear, and they had each accepted it without question.... And they took the ugliness in their hands, threw it as a mantle over them, and went about the world with it.

There are far uglier things in the world than, well, ugliness, and poor Pecola is subjected to most of them. She's spat upon, ridiculed, and ultimately raped and impregnated by her own father. No wonder she yearns to be the very opposite of what she is--yearns, in other words, to be a white child, possessed of the blondest hair and the bluest eye.

This vein of self-hatred is exactly what keeps Morrison's novel from devolving into a cut-and-dried scenario of victimization. She may in fact pin too much of the blame on the beauty myth: "Along with the idea of romantic love, she was introduced to another--physical beauty. Probably the most destructive ideas in the history of human thought. Both originated in envy, thrived in insecurity, and ended in disillusion." Yet the destructive power of these ideas is essentially colorblind, which gives The Bluest Eye the sort of universal reach that Morrison's imitators can only dream of. And that, combined with the novel's modulated pathos and musical, fine-grained language, makes for not merely a sophisticated debut but a permanent one. --James Marcus

The Bluest Eye, published in 1970, is the first novel written by Toni Morrison, winner of the 1993 Nobel Prize in Literature.

It is the story of eleven-year-old Pecola Breedlove -- a black girl in an America whose love for its blond, blue-eyed children can devastate all others -- who prays for her eyes to turn blue: so that she will be beautiful, so that people will look at her, so that her world will be different. This is the story of the nightmare at the heart of her yearning, and the tragedy of its fulfillment.

James Baldwin : Collected Essays : Notes of a Native Son / Nobody Knows My Name / The Fire Next Time / No Name in the Street / The Devil Finds Work / Other Essays (Library of America)

by James Baldwin from Library of America

Writer James Baldwin earnestly championed the civil rights movement in both his fiction and nonfiction, a fact which, coupled with his extraordinary writing talent, assured not only his historical importance, but also his place as one of the finest African American writers of his generation. Collected Essays is a comprehensive collection of his most memorable prose, including "Stranger in the Village," "The Harlem Ghetto," and "Many Thousands Gone." Clear in voice and vision, the essays communicate the emotions of an entire historical movement. Combining politics, prophecy, and passion, Baldwin's essays are truly as thought-provoking today as they were some 30 years ago.

"Collected Essays" is the most comprehensive gathering of Baldwin's nonfiction ever published. The collection confirms his as a uniquely prophetic voice in American letters. Included are such famous essays as "The Harlem Ghetto", "Everybody's Protest Novel", Many Thousands Gone", and "Stranger in the Village" .

Peeny Butter Fudge

by Toni Morrison from Simon & Schuster/Paula Wiseman Books

Snuggle, snuggle.
Time to rest.
Nana joins us in her nest.

There is no one like Nana in the whole wide world. She is the best. Nana knows how to take an ordinary afternoon and make it extra special! Nap time, story time, and playtime are transformed by fairies, dragons, dancing, and pretending -- and then mixing and fixing yummy, yummy fudge just like Nana and Mommy did not so many years ago....

Pulitzer Prize-winning author Toni Morrison and her son Slade tell a story of what really goes on when Nana is left in charge!

Sula (Oprah's Book Club)

by Toni Morrison from Knopf

In Sula, Toni Morrison, winner of the 1993 Nobel Prize for literature, tells the story of two women--friends since childhood, separated in young adulthood, and reunited as grown women. Nel Wright grows up to become a wife and mother, happy to remain in her hometown of Medallion, Ohio. Sula Peace leaves Medallion to experience college, men, and life in the big city, an exceptional choice for a black woman to make in the late 1920s.

As girls, Nel and Sula are the best of friends, only children who find in each other a kindred spirit to share in each girl's loneliness and imagination. When they meet again as adults, it's clear that Nel has chosen a life of acceptance and accommodation, while Sula must fight to defend her seemingly unconventional choices and beliefs. But regardless of the physical and emotional distance that threatens this extraordinary friendship, the bond between the women remains unbreakable: "Her old friend had come home.... Sula, whose past she had lived through and with whom the present was a constant sharing of perceptions. Talking to Sula had always been a conversation with herself."

Lyrical and gripping, Sula is an honest look at the power of friendship amid a backdrop of family, love, race, and the human condition. --Gisele Toueg

Toni Morrison's first novel, The Bluest Eye (1970), was acclaimed as the work of an important talent, written--as John Leonard said in The New York Times--in a prose "so precise, so faithful to speech and so charged with pain and wonder that the novel becomes poetry."

Sula has the same power, the same beauty.

At its center--a friendship between two women, a friendship whose intensity first sustains, then injures. Sula and Nel--both black, both smart, both poor, raised in a small Ohio town--meet when they are twelve, wishbone thin and dreaming of princes.

Through their girlhood years they share everything--perceptions, judgments, yearnings, secrets, even crime--until Sula gets out, out of the Bottom, the hilltop neighborhood where beneath the sporting life of the men hanging around the place in headrags and soft felt hats there hides a fierce resentment at failed crops, lost jobs, thieving insurance men, bug-ridden flour...at the invisible line that cannot be overstepped.

Sula leaps it and roams the cities of America for ten years. Then she returns to the town, to her friend. But Nel is a wife now, settled with her man and her three children. She belongs. She accommodates to the Bottom, where you avoid the hand of God by getting in it, by staying upright, helping out at church suppers, asking after folks--where you deal with evil by surviving it.

Not Sula. As willing to feel pain as to give pain, she can never accommodate. Nel can't understand her any more, and the others never did. Sula scares them. Mention her now, and they recall that she put her grandma in an old folks' home (the old lady who let a train take her leg for the insurance)...that a child drowned in the river years ago...that there was a plague of robins when she first returned...

In clear, dark, resonant language, Toni Morrison brilliantly evokes not only a bond between two lives, but the harsh, loveless, ultimately mad world in which that bond is destroyed, the world of the Bottom and its people, through forty years, up to the time of their bewildered realization that even more than they feared Sula, their pariah, they needed her.

Song of Solomon (Everyman's Library (Cloth))

by Toni Morrison from Everyman's Library

The third novel from one America's most powerful writers turns 20 years old in 1997, but Song of Solomon long ago ascended to the top shelf in the ranks of great literature. This Everyman's Library hardcover edition of the Nobel Prize-winning Morrison's lyrical, powerful, and erudite novel contains a chronology that situates the book in its historical context, and an introduction from author Reynolds Price.

In this celebrated novel, Nobel Prize-winning author Toni Morrison created a new way of rendering the contradictory nuances of black life in America. Its earthy poetic language and striking use of folklore and myth established Morrison as a major voice in contemporary fiction.

Tar Baby

by Toni Morrison from Alfred A. Knopf

The author of Song of Solomon now sets her extraordinary novelistic powers on a striking new course. Tar Baby, audacious and hypnotic, is masterful in its mingling of tones--of longing and alarm, of urbanity and a primal, mythic force in which the landscape itself becomes animate, alive with a wild, dark complicity in the fates of the people whose drama unfolds. It is a novel suffused with a tense and passionate inquiry, revealing a whole spectrum of emotions underlying the relationships between black men and women, white men and women, and black and white people.

The place is a Caribbean island. In their mansion overlooking the sea, the cultivated millionaire Valerian Street, now retired, and his pretty, younger wife, Margaret, go through rituals of living, as if in a trance. It is the black servant couple, who have been with the Streets for years--the fastidious butler, Sydney, and his strong yet remote wife--who have arranged every detail of existence to create a surface calm broken only by sudden bursts of verbal sparring between Valerian and his wife. And there is a visitor among them--a beautiful young black woman, Jadine, who is not only the servant's dazzling niece, but the protegée and friend of the Streets themselves; Jadine, who has been educated at the Sorbonne at Valerian's expense and is home now for a respite from her Paris world of fashion, film and art.

Through a season of untroubled ease, the lives of these five move with a ritualized grace until, one night, a ragged, starving black American street man breaks into the house. And, in a single moment, with Valerian's perverse decision not to call for help but instead to invite the man to sit with them and eat, everything changes. Valerian moves toward a larger abdication. Margaret's delicate and enduring deception is shattered. The butler and his wife are forced into acknowledging their illusions. And Jadine, who at first is repelled by the intruder, finds herself moving inexorably toward him--he calls himself Son; he is a kind of black man she has dreaded since childhood; uneducated, violent, contemptuous of her privilege.

As Jadine and Son come together in the loving collision they have both welcomed and feared, the novel moves outward--to the Florida backwater town Son was raised in, fled from, yet cherishes; to her sleek New York; then back to the island people and their protective and entangling legends. As the lovers strive to hold and understand each other, as they experience the awful weight of the separate worlds that have formed them--she perceiving his vision of reality and of love as inimical to her freedom, he perceiving her as the classic lure, the tar baby set out to entrap him--all the mysterious elements, all the highly charged threads of the story converge. Everything that is at risk is made clear: how the conflicts and dramas wrought by social and cultural circumstances must ultimately be played out in the realm of the heart.

Once again, Toni Morrison has given us a novel of daring, fascination, and power.

Who's Got Game?: The Ant or the Grasshopper?

by Toni Morrison from Scribner

"How can you say I never worked a day? ART is WORK. It just looks like play"

So says Foxy G to his buddy Kid A, in Toni and Slade Morrison's sassy, sly tale of friendship, betrayal, and survival -- or not.

Generation after generation, classic fables, folklore, and myth remain popular because they quicken the imagination of readers and listerners of all ages.

We, the creators of Who's Got Game? were inspired by the wonder of Aesop's Fables -- their vitality, their endless demand for more interpretations. In our versions the original stories are opened up and their moralisitic endings reimagined; the victim might not lose; the timid gets a chance to become strong; the fool can gain insight; the powerful may lose their grip. ANYTHING CAN HAPPEN. More than a play on these beloved fables, Who's Got Game? is AESOP LIVE!