Miller, Arthur

The Crucible (Penguin Classics)

Based on historical people and real events, Arthur Miller's play uses the destructive power of socially sanctioned violence unleashed by the rumors of witchcraft as a powerful parable about McCarthyism.

Introduction by Christopher Bigsby

Death of a Salesman (Penguin Plays)

Arthur Miller's 1949 Death of a Salesman has sold 11 million copies, and Willy Loman didn't make all those sales on a smile and a shoeshine. This play is the genuine article--it's got the goods on the human condition, all packed into a day in the life of one self-deluded, self-promoting, self-defeating soul. It's a sturdy bridge between kitchen-sink realism and spectral abstraction, the facts of particular hard times and universal themes. As Christopher Bigsby's mildly interesting afterword in this 50th-anniversary edition points out (as does Miller in his memoir, Timebends), Willy is closely based on the playwright's sad, absurd salesman uncle, Manny. But of course Miller made Manny into Everyman, and gave him the name of the crime commissioner Lohmann in Fritz Lang's angst-ridden 1932 Nazi parable, The Testament of Dr. Mabuse.

The tragedy of Loman the all-American dreamer and loser works eternally, on the page as on the stage. A lot of plays made history around 1949, but none have stepped out of history into the classic canon as Salesman has. Great as it was, Tennessee Williams's work can't be revived as vividly as this play still is, all over the world. (This edition has edifying pictures of Lee J. Cobb's 1949 and Brian Dennehy's 1999 performances.) It connects Aristotle, The Great Gatsby, On the Waterfront, David Mamet, and the archetypal American movie antihero. It even transcends its author's tragic flaw of pious preachiness (which undoes his snoozy The Crucible, unfortunately his most-produced play).

No doubt you've seen Willy Loman's story at least once. It's still worth reading. --Tim Appelo

Arthur Miller seemed to capture the sometimes tragic plight of the common man with his Death of a Salesman. Bloom suggests the strength of the play is puzzling but beyond dispute, lying more in its presentation on stage than its written form. The play's continued vitality is unquestioned.

The title, Arthur Miller's Death of a Salesman, part of Chelsea House Publishers' Modern Critical Interpretations series, presents the most important 20th-century criticism on Arthur Miller's Death of a Salesman through extracts of critical essays by well-known literary critics. This collection of criticism also features a short biography on Arthur Miller, a chronology of the author's life, and an introductory essay written by Harold Bloom, Sterling Professor of the Humanities, Yale University.

Miller's most famous play, it is the story of the American Dream gone awry when a small man is destroyed by society's false values.

Death of a Salesman won the Pulitzer Prize in 1949 and continues to shine on stages throughout the world even today.

This concise supplement to Arthur Miller's Death of a Salesman helps students understand the overall structure of the play, actions and motivations of the characters, and the social and cultural perspectives of the author.

The Crucible (Penguin Plays)

A Streetcar Named Desire

The Pulitzer Prize and Drama Critics Circle Award winning play—reissued with an introduction by Arthur Miller (Death of a Salesman and The Crucible), and Williams' essay "The World I Live In."

It is a very short list of 20th-century American plays that continue to have the same power and impact as when they first appeared—57 years after its Broadway premiere, Tennessee Williams' A Streetcar Named Desire is one of those plays. The story famously recounts how the faded and promiscuous Blanche DuBois is pushed over the edge by her sexy and brutal brother-in-law, Stanley Kowalski. Streetcar launched the careers of Marlon Brando, Jessica Tandy, Kim Hunter and Karl Malden, and solidified the position of Tennessee Williams as one of the most important young playwrights of his generation, as well as that of Elia Kazan as the greatest American stage director of the '40s and '50s.

Who better than America's elder statesman of the theater, Williams' contemporary Arthur Miller, to write as a witness to the lightning that struck American culture in the form of A Streetcar Named Desire? Miller's rich perspective on Williams' singular style of poetic dialogue, sensitive characters, and dramatic violence makes this a unique and valuable new edition of A Streetcar Named Desire. This definitive new edition will also include Williams' essay "The World I Live In," and a brief chronology of the author's life.

All My Sons (Penguin Classics)

Joe Keller and Herbert Deever, partners in a machine shop during the war, turned out defective airplane parts, causing the deaths of many men. Deever was sent to prison while Keller escaped punishment and went on to make a lot of money. In a work of tremendous power, a love affair between Keller's son, Chris, and Ann Deever, Herbert's daughter, the bitterness of George Keller, who returns from the war to find his father in prison and his father's partner free, and the reaction of a son to his father's guilt escalate toward a climax of electrifying intensity.

Winner of the Drama Critics' Award for Best New Play in 1947, All My Sons established Arthur Miller as a leading voice in the American theater. All My Sons introduced, themes that thread through Miller's work as a whole: the relationships between fathers and sons and the conflict between business and personal ethics.

Death of a Salesman (Viking Critical Library)

The Crucible (Viking Critical Library)

A View From the Bridge.

Italian-American immigrant life in the 1950's textures this searing drama of love and revenge. Longshoreman Eddie Carbone is devoted to his wife, Beatrice, and to his niece, Catherine. When Beatrice's impoverished Sicilian cousins enter the U.S. illegally in the hope of finding work, Eddie gives them a helping hand. But when Catherine and one of the cousins fall in love, Eddie's affection for his niece turns into obsession. Directed by Peter Levin.

Starring: Charles Cioffi, Harry Hamlin, Jamie Hanes, Mary McDonnell, Peter Morse, Ed O'Neill, Amy Pietz, Don Tieri

The Crucible

Arthur Miller's classic play about the with-hunts and trials in 17th century Salem is a searing portrait of a community engulfed by hysteria. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town's most basic fears and suspicions. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminate the destructive power of socially-sanctioned violence. Written in 1952, The Crucible famously mirrors the anti-communist hysteria that held the United States in its grip. Directed by Martin Jenkins.

Starring: Richard Dreyfuss, Stacy Keach, Irene Arranga, Rene Auberjonois, Ed Begley, Jr, Georgia Brown, Jack Coleman, Bud Cort, Judyann Elder, Hector Elizondo, Fionnula Flanagan, Ann Hearn, Carol Kane, Anna Sophie Loewenberg, Marian Mercer, Franklyn Seales, Madolyn Smith, Joe Spano, and Michael York

An Enemy of the People (Penguin Plays)