McCabe, Patrick

The Butcher Boy

"I was thinking how right ma was -- Mrs. Nugent all smiles when she met us and how are you getting on Mrs and young Francis are you both well? . . .what she was really saying was: Ah hello Mrs Pig how are you and look Philip do you see what's coming now -- The Pig Family!"

This is a precisely crafted, often lyrical, portrait of the descent into madness of a young killer in small-town Ireland. "Imagine Huck Finn crossed with Charlie Starkweather," said The Washington Post. Short-listed for the Bram Stoker Award and England's prestigious Booker Prize.

"When I was a young lad twenty or thirty or forty years ago I lived in a small town where they were all after me on account of what I done on Mrs. Nugent."

Thus begins Patrick McCabe's shattering novel The Butcher Boy, a powerful and unrelenting journey into the heart of darkness. The bleak, eerie voice belongs to Francie Brady, the "pig boy," the only child of and alcoholic father and a mother driven mad by despair. Growing up in a soul-stifling Irish town, Francie is bright, love-starved, and unhinged, his speech filled with street talk, his heart filled with pain...his actions perfectly monstrous.

Held up for scorn by Mrs. Nugent, a paragon of middle-class values, and dropped by his best friend, Joe, in favor of her mamby-pamby son, Francie finally has a target for his rage--and a focus for his twisted, horrific plan.

Dark, haunting, often screamingly funny, The Butcher Boy chronicles the pig boy's ominous loss of innocence and chilling descent into madness. No writer since James Joyce has had such marvelous control of rhythm and language... and no novel since The Silence Of The Lambs has stunned us with such a macabre, dangerous mind.

Breakfast on Pluto: A Novel

Patrick McCabe hit pay dirt with his third novel, The Butcher Boy, which was short-listed for the 1992 Booker Prize, filmed by Neil Jordan, and acclaimed as "a masterpiece of literary ventriloquism." In his fifth, Breakfast on Pluto, also on the Booker shortlist, McCabe produces another inimitable voice to amuse and infuriate, mimicking perfectly the overwrought, near-hysterical style of a character whose emotional processes were cruelly halted somewhere around the age of 14, and whose tale requires English literature's highest concentration of exclamation marks.

Patrick "Pussy" Brady is recording her memoirs for the mysterious Dr. Terence, and it's quite some story. After randy Father Bernard gets carried away with his temporary housekeeper, a dead ringer for Mitzi Gaynor, the result is Patrick Braden, abandoned on a doorstep in a Rinso box and condemned to a foster home with the alcoholic Hairy Braden. Escape comes in fantasies of Vic Damone and the occasional glitzy frock, and eventually, inevitably, the rebaptised "Pussy" heads for life as a transvestite rent boy on Piccadilly's Meat Rack. But this is not just Pussy's story; as hitherto-muffled paramilitary violence blows up in her face, Pussy falls apart, providing a vivid and unsettling final comment on the human price paid in 1970s Ireland. --Alan Stewart

Breakfast on Pluto, Patrick McCabe's lyrical and haunting new novel, became a #1 bestseller in Ireland, stayed on the bestseller list for months, and was nominated for the Booker Prize, one of the world's most prestigious literary awards. With wonderful delicacy and subtle insight and intimation, McCabe creates Mr. Patrick "Pussy" Braden, the enduringly and endearingly hopeful hero(ine) whose gutsy survival and yearning quest for love resonate in and drive the glimmering, agonizing narrative in which the troubles are a distant and immediate echo and refrain. Twenty years ago, her ladyship escaped her hometown of Tyreelin, Ireland, fleeing her foster mother Whiskers (prodigious Guinness-guzzler, human chimney) and her mad household, to begin a new life in London. There, in blousey tops and satin miniskirts, she plies her trade, often risking life and limb amongst the flotsam and jetsam that fill the bars of Piccadilly Circus. But suave businessmen and lonely old women are not the only dangers that threaten Pussy. It is the 1970's and fear haunts the streets of London and Belfast as the critical mass of history builds up, and Pussy is inevitably drawn into a maelstrom of violence and tragedy destined to blow his fragile soul asunder. Brilliant, startling, profound and soaring, Breakfast on Pluto combines light and dark, laughter and pain, with such sensitivity, directness and restraint that the dramatic impact reverberates in our minds and hearts long after the initial impression.

Breakfast on Pluto tie-in

Conceived in a moment of mad passion by a randy Irish priest and his temporary housekeeper -- and abandoned on a doorstep in a Rinso box as an infant -- her ladyship "Pussy" (né Patrick) Braden grew up fabulous and escaped tiny Tyreelin, Ireland, to start life anew in London. In blousy tops and satin miniskirts she plies her trade as a transvestite rent boy on Picadilly's Meat Rack, risking life and limb among the city's flotsam and jetsam. But it is the 1970s, and fear haunts the streets of London and Belfast -- and as radioactive history approaches critical mass, the coming explosion of violence and tragedy may well blow Pussy's fragile soul asunder.

Winterwood: A Novel

Open City #3 (Open City)

Dubliners

Dubliners - James Joyce's stories of his native homeland - performed by a cast of 15 different actors originating from Ireland.  Unabridged.

The fifteen stories that make up this brilliant audio roam over a human landscape that stretches from the bleakest of despair to the most blinding of epiphanies.  First published in 1914, the stories are as lucid and accessible as they are memorable poignant.

As you listen to the cast of internationally famous stage and screen actors perform Dubliners, both the spiritually deadening atmosphere that drove Joyce from his homeland and the irresistible emotional pull it always kept on him to the end of his days become heartbreakingly beautiful.

Dubliners is an audio experience that will only grow in richness with each time you listen. 

The stories and performers are:

Sisters - Frank McCourt

An Encounter - Patrick McCabe

Araby - Colm Meaney

Eveline - Dearbhla Molloy

After the Race - Dan O'Herlihy

Two Gallants - Malachy McCourt

The Boarding House - Donal Donnelly

A Little Cloud - Brendan Coyle

Counterparts - Jim Norton

Clay - Sorcha Cusack

A Painful Case - Ciaran Hinds

Ivy Day in the Committee Room - T.P. McKenna

A Mother - Fionnula Flanagan

Grace - Charles Keating

The Dead - Stephen Rea

 

Dubliners was completed in 1905, but a series of British and Irish publishers and printers found it offensive and immoral, and it was suppressed. The book finally came out in London in 1914, just as Joyce's Portrait of the Artist as a Young Man began to appear in the journal Egoist under the auspices of Ezra Pound. The first three stories in Dubliners might be incidents from a draft of Portrait of the Artist, and many of the characters who figure in Ulysses have their first appearance here, but this is not a book of interest only because of its relationship to Joyce's life and mature work. It is one of the greatest story collections in the English language--an unflinching, brilliant, often tragic portrait of early twentieth-century Dublin. The book, which begins and ends with a death, moves from "stories of my childhood" through tales of public life. Its larger purpose, Joyce said, was as a moral history of Ireland.

Emerald Germs Of Ireland: A Novel

"There is something special
about the relationship we all have
with our mothers..."

Meet Pat McNab, forty-five years old, and about to embark on a homicidal rampage sparked by matricide. Or is he?

Pat spent endless hours chain-smoking and propping up the counter of Sullivan's Select Bar (not that Mrs. McNab knew anything about it -- she and Timmy the barman didn't get along at all) or sitting on his mother's knee singing away together like some ridiculous two-headed human jukebox. But that was all before the story really began -- Emerald Germs of Ireland is in essence Pat McNab's post-matricide year.

Pat, who now spends many of his waking hours sitting by the window in his old dark house, watching videos and nibbling abstractedly on pieces of toast, reflects on those long-gone days with Mommy, while fending off the persistent interferences of his small-town neighbors: the puritanical Mrs. Tubridy; that irascible seller of turf, the Turf Man; Sgt. "Kojak" Foley, and other unwanted snoops who could soon come to regret their inquisitive, nose-poking ways.

This is Patrick McCabe at his fiendish best. Dark, emotionally powerful, and surreal, Emerald Germs of Ireland is also his funniest work to date, masterfully displaying the anarchic twists and turns that are the hallmarks of his comic genius.

Carn

Patrick McCabe, whom the San Francisco Chronicle called "one of the most brilliant writers ever to come out of Ireland," presents another compelling novel of small-town Ireland that leaves its indelible mark on the canon of classic fiction. Carn is the story of two women; Josie Keenan, who returns to Carn, Ireland, the provincial hometown she once left behind, and Sadie Rooney, a factory worker who dreams of leaving. As the two women strike up a friendship--fueled by hopes to better their lives, yet inextricably tied to the tenuous fate of Carn--each must confront the hard truths of her past and future. And despite its own attempt to thrive, the town itself cannot escape the daily reminders of Ireland's endless legacy of violence and unrest.



Written in the raw, unsparing prose that marks McCabe's fiction, Carn is the timeless story of a small town struggling to break away from its bleak past, and the lives of two women aching to escape the forces that shaped them.

The Dead School

"All it takes is one thing to go wrong and then--well everything else decides to follow suit I'm afraid. Mr Sun, who a minute before was saying, 'Hello! I'm Mr Sun! I'm your friend on this happy picnic day!' is opening up a big sunny mouth full of razor teeth." Macabre humor, grisly horrors, likeable characters, madness and pathos, shrewd allusions to pop songs and movies, and a supple prose style that sounds like Irish speech when read aloud--Patrick McCabe does it all. The Dead School is a dazzling novel, more complex and even more gripping than McCabe's The Butcher Boy. Here are the stories of two very different Irishmen, from different generations, whose lives intersect for a brief and mutually destructive time, and then continue, in misery, apart. McCabe deftly avoids the easy or dramatic ending and delivers instead the saddest, funniest, most horrible ending of all because it is so true to life.

From the award-winning author of The  Butcher Boy comes a new novel of  extraordinary power that, according to the San Francisco  Chronicle, "confirm[s] McCabe's standing as one  of the most brilliant writers to ever come out of  Ireland."

In The  Dead School, Patrick McCabe returns to the  emotionally dense landscape of small-town Ireland  to explore the inner lives of two men: a  headmaster and a schoolteacher, each man the product of a  soul-stifling culture, each battling his own demons  of loss and betrayal. Tension coils--until tragedy  strikes a young student in their charge, and the  latent despair and rage that has festered in their  hearts explodes onto the page. As in The  Butcher Boy, McCabe demonstrates his  remarkable command of the vernacular and an uncanny  ability to pinpoint the exact moment when ordinary  minds take flight into madness. Equally  compelling, equally heartbreaking in its impact,   The Dead School has established McCabe  as one of the most celebrated writers of literary  fiction today.


From the Trade Paperback edition.

Emerald Germs of Ireland