The Natural
by Bernard Malamud
from Farrar, Straus and Giroux
Roy Hobbs, the protagonist of The Natural, makes the mistake of pronouncing aloud his dream: to be the best there ever was. Such hubris, of course, invites divine intervention, but the brilliance of Bernard Malamud's novel is the second chance it offers its hero, elevating him--and his story--into the realm of myth.
The Fixer: A Novel
by Bernard Malamud
from Farrar, Straus and Giroux
The Assistant: A Novel
by Bernard Malamud
from Farrar, Straus and Giroux
Bernard Malamud’s second novel, originally published in 1957, is the story of Morris Bober, a grocer in postwar Brooklyn, who “wants better” for himself and his family. First two robbers appear and hold him up; then things take a turn for the better when broken-nosed Frank Alpine becomes his assistant. But there are complications: Frank, whose reaction to Jews is ambivalent, falls in love with Helen Bober; at the same time he begins to steal from the store.
Like Malamud’s best stories, this novel unerringly evokes an immigrant world of cramped circumstances and great expectations. Malamud defined the immigrant experience in a way that has proven vital for several generations of writers.
Bernard Malamud's second novel, originally published in 1957, is the story of Morris Bober, a grocer in postwar Brooklyn, who "wants better" for himself and his family. First two robbers hold him up; then things take a turn for the better when broken-nosed Frank Alpine becomes his assistant. But then there are complications. Frank, whose reaction to Jews is ambivalent, falls in love with Helen Bober; at the same time he begins to steal from the store.
Like Malamud's best stories, this novel unerringly evokes an immigrant world of cramped circumstances and great expectations. Malamud defined the immigrant experience in a way that has proven vital for several generations of writers.
The Magic Barrel: Stories
by Bernard Malamud
from Farrar, Straus and Giroux
The Complete Stories
by Bernard Malamud
from Farrar, Straus and Giroux
Due to his formidable skill as a novelist--and to the fact that one of his novels, The Natural, had the good or bad luck to be repackaged as a large-screen vehicle for Robert Redford--Bernard Malamud hasn't always been recognized as short-story master of the first rank. As this collection demonstrates once and for all, he is. The anthology pieces, such as "The Magic Barrel," "The Silver Dish," or "Rembrandt's Hat," would be more than enough to place the author in the pantheon. But the 54 stories gathered here represent an astonishing abundance of narrative smarts and brilliant, Yiddish-accented prose. Malamud's heroes meet all manner of misfortune--there's something distinctly Job-like about even his most contented characters (a typical one has "a sort of indigenous sadness [that] hung on or around him")--yet the author suffuses their woes with gentle comedy. And while Jews occupy center stage in almost every tale, they are universal rather than parochial figures: as the beleaguered tailor in "Angel Levine" triumphantly informs his wife, "Believe me, there are Jews everywhere."
Publishers Weekly Best Book of 1997
With an Introduction by Robert Giroux, The Complete Stories of Bernard Malamud is "an essential American book," Richard Stern declared in the Chicago Tribune when the collection was published in hardcover. His praise was echoed by other reviewers and by readers, who embraced the book as they might a displaced person in one of Malamud's stories, now returned to us, complete and fulfilled and recognized at last. The volume gathers together fifty-five stories, from "Armistice" (1940) to "Alma Redeemed" (1984), and including the immortal stories from The Magic Barrel and the vivid depictions of the unforgettable Fidelman. It is a varied and generous collection of great examples of the modern short story, which Malamud perfected, and an ideal introduction to the work of this great American writer.
A New Life
by Bernard Malamud
from Farrar, Straus and Giroux
The Fixer, The Natural, The Assistant (All Three Novels, Complete and Unabridged)
The Tenants
by Bernard Malamud
from Farrar, Straus and Giroux
In The Tenants (1971), Bernard Malamud brought his unerring sense of modern urban life to bear on the conflict between blacks and Jews then inflaming his native Brooklyn. The sole tenant in a rundown tenement, Henry Lesser is struggling to finish a novel, but his solitary pursuit of the sublime grows complicated when Willie Spearmint, a black writer ambivalent toward Jews, moves into the building. Henry and Willie are artistic rivals and unwilling neighbors, and their uneasy peace is disturbed by the presence of Willie's white girlfriend Irene and the landlord Levenspiel's attempts to evict both men and demolish the building. This novel's conflict, current then, is perennial now; it reveals the slippery nature of the human condition, and the human capacity for violence and undoing.
Dubin's Lives
by Bernard Malamud
from Farrar, Straus and Giroux
Dubin's Lives (1979) is a compassionate and wry commedia, a book praised by Christopher Lehmann-Haupt in The New York Times as Malamud's "best novel since The Assistant. Possibly, it is the best he has written of all."
Its protagonist is one of Malamud's finest characters; prize-winning biographer William Dubin, who learns from lives, or thinks he does: those he writes, those he shares, the life he lives. Now in his later middle age, he seeks his own secret self, and the obsession of biography is supplanted by the obsession of love--love for a woman half is age, who has sought an understanding of her life through his books. Dubin's Lives is a rich, subtle book, as well as a moving tale of love and marriage.
Conversations with Bernard Malamud (Literary Conversations Series)
from University Press of Mississippi
Bernard Malamud gave his first interview in 1958, his last in 1986. During the intervening twenty-eight years he was formally interviewed at least forty times. This book collects twenty-eight of the best interviews, ranging from brief conversations with journalists to more extended and leisurely conversations with academics and writers.
Winner of two National Book Awards and a Pulitzer Prize, this universally praised author of The Magic Barrel, The Fixer, The Natural, and many stories that are acclaimed among the masterpieces of American fiction appears in these interviews quite appropriately as an artist devoted more to his work than to discussing it. This collection includes interviews in which Malamud gives a commentary on each of his novels and on many of his short stories. What emerges from these encounters with this great author is a sense of MalamudÂ’s deep, lifetime commitment to his art and to a seriousness of purpose.
Though there is very little domest
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