To Kill a Mockingbird
by Harper Lee
from Grand Central Publishing
"When he was nearly thirteen, my brother Jem got his arm badly broken at the elbow.... When enough years had gone by to enable us to look back on them, we sometimes discussed the events leading to his accident. I maintain that the Ewells started it all, but Jem, who was four years my senior, said it started long before that. He said it began the summer Dill came to us, when Dill first gave us the idea of making Boo Radley come out."
Set in the small Southern town of Maycomb, Alabama, during the Depression, To Kill a Mockingbird follows three years in the life of 8-year-old Scout Finch, her brother, Jem, and their father, Atticus--three years punctuated by the arrest and eventual trial of a young black man accused of raping a white woman. Though her story explores big themes, Harper Lee chooses to tell it through the eyes of a child. The result is a tough and tender novel of race, class, justice, and the pain of growing up.
Like the slow-moving occupants of her fictional town, Lee takes her time getting to the heart of her tale; we first meet the Finches the summer before Scout's first year at school. She, her brother, and Dill Harris, a boy who spends the summers with his aunt in Maycomb, while away the hours reenacting scenes from Dracula and plotting ways to get a peek at the town bogeyman, Boo Radley. At first the circumstances surrounding the alleged rape of Mayella Ewell, the daughter of a drunk and violent white farmer, barely penetrate the children's consciousness. Then Atticus is called on to defend the accused, Tom Robinson, and soon Scout and Jem find themselves caught up in events beyond their understanding. During the trial, the town exhibits its ugly side, but Lee offers plenty of counterbalance as well--in the struggle of an elderly woman to overcome her morphine habit before she dies; in the heroism of Atticus Finch, standing up for what he knows is right; and finally in Scout's hard-won understanding that most people are essentially kind "when you really see them." By turns funny, wise, and heartbreaking, To Kill a Mockingbird is one classic that continues to speak to new generations, and deserves to be reread often. --Alix Wilber
"When he was nearly thirteen, my brother Jem got his arm badly broken at the elbow.... When enough years had gone by to enable us to look back on them, we sometimes discussed the events leading to his accident. I maintain that the Ewells started it all, but Jem, who was four years my senior, said it started long before that. He said it began the summer Dill came to us, when Dill first gave us the idea of making Boo Radley come out."Set in the small Southern town of Maycomb, Alabama, during the Depression, To Kill a Mockingbird follows three years in the life of 8-year-old Scout Finch, her brother, Jem, and their father, Atticus--three years punctuated by the arrest and eventual trial of a young black man accused of raping a white woman. Though her story explores big themes, Harper Lee chooses to tell it through the eyes of a child. The result is a tough and tender novel of race, class, justice, and the pain of growing up.Like the slow-moving occupants of her fictional town, Lee takes her time getting to the heart of her tale; we first meet the Finches the summer before Scout's first year at school. She, her brother, and Dill Harris, a boy who spends the summers with his aunt in Maycomb, while away the hours reenacting scenes from Dracula and plotting ways to get a peek at the town bogeyman, Boo Radley. At first the circumstances surrounding the alleged rape of Mayella Ewell, the daughter of a drunk and violent white farmer, barely penetrate the children's consciousness. Then Atticus is called on to defend the accused, Tom Robinson, and soon Scout and Jem find themselves caught up in events beyond their understanding. During the trial, the town exhibits its ugly side, but Lee offers plenty of counterbalance as well--in the struggle of an elderly woman to overcome her morphine habit before she dies; in the heroism of Atticus Finch, standing up for what he knows is right; and finally in Scout's hard-won understanding that most people are essentially kind "when you really see them." By turns funny, wise, and heartbreaking, To Kill a Mockingbird is one classic that continues to speak to new generations, and deserves to be reread often. --Alix Wilber
The Complete C.S. Lewis Signature Classics
by C. S. Lewis
from HarperOne
Seven Spiritual Masterworks by C. S. Lewis
This classic collection includes C. S. Lewis's most important spiritual works:
Mere Christianity
The Screwtape Letters
The Great Divorce
The Problem of Pain
Miracles
A Grief Observed
The Abolition of Man
Till We Have Faces: A Myth Retold
by C.S. Lewis
from Harcourt Brace & Company
To Kill a Mockingbird (Harper Perennial Modern Classics)
by Harper Lee
from Harper Perennial Modern Classics
Harper Lee's Pulitzer Prize-winning masterwork of honor and injustice in the deep South -- and the heroism of one man in the face of blind and violent hatred
One of the best-loved stories of all time, To Kill a Mockingbird has been translated into more than forty languages, sold more than thirty million copies worldwide, served as the basis of an enormously popular motion picture, and was voted one of the best novels of the twentieth century by librarians across the country. A gripping, heart-wrenching, and wholly remarkable tale of coming-of-age in a South poisoned by virulent prejudice, it views a world of great beauty and savage inequities through the eyes of a young girl, as her father -- a crusading local lawyer -- risks everything to defend a black man unjustly accused of a terrible crime.
Traveling Mercies: Some Thoughts on Faith
by Anne Lamott
from Anchor
For most writers, the greatest challenge of spiritual writing is to keep it grounded in concrete language. The temptation is to wander off into the clouds of ethereal epiphanies, only to lose readers with woo-woo thinking and sacred-laced clichés. Thankfully, Anne Lamott (Operating Instructions, Crooked Little Heart) knows better. In this collection of essays, Lamott offers her trademark wit and irreverence in describing her reluctant journey into faith. Every epiphany is framed in plainspoken (and, yes, occasionally crassly spoken) real-life, honest-to-God experiences. For example, after having an abortion, Lamott felt the presence of Christ sitting in her bedroom:
This experience spooked me badly, but I thought it was just an apparition born of fear and self-loathing and booze and loss of blood. But then everywhere I went I had the feeling that a little cat was following me, wanting me to reach down and pick it up, wanting me to open the door and let it in. But I knew what would happen: you let a cat in one time, give it a little milk and then it stays forever.Whether she's writing about airplane turbulence, bulimia, her "feta cheese thighs," or consulting God over how to parent her son, Lamott keeps her spirituality firmly planted in solid scenes and believable metaphors. As a result, this is a richly satisfying armchair-travel experience, highlighting the tender mercies of Lamott's life that nudged her into Christian faith. --Gail Hudson
Anne Lamott admits that she's "ever so slightly more anxious than the average hypochondriac." When faced with a small, irregular mole and a family history of skin cancer, however, she remembers her faith in God and enjoys some peace--despite behaving "a little more like Nathan Lane in The Birdcage than I would have hoped." Author Lamott reads these wonderfully detailed postcards from her meandering journey to faith. With sharp and bittersweet humor, she recounts a past full of bad relationships with men, with food, with drugs, with alcohol, and worst of all, with herself. She battles her demons thanks to the love of her friends and family and her "lurch of faith" to embrace religion, that "puzzling thing inside me that had begun to tug on my sleeve from time to time, trying to get my attention." Inspiring but not dogmatic, Traveling Mercies is a treasure. (Running time: 4 hours, 3 cassettes) --C.B. Delaney
Anne Lamott claims the two best prayers she knows are: "Help me, help me, help me" and "Thank you, thank you, thank you." She has a friend whose morning prayer each day is "Whatever," and whose evening prayer is "Oh, well." Anne thinks of Jesus as "Casper the friendly savior" and describes God as "one crafty mother."
Despite--or because of--her irreverence, faith is a natural subject for Anne Lamott. Since Operating Instructions and Bird by Bird, her fans have been waiting for her to write the book that explained how she came to the big-hearted, grateful, generous faith that she so often alluded to in her two earlier nonfiction books. The people in Anne Lamott's real life are like beloved characters in a favorite series for her readers--her friend Pammy, her son, Sam, and the many funny and wise folks who attend her church are all familiar. And Traveling Mercies is a welcome return to those lives, as well as an introduction to new companions Lamott treats with the same candor, insight, and tenderness.
Lamott's faith isn't about easy answers, which is part of what endears her to believers as well as nonbelievers. Against all odds, she came to believe in God and then, even more miraculously, in herself. As she puts it, "My coming to faith did not start with a leap but rather a series of staggers." At once tough, personal, affectionate, wise, and very funny, Traveling Mercies tells in exuberant detail how Anne Lamott learned to shine the light of faith on the darkest part of ordinary life, exposing surprising pockets of meaning and hope.
Traveling Mercies takes us on a journey through Anne Lamott's troubled past to illuminate her devout but quirky walk of faith: how, against all odds, she came to believe in God, and the myriad ways in which that faith sustains and guides her in everyday life. With an exuberant mix of passion and self-deprecating humor, Lamott explores whether certain behaviors will get her "a better seat in heaven, " perhaps "near the dessert table, " or whether her mistakes "make Jesus want to drink gin straight out of the cat disk" She writes about her family, about helping a friend through the devastating illness of her baby, about wanting but not having all the answers for her eight-year-old son.
Through the hard-won wisdom that forms the core of her beliefs, and with wit, insight, and lots of heart, she shows us how she creates a life balance of connectedness and liberation.
Grace (Eventually): Thoughts on Faith
by Anne Lamott
from Riverhead Trade
Through Anne Lamott's many books (including six novels, her bestselling parenting memoir, Operating Instructions, and her popular guide to writing, Bird by Bird) the subject she keeps returning to is her faith, her deeply personal--"erratic," she says--journey in Christianity. Her latest book, Grace (Eventually), is her third collection of her "thoughts on faith," and she took the time to answer a few of our questions.
Questions for Anne Lamott
Amazon.com: This is your third book on faith. How has your perspective changed since you wrote your first one?
Lamott: I wrote my first book on faith when Bill Clinton was president, and I was in a much better mood. I wrote Plan B during the run-up to war in Iraq, and the ensuing catastrophe, so I was very angry, but trying to reconcile that pain and hostility to Jesus's insistence that we are made of love, to love, and be loved, to forgive and be forgiven. Some days went better than others. Also, my son Sam was in his early teens, and that was a LOT easier than when he turned 16 and 17, his ages when I was writing the pieces in Grace (Eventually).
In general, I think Grace (Eventually) is a less angry book. I like how I'm aging, except that my back hurts more often, my knees crack like twigs when I squat, and my memory fails more frequently, in more public and therefore humiliating ways. But I think I complain less. As my best friend said when she was dying, and I was obsessing about my butt, "You just don't have that kind of time."
Amazon.com: What does grace mean for you? How can we better communicate it to each other?
Lamott: Grace is that extra bit of help when you think you are really doomed; also, not coincidentally, when you have finally run out of good ideas on how to proceed, and on how better to control the people or circumstances that are frustrating or defeating you. I experience Grace as a cool ribbon of fresh air when I feel spiritually claustrophobic. Sometimes I experience it as water-wings, something holding me up when I am afraid that I'm going down, or the tide is carrying me away. I know that Grace meets us whereever we are, but does not leave us where it found us. Sometimes it is so small--a couple of seconds relief here, several extra inches there. I wish it were big and obvious, like sky-writing. Oh, well. Grace is not something I DO, or can chase down; but it is something I can receive, when I stop trying to be in charge.
We communicate grace to one another by holding space for people when they are hurt or terrified, instead of trying to fix them, or manage their emotions for them. We offer ourselves as silent companionship, or gentle listening when someone feels very alone. We get people glasses of water when they are thirsty.
Amazon.com: Many of the essays in Grace (Eventually) first appeared in Salon, the online magazine, and that's the way that many readers first found you. How do you see the Internet changing the way people read and write?
Lamott: The Internet makes everything so immediate and spontaneous, which I totally love--UNLESS it has to do with the immediacy of people's negative response to me. Several of the Salon pieces in Grace--for instance, the story about the horrible fight with my son, and the piece about turning the other cheek while being ripped off by The Carpet Guy--generated a couple hundred letters, many of them extremely hostile. Perhaps "spewy" would be a better description. I also sometimes get knee-jerk responses to my mentions of Jesus in my Salon pieces that seem to lump me in the same tradition as Jerry Falwell. But for the most part, I love the populism and egalitarian nature of the Internet: everyone counts the same.
Amazon.com: What stories do people tell you, when they've read your books or know you are a writer?
Lamott: People tell me how relieved they are that I try to tell the truth about how hard it can be to be a mother, or a daughter, or an American in these times. They tell me stories about how awful their own teenagers can be, or how awful they themselves behaved towards their kids or parents; how hard it was to finally be able to adore their mothers, or to forgive their fathers. They tell me their sobriety dates. They whisper to me that they are Christians, too.
Also, they ask if I am able to read their manuscripts, and the name of my agent, and my e-mail address. They ask if we are going to survive the current political difficulties--and I promise them we are. They ask how old my son is now--17 and a half--and how he is doing, which is fantastically, after some of the hard months I wrote about in Grace.
Amazon.com:What lessons do you think you can pass on to others: to your readers, to your son? What lessons does it seem like people have to learn for themselves?
Lamott: All I have to offer is my own truth, my own experience, strength and hope. I can pass on the tool of a God Box, and how for 20 years I have been putting tiny notes in mine and promising God I will keep my sticky fingers off the controls until I hear God's wisdom: sometimes I get an answer because the phone rings, or the mail comes, but at any rate, during every single terrible problem and tragedy, I have been given enough guidance and stamina and even humor to bear up, and be transformed, for the good. I always tell Sam that if you want to make God laugh, tell Her your plans. I tell Sam that if he listens to his best thinking, he will suffer: and to listen to his heart instead, to listen in the silence, and to seek wise counsel.
Amazon.com: You've written nearly a dozen books (including an incredibly popular guide to writing): does writing get any easier? Does it get harder?
Lamott: In a very important way, writing gets easier, because I've been doing it full time now for thirty-plus years, and just as you would get better and better if you practiced your scales on a piano, I've gotten better, and can try harder and harder pieces. But writing is always hard. It does not come naturally to me at all. I sit down at the same time every day, which lets my subconscious realize it's time to get to work. I give myself very short assignments, and let myself write really terrible first drafts. But I grapple with the exact same problems every writer does, which is having equal proportions of self-loathing and grandiosity. I sort of live by the Nike ads: Just Do It. So I sit down. I show up. I do it by pre-arrangement with myself, because I know I'll feel sad and terrible if I shirk on that days writing. I do it as a debt of honor, to myself, and to whatever it is that has given me this gift of being able to tell stories, and to make people laugh. Laughter is carbonated holiness. Other people's good writing is medicine for me, and I hope mine is too, for my readers.
"Lamott has chronicled her wacky and (sometimes) wild adventures in faith in...the wonderful Grace (Eventually)." (Chicago Sun- Times)
In Grace (Eventually): Thoughts on Faith, the author of the bestsellers Traveling Mercies and Plan B delivers a poignant, funny, and bittersweet primer of faith, as we come to discover what it means to be fully alive.
Out of the Silent Planet (Space Trilogy, Book One)
by C.S. Lewis
from Scribner
The first book in C. S. Lewis's acclaimed Space Trilogy, which continues with Perelandra and That Hideous Strength, Out of the Silent Planet begins the adventures of the remarkable Dr. Ransom. Here, that estimable man is abducted by a megalomaniacal physicist and his accomplice and taken via spaceship to the red planet of Malacandra. The two men are in need of a human sacrifice, and Dr. Ransom would seem to fit the bill. Once on the planet, however, Ransom eludes his captors, risking his life and his chances of returning to Earth, becoming a stranger in a land that is enchanting in its difference from Earth and instructive in its similarity. First published in 1943, Out of the Silent Planet remains a mysterious and suspenseful tour de force.
The Call of the Wild (Aladdin Classics)
by Jack London
from Aladdin
First published in 1903, The Call of the Wild is regarded as Jack London's masterpiece. Based on London's experiences as a gold prospector in the Canadian wilderness and his ideas about nature and the struggle for existence, The Call of the Wild is a tale about unbreakable spirit and the fight for survival in the frozen Alaskan Klondike.
Einstein's Dreams
by Alan Lightman
from Vintage
If you liked the eerie whimsy of Italo Calvino's Invisible Cities, Steven Millhauser's Little Kingdoms, or Jorge Luis Borges's Labyrinths, you will love Alan Lightman's ethereal yet down-to-earth book Einstein's Dreams. Lightman teaches physics and writing at the Massachusetts Institute of Technology, helping bridge the light-year-size gap between science and the humanities, the enemy camps C.P. Snow famously called The Two Cultures.
Einstein's Dreams became a bestseller by delighting both scientists and humanists. It is technically a novel. Lightman uses simple, lyrical, and literal details to locate Einstein precisely in a place and time--Berne, Switzerland, spring 1905, when he was a patent clerk privately working on his bizarre, unheard-of theory of relativity. The town he perceives is vividly described, but the waking Einstein is a bit player in this drama.
The book takes flight when Einstein takes to his bed and we share his dreams, 30 little fables about places where time behaves quite differently. In one world, time is circular; in another a man is occasionally plucked from the present and deposited in the past: "He is agonized. For if he makes the slightest alteration in anything, he may destroy the future ... he is forced to witness events without being part of them ... an inert gas, a ghost ... an exile of time." The dreams in which time flows backward are far more sophisticated than the time-tripping scenes in Kurt Vonnegut's Slaughterhouse-Five, though science-fiction fans may yearn for a sustained yarn, which Lightman declines to provide. His purpose is simply to study the different kinds of time in Einstein's mind, each with its own lucid consequences. In their tone and quiet logic, Lightman's fables come off like Bach variations played on an exquisite harpsichord. People live for one day or eternity, and they respond intelligibly to each unique set of circumstances. Raindrops hang in the air in a place of frozen time; in another place everyone knows one year in advance exactly when the world will end, and acts accordingly.
"Consider a world in which cause and effect are erratic," writes Lightman. "Scientists turn reckless and mutter like gamblers who cannot stop betting.... In this world, artists are joyous." In another dream, time slows with altitude, causing rich folks to build stilt homes on mountaintops, seeking eternal youth and scorning the swiftly aging poor folk below. Forgetting eventually how they got there and why they subsist on "all but the most gossamer food," the higher-ups at length "become thin like the air, bony, old before their time."
There is no plot in this small volume--it's more like a poetry collection than a novel. Like Stephen Hawking's A Brief History of Time, it's a mind-stretching meditation by a scientist who's been to the far edge of physics and is back with wilder tales than Marco Polo's. And unlike many admirers of Hawking, readers of Einstein's Dreams have a high probability of actually finishing it.
A modern classic, Einstein’s Dreams is a fictional collage of stories dreamed by Albert Einstein in 1905, when he worked in a patent office in Switzerland. As the defiant but sensitive young genius is creating his theory of relativity, a new conception of time, he imagines many possible worlds. In one, time is circular, so that people are fated to repeat triumphs and failures over and over. In another, there is a place where time stands still, visited by lovers and parents clinging to their children. In another, time is a nightingale, sometimes trapped by a bell jar.
Now translated into thirty languages, Einstein’s Dreams has inspired playwrights, dancers, musicians, and painters all over the world. In poetic vignettes, it explores the connections between science and art, the process of creativity, and ultimately the fragility of human existence.
Perelandra (Space Trilogy, Book 2)
by C.S. Lewis
from Scribner
The second book in C. S. Lewis's acclaimed Space Trilogy, which also includes Out of the Silent Planet and That Hideous Strength, Perelandra continues the adventures of the extraordinary Dr. Ransom. Pitted against the most destructive of human weaknesses, temptation, the great man must battle evil on a new planet -- Perelandra -- when it is invaded by a dark force. Will Perelandra succumb to this malevolent being, who strives to create a new world order and who must destroy an old and beautiful civilization to do so? Or will it throw off the yoke of corruption and achieve a spiritual perfection as yet unknown to man? The outcome of Dr. Ransom's mighty struggle alone will determine the fate of this peace-loving planet.
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