Kafka, Franz

The Metamorphosis (Bantam Classics)

"When Gregor Samsa woke up one morning from  unsettling dreams, he found himself changed in his  bed into a monstrous vermin." With this  startling, bizarre, yet surprisingly funny first  sentence, Kafka begins his masterpiece, The  Metamorphosis. It is the story of a  young man who, transformed overnight into a giant  beetlelike insect, becomes an object of disgrace to  his family, an outsider in his own home, a  quintessentially alienated man. A harrowing -- though  absurdly comic -- meditation on human feelings of  inadequecy, guilt, and isolation, The  Metamorphosis has taken its place as one  of the mosst widely read and influential works of  twentieth-century fiction. As W.H. Auden wrote,  "Kafka is important to us because his predicament  is the predicament of modern man."

The Trial

The story of The Trial's publication is almost as fascinating as the novel itself. Kafka intended his parable of alienation in a mysterious bureaucracy to be burned, along with the rest of his diaries and manuscripts, after his death in 1924. Yet his friend Max Brod pressed forward to prepare The Trial and the rest of his papers for publication. When the Nazis came to power, publication of Jewish writers such as Kafka was forbidden; Kafka's writings, many of which have distinctively Jewish themes, did not find a broad audience until after World War II. (Hannah Arendt once observed that although "during his lifetime he could not make a decent living, [Kafka] will now keep generations of intellectuals both gainfully employed and well-fed.") Among the current crop of Kafka heirs is Breon Mitchell, the translator of this edition of The Trial. Rather than tidying up Kafka's unconventional grammar and punctuation (as previous translators have done), Mitchell captures the loose, uneasy, even uncomfortable constructions of Kafka's original story. His translation technique is the only way to convey the comedy and confusion of this narrative, in which Josef K., "without having done anything truly wrong," is arrested, tried, convicted and executed--on a charge that is never disclosed to him. --Michael Joseph Gross

Written in 1914, The Trial is one of the most important novels of the twentieth century: the terrifying tale of Josef K., a respectable bank officer who is suddenly and inexplicably arrested and must defend himself against a charge about which he can get no information. Whether read as an existential tale, a parable, or a prophecy of the excesses of modern bureaucracy wedded to the madness of totalitarianism, Kafka's nightmare has resonated with chilling truth for generations of readers. This new edition is based upon the work of an international team of experts who have restored the text, the sequence of chapters, and their division to create a version that is as close as possible to the way the author left it.

In his brilliant translation, Breon Mitchell masterfully reproduces the distinctive poetics of Kafka's prose, revealing a novel that is as full of energy and power as it was when it was first written.

The Complete Stories

How many writers get their own adjective? The work of this terminally alienated master narrator of the subconscious demanded a new descriptor; I guess they gave up and just settled on "Kafkaesque." But if you ever wonder what the original Kafkaesque work was, take a look here. The book contains all of Kafka's short and longer stories -- everything but his three novels. Most of these stories weren't even published during the author's lifetime. The widely-anthologized The Metamorphosis is here, wherein Gregor Samsa awakes from uneasy dreams to find himself insectoidally transformed, as are equally lovely pieces like A Hunger Artist, A Country Doctor and A Little Woman.

The only available collection that brings together all of Kafka's stories--those published during his lifetime and those released after his death.

The Metamorphosis

The Metamorphosis, first published in 1915, is the most famous of Kafka's works, along with The Trial and The Castle. The story begins when a traveling salesman, Gregor Samsa, wakes up to find himself transformed into a giant insect. Curiously, his condition does not arouse surprise in his family, who merely despise it as an impending burden. As with all of Kafka's works, The Metamorphosis is open to a wide range of interpretations. Most obvious are themes relating to society's treatment of those who are different, the loneliness of isolation, and the absurdity of the human condition. Newly designed and typeset in a modern 5.5-by-8.5-inch format by Waking Lion Press.

The Metamorphosis (Norton Critical Editions)

The Metamorphosis and Other Stories (Dover Thrift Editions)

The Castle: A new translation based on the restored text

They are perhaps the most famous literary instructions never followed: "Dearest Max, my last request: Everything I leave behind me ... in the way of diaries, manuscripts, letters (my own and others'), sketches, and so on, [is] to be burned unread...." Thankfully, Max Brod did not honor his friend Franz Kafka's final wishes. Instead, he did everything within his power to ensure that Kafka's work would find publication--including making some sweeping changes in the original texts. Until recently, the world has known only Brod's version of Kafka, with its altered punctuation, word order, and chapter divisions. Restoring much of what had previously been expunged, as well as the fluid, oral quality of Kafka's original German, Mark Harman's new translation of The Castle is a major literary event.

One of three unfinished novels left after Kafka's death, The Castle is in many ways the writer's most enduring and influential work. In Harman's muscular translation, Kafka's text seems more modern than ever, the words tumbling over one another, the sentences separated only by commas. Harman's version also ends the same way as Kafka's original manuscript--that is, in mid-sentence: "She held out her trembling hand to K. and had him sit down beside her, she spoke with great difficulty, it was difficult to understand her, but what she said--." For anyone used to reading Kafka in his artificially complete form, the effect is extraordinary; it is as if Kafka himself had just stepped from the room, leaving behind him a work whose resolution is the more haunting for being forever out of reach.

(Book Jacket Status: Jacketed)

Arriving in a village to take up the position of land surveyor for the mysterious lord of a castle, the character known as K. finds himself in a bitter and baffling struggle to contact his new employer and go about his duties. As the villagers and the Castle officials block his efforts at every turn, K.’s consuming quest–quite possibly a self-imposed one–to penetrate the inaccessible heart of the Castle and take its measure is repeatedly frustrated. Kafka once suggested that the would-be surveyor in The Castle is driven by a wish “to get clear about ultimate things,” an unrealizable desire that provided the driving force behind all of Kafka’s dazzlingly uncanny fictions.

Translated by Willa and Edwin Muir


From the Hardcover edition.

The Trial

A terrifying psychological trip into the life of one Joseph K., an ordinary man who wakes up one day to find himself accused of a crime he did not commit, a crime whose nature is never revealed to him. Once arrested, he is released, but must report to court on a regular basis--an event that proves maddening, as nothing is ever resolved. As he grows more uncertain of his fate, his personal life--including work at a bank and his relations with his landlady and a young woman who lives next door--becomes increasingly unpredictable. As K. tries to gain control, he succeeds only in accelerating his own excruciating downward spiral.

The Trial tells the terrifying tale of Joseph K., a respectable functionary in a bank who is suddenly arrested and must defend his innocence against a charge about which he can get no information. Whether read as an existential take, a parable, or a prophecy, this hauntingly believable story stands out as one of the great novels of our times. Kafka's unsurpassed nightmare vision rings with chilling truth as it foreshadows the excesses of modern bureaucracy wedded to the mad agendas of twentieth-century totalitarian regimes.

This definitive edition includes Kafka's own drawings as well as excerpts from his diaries during the period in which he wrote The Trial.

The Metamorphosis, In The Penal Colony, and Other Stories

Translated by PEN translation award-winner Joachim Neugroschel, The Metamorphosis, In the Penal Colony, and Other Stories has garnered critical acclaim and is widely recognized as the preeminent English-language anthology of Kafka's stories. These translations illuminate one of this century's most controversial writers and have made Kafka's work accessible to a whole new generation. This classic collection of forty-one great short works -- including such timeless pieces of modern fiction as "The Judgment" and "The Stoker" -- now includes two new stories, "First Sorrow" and "The Hunger Artist."

Best Short Stories (Dual-Language) (Dual-Language Book)