The Colony of Unrequited Dreams: A Novel
by Wayne Johnston
from Anchor
In 1949, Joseph Smallwood became the first premier of the newly federated Canadian province of Newfoundland. Predictably, and almost immediately, his name retreated to the footnotes of history. And yet, as Wayne Johnston makes plain in his epic and affectionate fifth novel, The Colony of Unrequited Dreams, Smallwood's life was endearingly emblematic, an instance of an extraordinary man emerging at a propitious moment. The particular charm of Johnston's book, however, lies not merely in unveiling a career that so seamlessly coincided with the burgeoning self-consciousness of Newfoundland itself, but in exposing a simple truth--namely, that history is no more than the accretion of lived lives.
Born into debilitating poverty, Smallwood is sustained by a bottomless faith in his own industry. His unabashed ambition is to "rise not from rags to riches, but from obscurity to world renown." To this end, he undertakes tasks both sublime and baffling--walking 700 miles along a Newfoundland railroad line in a self-martyring union drive; narrating a homespun radio spot; and endlessly irritating and ingratiating himself with the Newfoundland political machine. His opaque and constant incitement is an unconsummated love for his childhood friend, Sheilagh Fielding. Headstrong and dissolute, she weaves in and out of Smallwood's life like a salaried goad, alternately frustrating and illuminating his ambitions. Smallwood is harried as well by Newfoundland's subtle gravity, a sense that he can never escape the tug of his native land, since his only certainty is the island itself--that "massive assertion of land, sea's end, the outer limit of all the water in the world, a great, looming, sky-obliterating chunk of rock."
The Colony of Unrequited Dreams bogs down after a time in its detailing of Smallwood's many political intrigues and in the lingering matter of a mysterious letter supposedly written by Fielding. However, when he speculates on the secret motives of his peers, or when he reveals his own hyperbolic fantasies and grandiose hopes--matters no one would ever confess aloud--the novel is both apt and amiable. Best of all is to watch Smallwood's inevitable progress toward a practical cynicism. It seems nothing less than miraculous that his countless disappointments pave the way for his ascension, that his private travails ultimately align with the land he loves. This is history resuscitated. --Ben Guterson
A mystery and a love story spanning five decades, The Colony of Unrequited Dreams is an epic portrait of passion and ambition, set against the beautiful, brutal landscape of Newfoundland. In this widely acclaimed novel, Johnston has created two of the most memorable characters in recent fiction: Joey Smallwood, who claws his way up from poverty to become New Foundland's first premier; and Sheilagh Fielding, who renounces her father's wealth to become a popular columnist and writer, a gifted satirist who casts a haunting shadow on Smallwood's life and career.
The two meet as children at school and grow to realize that their lives are irreversibly intertwined, bound together by a secret they don't know they share. Smallwood, always on the make, torn between love of country and fear of failure, is as reluctant to trust the private truths of his heart as his rival and savior, Fielding--brilliant, hard-drinking, and unconventionally sexy. Their story ranges from small-town Newfoundland to New York City, from the harrowing ice floes of the seal hunt to the lavish drawing rooms of colonial governors, and combines erudition, comedy, and unflagging narrative brio in a manner reminiscent of John Irving and Charles Dickens. A tragicomic elegy for the "colony of unrequited dreams" that is Newfoundland, Wayne Johnston's masterful tribute to a people and a place establishes him as a novelist who is as profound as he is funny, with an impeccable sense of the intersection where private lives and history collide.
World of Wonders (Penguin Classics)
by Robertson Davies
from Penguin Classics
Hailed by the Washington Post Book World as “a modern classic,” Robertson Davies’s acclaimed Deptford Trilogy is a glittering, fantastical, cunningly contrived series of novels, around which a mysterious death is woven. World of Wonders—the third book in the series after The Manticore—follows the story of Magnus Eisengrim—the most illustrious magician of his age—who is spirited away from his home by a member of a traveling sideshow, the Wanless World of Wonders. After honing his skills and becoming better known, Magnus unfurls his life’s courageous and adventurous tale in this third and final volume of a spectacular, soaring work.
“Robertson Davies is one of the great modern novelists.”
—Malcolm Bradbury, The Sunday Times (London)
“Robertson Davies is a novelist whose books are thick and rich with humor, character and incident. They are plotted with skill and much flamboyance.” —The Observer (London)
The Custodian of Paradise: A Novel
by Wayne Johnston
from W. W. Norton
A Book-of-the-Month Club "Best Novel of 2007." "An absorbing patchwork narrative....Johnston may be the best of all the 21st century's neo-Victorian novelists."Kirkus Reviews, starred review
In the waning days of World War II, Sheilagh Fielding makes her way to a deserted island off the coast of Newfoundland. But she soon comes to suspect another presence: that of a man known only as her Provider, who has shadowed her for twenty years.
Against the backdrop of Newfoundland's history and landscape, Fielding is a compelling figure. Taller than most men and striking in spite of her crippled leg, she is both eloquent and subversively funny. Her newspaper columns exposing the foibles and hypocrisies of her native city, St. John's, have made many powerful enemies for her, chief among them the man who fathered her childrentwinswhen she was fourteen. Only her Provider, however, knows all of Fielding's secrets. Reading group guide included.
The Navigator of New York
by Wayne Johnston
from Anchor
Devlin Stead grows up a lonely orphan in late 19th century Newfoundland. When he begins receiving letters from the esteemed but mysterious explorer Dr. Frederick Cook, they entirely change his understanding of who he is and what he might become. Invited by Dr. Cook to become his apprentice, Dev eagerly heads for New York City, where he is introduced into society and joins his mentor in epic attempts to reach the North Pole before Cook’s archrival Robert Edwin Peary. When Dev is thrust into international controversy, he must master a series of revelations about his family that will determine his fate.
In spellbinding prose, the author of the acclaimed Colony of Unrequited Dreams recreates the romance, the politics and the peril of the legendary race for the North Pole. Brilliantly rooted in history, The Navigator of New York is a fascinating exploration of the quest for discovery, and how it is remembered.
Devlin Stead grows up a lonely orphan in late 19th century Newfoundland. When he begins receiving letters from the esteemed but mysterious explorer Dr. Frederick Cook, they entirely change his understanding of who he is and what he might become.
Invited by Dr. Cook to become his apprentice, Dev eagerly heads for New York City, where he is introduced into society and joins his mentor in epic attempts to reach the North Pole before Cook's archrival Robert Edwin Peary. When Dev is thrust into international controversy, he must master a series of revelations about his family that will determine his fate.
In spellbinding prose, the author of the acclaimed Colony of Unrequited Dreams recreates the romance, the politics and the peril of the legendary race for the North Pole. Brilliantly rooted in history, The Navigator of New York is a fascinating exploration of the quest for discovery, and how it is remembered.
"An ambitious, stately, far-flung and sometimes sly account of back-stabbing polar exploration... enjoyably exotic."
THE NEW YORK TIMES
"By the time he's finished describing this remarkable adventure, Johnston has braved the coldest spot on earth but delivered us to a place of genuine warmth."
CHRISTIAN SCIENCE MONITOR
"[Johnston] finds breathtaking poetry in the ice of the Arctic and rich drama in the politics of polar exploration."
NEW YORK DAILY NEWS
"A masterpiece... Johnston is a master plotter whose wise words sting and stab."
ENTERTAINMENT WEEKLY
"Beautiful, evocative... Johnston is an accomplished storyteller, with a gift for both description and character... Arctic exploration, first love, and family secrets blend perfectly."
BOOKLIST
The Divine Ryans
by Wayne Johnston
from Broadway
Nine-year-old Draper Doyle Ryan, sole male heir to the once-venerable Ryan name, seems an unlikely family savior. Harried by his own frantic hormones, flustered by his many insufficiencies, and beset by a cadre of oppressive relatives, about the only defense he has is an endlessly inventive imagination. It's a fine line between coming-of-age sentimentality and gratuitous high jinks Wayne Johnston walks in his pleasing novel The Divine Ryans; the result--a snapshot of that twilight between childhood befuddlement and mature disillusionment--is unexpected and deft.
Draper Doyle's life in Newfoundland, circa mid-1960s, is as constrained as it is colorful. Cooped up in one house with various family oddballs, he views the world from the bottom rungs of the ladder. Perpetually harangued by the frigid and imperious Aunt Phil (whose powers of humiliation reach their apex when she displays a pair of his urine-stained underwear on the kitchen bulletin board), and browbeaten by one smarmy, perverse uncle, Father Seymour, the boy retreats into consoling fantasy, fretful ruminations, and the friendship of his only ally, irreverent Uncle Reginald. When Phil employs a weary argument to shame Draper Doyle into finishing a meal, Reginald wonders aloud if bulletins were "being sent to the poor people of South America by the hour, keeping them up to date about what percentage of their food children of the Western world were eating." Draper Doyle is also haunted--literally--by the ghost of his father, a mystery whose painful resolution almost miraculously offers deliverance to both him and his mother.
What is most gratifying about The Divine Ryans is that it moves so effortlessly from the comic to the bittersweet, from the madcap to the revelatory. Johnston's Twainesque aptitude transmutes drollness and hyperbole into something larger: out of his young hero's absurd comic tangles, we sense a subject slowly grasping not only the shortcomings of those who love him, but also their many travails. The book's divine. --Ben Guterson
From the author of The Colony of Unrequited Dreams, "An absolute stunner--achingly funny, needle-sharp, and packing an unexpected wallop...the literary equivalent of a small-budget movie masterpiece with heart, soul, and brains"(Time Out).
The Ryans of St. John's, Newfoundland, are a large and deeply eccentric Irish-Catholic family in the dual business of newspaper-publishing and undertaking--"one-hundred years of digging up dirt of one kind or another," as Uncle Reginald puts it. Enough Ryans also become priests and nuns to earn them the sobriquet "Divine."
The youngest member of the family is nine-year-old Draper Doyle Ryan, whose passion for the Catholic Montreal Canadiens in their battles against the Protestant Toronto Maple Leafs is matched only by his perplexity over his recently deceased father's regular reappearances, hockey puck in hand, in the house next door. How he comes to make sense of these visitations, his gently screwy relatives, and his own burgeoning sexuality forms the matter of this droll, wise, and effortlessly funny coming-of-age novel.
Soon to be a major motion picture from the producer of Love and Death on Long Island, and starring Oscar®-nominee Pete Postlethwaite.
Human Amusements
by Wayne Johnston
from Anchor
Offering further evidence of his astounding range as a novelist, the bestselling author of The Colony of Unrequited Dreams and The Navigator of New York crafts a hilarious and moving paean to the dawn of the television age. Henry Prendergast grew up on television—not merely watching it, but starring in the wildly popular children’s show “Rumpus Room.” Cast in the roles of Bee Good and Bee Bad by his mother Audrey, the show’s creator, Henry came of age along with the new medium—one that would soon propel his family out Toronto’s middle-class life and into the tabloids.
Henry’s father Peter, a would-be novelist, refuses to have any part in his wife’s burgeoning television empire, but commits himself instead to the task of being a walking, talking—mostly scathing—reminder of the family’s “humble beginnings.” Then, on the heels of Rumpus Room, Audrey dreams up The Philo Farnsworth Show, loosely based on the life story of the young teen credited with inventing the tube and starring Henry in the lead role. Rapidly amassing a cult-like following of “Philosophers,” the show challenges the Prendergasts anew. Forced into increasing isolation by a fervent media, they must work harder than ever to not let success get the best of them.
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