Homes, A.M.

The Mistress's Daughter

The acclaimed writer A. M. Homes was given up for adoption before she was born. Her biological mother was a twenty-two-year-old single woman who was having an affair with a much older married man with a family of his own. The MistressÂ’s Daughter is the ruthlessly honest account of what happened when, thirty years later, her birth parents came looking for her. Homes relates how they initially made contact and what happened afterwards, and digs through the family history of both sets of her parents in a twenty-first-century electronic search for self. Daring, heartbreaking, and startlingly funny, HomesÂ’s memoir is a brave and profoundly moving consideration of identity and family.

Safety of Objects

Published to overwhelming critical acclaim, this extraordinary collection of short stories established A. M. Homes as one of the most provocative and daring writers of her generation. Here you'll find the cult classic "A Real Doll," the tale of a teenage boy's erotic obsession with his sister's favorite doll; "Adults Alone," which first introduced Paul and Elaine, the crack-smoking yuppie couple whose marriage careens out of control in Homes's novel Music for Torching; and "Looking for Johnny," in which a kidnapped boy, having failed his abductor's expectations, is returned home.

Brilliantly conceived, sharply etched, and exceptionally satisfying, these stories explore the American dream in ways you're not likely soon to forget. Working in Kodacolor hues, Homes offers an uncanny picture of a surreal suburbia-outrageous and utterly believable.

The End Of Alice

The narrator is Chappy, a pedophile who's been locked up in Sing Sing for 23 years. The tale alternates between Chappy's own story (both outside and inside of prison), and letters he receives from a 19-year-old girl who knows of Alice's fate and wants to start playing with 12-year-old boys. The girl's letters disturb Chappy, bringing his memories vividly to the fore. In prose that is both lyrical and horrifyingly direct, A.M. "Amy" Homes takes us into the minds of the correspondents. Chappy is bright, analytical, and reminiscent of Nabokov in the way he talks about his "Lolita." But the sex is graphic and often bizarre, and the author's tone is chilly, so it's not a book to be picked up lightly. As Daphne Merkin writes in the New York Times, it's a "splashy, not particularly likable book whose best moments are quietly observed and whose underlying themes are more serious than prurient."

Only a work of such searing, meticulously controlled brilliance couldprovoke such a wide range of visceral responses. Here is the incredible story of an imprisoned pedophile who is drawn into an erotically charged correspondence with a nineteen-year-old suburban coed. As the two reveal -- and revel in -- their obsessive desires, Homes creates in The End of Alice a novel that is part romance, part horror story, at once unnerving and seductive.

This Book Will Save Your Life

Since her debut in 1989, A. M. Homes has been among the boldest and most original voices of her generation, acclaimed for the psychological accuracy and unnerving emotional intensity of her storytelling. Her ability to explore how extraordinary the ordinary can be is at the heart of her touching and funny new novel, her first in six years. This Book Will Save Your Life is a vivid, uplifting, and revealing story about compassion, transformation, and what can happen if you are willing to lose yourself and open up to the world around you.

Faraway Places (Hawthorne Rediscovery)

Music for Torching

As Quentin Crisp used to say, "Don't keep up with the Joneses! Drag them down to your level!" This could be the motto of the suburbanites in A.M. Homes's fourth novel, Music for Torching. Homes has a subtle eye and ear for suburban reality, but beware: she is no mere satirist of what James Joyce called the "muddle crass." Behind each neat, bright lawn, vile lives writhe in darkness. On the surface, Paul and Elaine are conventionally competitive middle-aged, middle-class people with banal yearnings for French doors and a new deck. They have two strapping boys. Their neighbors Pat and George are prodigies of efficient family life. But alone with Elaine, Pat drops the Stepford Wife mask and stages loveless orgies atop the throbbing washer, amid the Downy and Fantastik and Bon Ami. Meanwhile, Paul beds a local wife and a sinister mistress. The nice old man down the street downloads Internet child porn. Local kids join the Boy Scouts and bite off teachers' fingers. It's all about lurid misery and false fronts: a minor character is named Claire Roth, surely alluding to the bitter relationship in Claire Bloom's Leaving a Doll's House and Philip Roth's I Married a Communist.

Paul and Elaine first popped up in Homes's collection The Safety of Objects, as a couple having the happiest night of their lives smoking crack while the kids are away. Their happiest night here is when they tip the barbecue and burn their house halfway down. The story proceeds with a nightmare zombie logic from there, with a funny-scary ironic tone. "Paul notices that the color of her eye shadow is Fiction, and her lipstick is called Sheer Fraud.... 'What happened to the dining-room table, Elaine? Why'd you chop it to pieces?'" he wonders. "The damage was irreparable," his wife replies. Homes describes nice people doing not-so-nice deeds in luminous, precise prose way better than Bret Easton Ellis, as well as Joyce Carol Oates, and occasionally within range of John Updike. But Homes is really the evil spawn of Grace Metalious and Quentin Tarantino. --Tim Appelo

As A.M. Homes's incendiary novel unfolds, the Kodacolor hues of the good life become nearly hallucinogenic.Laying bare th foundations of a marriage, flash frozen in the anxious entropy of a suburban subdivision, Paul and Elaine spin the quit terors of family life into a fantastical frenzy that careens out of control. From a strange and hilarious encounter with a Stepford Wife neighbor to an ill-conceived plan for a tattoo, to a sexy cop who shows up at all the wrong moments, to a housecleaning team in space suits, a mistress calling on a cell phone, and a hostage situationat a school, A.M. Homes creates characters so outrageously flawed and deeply human that thery are entriely believable.

In a Country of Mothers

No relationship is more charged than that between a psychotherapist and her patient—unless it is the relationship between a mother and her daughter. This disturbing literary thriller explores what happens when the line between those relationships blurs.

Jody Goodman enters psychotherapy with questions of career and love on her mind. But Claire Roth, her therapist, keeps changing the focus of their sessions to Jody's parentage—Jody was adopted; Claire gave up a baby for adoption who would now be exactly Jody's age. As the two women become increasingly involved, speculation turns into certainty, fantasy into fixation. Until suddenly it is no longer clear just which of them needs the other more—or with more terrifying consequences.

Jack

In Jack, A. M. Homes gives us a teenager who wants nothing more than to be normal—even if being normal means having divorced parents and a rather strange best friend. But when Jack’s father takes him out in a rowboat on Lake Watchmayoyo and tells his son he’s gay, nothing will ever be normal again. Out of Jack’s struggle to redefine what “family” means, A. M. Homes crafts a novel of enormous humor, charm, and resonance, the most convincing, funny, and insightful novel about adolescence since The Catcher in the Rye.

The Diary of a Rapist (New York Review Books Classics)

The 1960s: news of riots, war, unheard-of behavior, and rampant crime crowds the papers and the airwaves. Spurned by his wife at home and by superiors at work, Earl Summerfield hunkers down in his cramped San Francisco apartment and keeps a diary that is a scratched record of a world going to pieces. The words he overhears, the words he wants to say, swim in his head, turning into fantasies of ambition, love, and retribution. He is sorry for himself. He is angry at everyone. He takes to going out at night, slipping into other people's houses. He is looking for something, and he fixes on one woman.

Things You Should Know: A Collection of Stories

In this stunningly original collection, A. M. Homes writes with terrifying compassion about the things that matter most. Homes's distinctive narrative illuminates our dreams and desires, our memories and losses, and demonstrates how extraordinary the ordinary can be. With uncanny emotional accuracy, wit, and empathy, Homes takes us places we recognize but would rather not go alone.