Gibson, Graeme

The Bedside Book of Birds: An Avian Miscellany

In this stunning assemblage of words and images, novelist and avid birdwatcher Graeme Gibson has crafted an extraordinary tribute to the venerable relationship between humans and birds.

Birds have ever been the symbols of our highest aspirations. As divine messengers, symbols of our yearning for the heavens, or avatars of glorious song and colour, they have stirred our imaginations from the moment we first looked into the sky. Whether as the Christian dove, or Quetzalcoatl—the Aztec Plumed Serpent—or in Plato’s vision of the human soul growing wings and feathers, religion and philosophy have looked to birds as representatives of our better selves—that part of us not bound to the earth.

With the passion of a birdwatcher and hoarder of words, Gibson has spent fifteen years collecting the literary and artistic forms our affinity for birds has taken over the centuries. Birds appear again and again in mythology and folk tales, and in literature by writers as diverse as Ovid, Thomas Hardy, Kafka, Thoreau and T.S. Eliot. They’ve been omens, allegories, disguises and guides; they’ve been worshipped, eaten, feared and loved. Nor does Gibson forget the fascination they hold for science, as the Galapagos finches did for Darwin. Birds figure charmingly and tellingly in the work of such nature writers as Gilbert White, Peter Matthiessen, Farley Mowat and Barry Lopez.

Gorgeously illustrated, woven from centuries of human response to the delights of the feathered tribes, The Bedside Book of Birds is for anyone who is aware of birds, and for everyone who is intrigued by the artistic forms that humanity has created to represent its soul.

From The Bedside Book of Birds ~

Stevenson remembered the story of a monk who had been distracted from his copy-work by the song of a bird. He went into the garden to listen more closely, and when he returned, after what he thought were only a few minutes, he discovered that a century had gone by, that his fellow monks were dead and his ink had turned to dust. The song of the bird had given him a taste of Paradise, where an instant is as a hundred years of earthly time. Was the same true of time in hell, Stevenson asked himself.

Alberto Manguel

Last of the Curlews (New Canadian Library)

Pulitzer Prize-winning poet W.S. Merwin found this slim 1955 novel on a shelf in the house of friends, and, struck with the "plain, succinct evocation and beauty" of Fred Bodsworth's writing, suggested its reissue to a publisher. This is a quick, elegant, devastating read. The Eskimo curlew was a species of shorebird that migrated (and perhaps, in extremely small numbers, still migrates) south from arctic Canada every fall, in a flight that took it eastward across Canada, and then, after feeding, south over the Atlantic to South America--this latter journey nearly 2,500 miles of nonstop flight. The curlew was almost unique among shorebirds for its ability to make this grueling passage.

Bodsworth, a respected ornithologist, makes us care about his fictional bird protagonist--a lone curlew in search of a mate--while still cautiously riding the line between description and anthropomorphism. Of his curlew preparing for a mate, he writes: "He waited within the borders of his territory, flying in tightening circles and calling excitedly as the other bird came nearer. The female was coming. The three empty summers that the male had waited vainly and alone on his breeding territory were a vague, tormenting memory, now almost lost in a brain so keenly keyed to instinctive responses that there was little capacity for conscious thought or memory."

The demise of this species at the hands of hunters and hungry consumers was so rapid and thorough that the "millions that darkened the sky" in Newfoundland in the 1870s during their annual migration were reduced to only a few lone fliers by the 1890s. An afterword by Nobel Prize-winning physicist Murray Gell-Mann and line drawings by Abigail Rorer add context to this remarkable book. --Maria Dolan

The Eskimo curlew, which once made its migration from Patagonia to the Arctic in flocks so dense that they darkened the sky, was brought to the verge of extinction by the wanton slaughter of game-hunters.

Following the doomed search of a solitary curlew for a female of its kind, Fred Bodsworth’s novel is a haunting indictment of man’s destruction of the natural world.

Perpetual Motion

Set in southern Ontario in the late nineteenth century, at a time when the machine age was coming into its own, Perpetual Motion chronicles the fortunes of settler Robert Fraser, a man obsessed with power and control. Driven by the idea of inventing a perpetual motion machine which will utilize natural energy, he neglects and destroys not only the nature around him but his own family too, as his overbearing rationality becomes a kind of tragic lunacy.

First published in 1982, Perpetual Motion is Graeme Gibson’s superb evocation of a time when faith in material progress is still challenged by superstition and a lingering belief in magic. It is an ironic yet compassionate examination of the painful consequences of human folly.


From the Hardcover edition.

Five Legs

Five Legs and Communion

Gentleman Death

Meet novelist Robert Fraser as he comes face to face with creativity, his mortality, and the deaths of his father and brother. Set mainly in Toronto, the novel also takes us to London, Scotland, Germany, and New York as we follow the escapades of two of Fraser’s fictional characters. There is Simpson, called into service as an anonymous sperm donor, and Dunbar, an enigmatic tourist in Berlin just before the Chernobyl disaster, where he meets the captivating Lena, with whom he begins to sense an almost forgotten freedom and elation. But at the centre of Gentleman Death is Robert Fraser’s own compelling story. Gibson juxtaposes reality and fiction in this compassionate, sometimes outrageous, often very funny exploration of the absurdities and alarms of aging, the nature of fiction itself, and the maturity that grows from reconciliation.