Gibbons, Kaye

Ellen Foster

Oprah Book Club® Selection, October 1997: Kaye Gibbons is a writer who brings a short story sensibility to her novels. Rather than take advantage of the novel's longer form to paint her visions in broad, sweeping strokes, Gibbons prefers to concentrate on just one corner of the canvas and only a few colors to produce her small masterpieces. In Gibbons's case, her canvas is the American South and her colors are all the shades of gray.

In Ellen Foster, the title character is an 11-year-old orphan who refers to herself as "old Ellen," an appellation that is disturbingly apt. Ellen is an old woman in a child's body; her frail, unhappy mother dies, her abusive father alternately neglects her and makes advances on her, and she is shuttled from one uncaring relative's home to another before she finally takes matters into her own hands and finds herself a place to belong. There is something almost Dickensian about Ellen's tribulations; like Oliver Twist, David Copperfield or a host of other literary child heroes, Ellen is at the mercy of predatory adults, with only her own wit and courage--and the occasional kindness of others--to help her through. That she does, in fact, survive her childhood and even rise above it is the book's bittersweet victory.

"When I was little I would think of ways to kill my daddy. I would figure out this or that way and run it down through my head until it got easy." So begins the tale of Ellen Foster, the brave and engaging heroine of Kay Gibbons's first novel, which won the Sue Kaufman Prize from the American Academy of Institute of Arts and Letters. Wise, funny, affectionate, and true, Ellen Foster is, as Walker Percy called it, "The real thing. Which is to say, a lovely, sometimes heartwrenching novel. . . . [Ellen Foster] is as much a part of the backwoods South as a Faulkner character—and a good deal more endearing."

A Virtuous Woman (Oprah's Book Club)

Oprah Book Club® Selection, October 1997: Gibbons's novel, A Virtuous Woman, takes place in the same hardscrabble part of the world as Ellen Foster. The virtuous woman is Ruby Pitt Woodrow, a woman who might have ended up like Ellen Foster's mother if fate, in the shape of Jack Stokes, hadn't crossed her path. The daughter of prosperous farmers, Ruby runs off with a migrant worker who treats her badly, then abandons her far from home. When she meets Jack, a man 20 years her senior, she's working as a cleaning woman in another prosperous farmer's house. Jack is a man women don't look at even once, let alone twice; Ruby is a woman who needs someone to take care of her. Out of this unlikely union grows a quiet kind of love that is no less powerful for being unstated.

Ellen Foster and A Virtuous Woman share more than just location and a few characters in common. Though each is a complete novel in and of itself, taken together the two books resonate one another: Ellen Foster and Ruby Pitt Woodrow are both damaged people who find the kind of love they need to heal. These multilayered novels are tough-minded and resolutely unsentimental, just like their protagonists. Yet like Ellen and Ruby, each contains a nut of sweetness at its core that takes the bitter edge off the hard lives and hard stories Kaye Gibbons has to tell.

When Blinking Jack Stokes met Ruby Pitt Woodrow, she was twenty and he was forty. She was the carefully raised daughter of Carolina gentry and he was a skinny tenant farmer who had never owned anything in his life. She was newly widowed after a disastrous marriage to a brutal drifter. He had never asked a woman to do more than help him hitch a mule. They didn't fall in love so much as they simply found each other and held on for dear life.

Kaye Gibbons's first novel, Ellen Foster, won the Sue Kaufman Prize for First Fiction from the American Academy and Institute of Arts and Letters and the praise of writers from Walker Percy to Eudora Welty. In A Virtuous Woman, Gibbons transcends her early promise, creating a multilayered and indelibly convincing portrait of two seemingly ill-matched people who somehow miraculously make a marriage.

Charms for the Easy Life (P.S.)

A family without men, the Birches live gloriously offbeat lives in the lush, green backwoods of North Carolina. Radiant, headstrong Sophia and her shy, brilliant daughter, Margaret, possess powerful charms to ward off loneliness, despair, and the human misery that often beats a path to their door. And they are protected by the eccentric wisdom and muscular love of the remarkable matriarch Charlie Kate, a solid, uncompromising, self-taught healer who treats everything from boils to broken bones to broken hearts.

Sophia, Margaret, and Charlie Kate find strength in a time when women almost always depended on men, and their bond deepens as each one experiences love and loss during World War II. Charms for the Easy Life is a passionate, luminous, and exhilarating story about embracing what life has to offer ... even if it means finding it in unconventional ways.

The Awakening and Other Stories (Modern Library Classics)

The Awakening shocked turn-of-the-century readers with its forthright treatment of sex and suicide. Departing from literary convention, Kate Chopin failed to condemn her heroine's desire for an affair with the son of a Louisiana resort owner, whom she meets on vacation. The power of sensuality, the delusion of ecstatic love, and the solitude that accompanies the trappings of middle- and upper-class life are the themes of this now-classic novel. As Kaye Gibbons points out in her Introduction, Chopin "was writing American realism before most Americans could bear to hear that they were living it."

This Modern Library Paperback Classics edition includes selected stories from Chopin's Bayou Folk and A Night in Acadie.

The Life All Around Me By Ellen Foster

The cynical view of Kaye Gibbons's The Life All Around Me by Ellen Foster would be that the Poor Little Match Girl has morphed into Cinderella. Ellen Foster, a book anointed by Oprah's Book Club®, was the tale of young Ellen, daughter of a neurasthenic twit of a mother and a drunken abusive father, who was tossed out of her wicked aunt's home on Christmas Day (Shades of Dickens!). Plucky Ellen fetcheed up at the doorstep of her chosen foster mother and life settled down.

This book begins with a too cute, aggressively innocent letter to Derek Bok, President of Harvard University, asking for early admission. Now that Ellen is 15, she believes that she is ready for a larger world, a better education and a different life. That pursuit becomes an incidental subtext to ongoing events. The next two-thirds of the book feels experimental, with a jumpy, jerky style, information left out, information left in that goes nowhere--not easy reading. Then, Gibbons takes control of her story and turns everything upside down, in Ellen's favor.

There are some priceless exchanges in the book. Regarding an insight that comes to one for the first time: "It didn't matter if a thousand scholars studied how Madame Bovary probably wouldn't have had to rot from the inside if she'd read better books in her girlhood, if the idea strikes you in Baltimore in a room full of people who say they already know, my theory is it's still your personal view." And this, when she is annoying her friend, Stuart: "Stuart, I said, I never know what to do when you decide to let me in on an argument you've been having for us."

So, what does all of this add up to? A good, not great, sequel to the quite good Ellen Foster that is only an adjective away from mawkishness and sentimentality. If we adopt the aforementioned cynical view, the story becomes a treacly fable where the good prevail--and even get rich. A more generous view is that Ellen has suffered enough and it's her turn. Read it and take your pick. --Valerie Ryan

A Cure for Dreams

In her novels Ellen Foster and A Virtuous Woman, Kaye Gibbons has compiled what one critic has called "a fictional oral history of female wishes [and] hopes." That tradition continues in A Cure for Dreams, a richly woven story that traces the bonds between four generations of Southern women through stories passed from mother to daughter to granddaughter. Gibbons shows us shrewd, resourceful women prevailing over hard times and heartless men and finding unexpected pleasures along the way: gossip, gambling, and the quiet satisfaction of knowing more than they're supposed to.

Divining Women (P.S.)

Autumn 1918. Rumors of peace are spreading across America, but spreading even faster are the first cases of Spanish influenza, whispering of the epidemic to come. Maureen Ross, well past a safe childbearing age, is experiencing a difficult pregnancy. Her husband, Troop -- cold and careless of her condition -- has battered her spirit throughout their marriage. Into this loveless ménage arrives Troop's niece, Mary Oliver, who has come to help Maureen in the last weeks of her confinement. Horrified by Troop's bullying, she realizes that her true duty is to protect her aunt.

As the influenza spreads and the death toll grows, Troop's spiteful behavior worsens. He terrorizes the household, but when Mary fights back he begins to go over the edge. Maureen rallies, releasing a stunning thunderstorm of confrontation and, ultimately, finding spiritual renewal.

On the Occasion of My Last Afternoon: A Novel (P.S.)

Everyone who read Charles Frazier's Cold Mountain should consider reading Kaye Gibbons's On the Occasion of My Last Afternoon, the poetically charged fictional reminiscences of Emma Garnet Tate Lowell, child of Virginia's Seven Oaks plantation, from 1842-1900. For one thing, it was Frazier's already-published friend Gibbons who, with his wife's connivance, pried Cold Mountain from his grip and got it into publishers' hands.

But beyond their Civil War settings--a first for Gibbons, who's noted for 20th-century tales--the two books share resonant Southern literary accents, characters with similarly obstinate responses to enormous grief, and a shivery sense of history's stark shadow falling across everyday events. Oprah Winfrey twice recommended Gibbons's fiction (Ellen Foster and A Virtuous Woman), and Walker Percy compared her to Faulkner. Probably Oprah liked Gibbons's heroines for their plucky refusal to buckle under oppression--a trait shared by Gibbons herself, who triumphed over the manic-depression that drove her mother to suicide.

Our heroine, Emma, quakes under the tyranny of her plantation daddy, Samuel P. Tate, who slits the throat of a slave who talks back to him and just might do the same to his half-dozen children. There is no enormity of which he is incapable, this bellowing Simon Legree with an autodidact's education and a self-made man's bottomless urge to rise above his raising. He is, as he might have thunderingly put it, "a pluperfect son of Satan." Only Clarice, the matriarchal slave and true ruler of the household, can fight Samuel Tate to a verbal draw and prevent slave uprisings on the eve of war. Clarice helps save Emma, as does her impeccable swain Dr. Quincy Lowell, who sweeps in like a cool Boston breeze to dispel the dismal tidewater miasma.

The war, alas, brings a tsunami of blood, forcing Dr. Lowell to make Emma a de facto battlefield surgeon--an occasion he recognizes by fashioning a bit of commemorative jewelry for her from a dead man's silver filling and inscribing the date with a finger-amputation tool. One aspect of Gibbons's Frazieresque orgy of historical research is an authentic feel for the grotesqueries of the period. She can be amusing, too: the "aggressively plain in the face" Miss McKimmon--a fanged Raleigh socialite who's mean to Emma--is said to have arrived at a party and "effused through the front door and into the arms of everyone simultaneously." On the audiocassette version of On the Occasion of My Last Afternoon, you can hear the proper way to pronounce "effused" for maximum satirical violence.

One craves for Emma's hubby and daddy to swap five percent of each others' respectively perfect and perfectly awful souls--the book is not big on startling character revelations. What makes it work, despite its lack of moral shading and narrative guile, is the grace and rumbling life of the narrator's language. On the Occasion of My Last Afternoon, which has its sometimes anachronistically enlightened head in the New South and its feet firmly planted in the past, deserves a place next to Russell Banks's John Brown novel Cloudsplitter. At points, it reads like a smarter, nonracist Gone with the Wind, only less windy. --Tim Appelo

Emma Garnet Tate Lowell, a plantation owner's daughter, grows up in a privileged lifestyle, but it's not all roses. Her family's prosperity is linked to the institution of slavery, and Clarice, a close and trusted family servant, exposes Emma to the truth and history of their plantation and how it brutally affected the slave population.

Her father, Samuel P. Tate, has an aggressive and overpowering persona that intimidates many people -- including Emma. But she refuses to conform to his ideals and marries a prominent young doctor. Together they face the horrors of the Civil War, nursing wounded soldiers, as Emma begins the long journey toward her own recovery from the terrible forces that shaped her father's life.

Sights Unseen: A Novel (P.S.)

The acclaimed New York Times bestselling author of Ellen Foster,Kaye Gibbons paints intimate family portraits in lyrical prose, using as her palette the rich, vibrant colors of the American South. Sights Unseen shows the author at her most passionate and heartfelt best -- an unforgettable tale of unconditional love, and of a family's desperate search for normalcy in the midst of mental illness. It is a novel of rare poignancy, wit, and evocative power -- the story of the relationship between Hattie Barnes and her emotionally elusive mother, Maggie, known by their neighbors as "that Barnes woman with all the problems."

Christmas in the South: Holiday Stories from the South's Best Writers

Last year's bestselling anthology of outstanding stories and original watercolors A Very Southern Christmas was an instant hit. This year we are pleased to present another stellar collection of short fiction that encourages us to celebrate and meditate on the meaning of the holiday season.

Christmas in the South reminds us of the multitude of emotions that arise as December approaches and the shopping days decrease, as anticipations and hopes rise about reunions, renewed vows, charity, and the perfect present. This year's anthology includes some of the South's finest contemporary fiction writers: Doris Betts, Larry Brown, Ellen Douglas, Michael Knight, Clyde Edgerton, Gail Godwin, Jill McCorkle, Carolyn Haines, Silas House, and Donald Harington. Accompanied by Wyatt Waters's vibrant watercolors commissioned specifically for this collection, this beautiful volume, like its predecessor, promises to be a treasured keepsake.