Ragtime: A Novel
by E.L. Doctorow
from Random House Trade Paperbacks
Published in 1975, Ragtime changed our very concept of what a novel could be. An extraordinary tapestry, Ragtime captures the spirit of America in the era between the turn of the century and the First World War.
The story opens in 1906 in New Rochelle, New York, at the home of an affluent American family. One lazy Sunday afternoon, the famous escape artist Harry Houdini swerves his car into a telephone pole outside their house. And almost magically, the line between fantasy and historical fact, between real and imaginary characters, disappears. Henry Ford, Emma Goldman, J. P. Morgan, Evelyn Nesbit, Sigmund Freud, and Emiliano Zapata slip in and out of the tale, crossing paths with Doctorow's imagined family and other fictional characters, including an immigrant peddler and a ragtime musician from Harlem whose insistence on a point of justice drives him to revolutionary violence.
The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foundation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hardbound editions of important works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torch-bearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inaugurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.
The March: A Novel
by E.L. Doctorow
from Random House Trade Paperbacks
As the Civil War was moving toward its inevitable conclusion, General William Tecumseh Sherman marched 60,000 Union troops through Georgia and the Carolinas, leaving a 60-mile-wide trail of death, destruction, looting, thievery and chaos. In The March, E.L. Doctorow has put his unique stamp on these events by staying close to historical fact, naming real people and places and then imagining the rest, as he did in Ragtime.
Recently, the Civil War has been the subject of novels by Howard Bahr, Michael Shaara, Charles Frazier, and Robert Hicks, to name a few. Its perennial appeal is due not only to the fact that it was fought on our own soil, but also that it captures perfectly our long-time and ongoing ambivalence about race. Doctorow examines this question extensively, chronicling the dislocation of both southern whites and Negroes as Sherman burned and destroyed all that they had ever known. Sherman is a well-drawn character, pictured as a crazy tactical genius pitted against his West Point counterparts. Doctorow creates a context for the march: "The brutal romance of war was still possible in the taking of spoils. Each town the army overran was a prize... There was something undeniably classical about it, for how else did the armies of Greece and Rome supply themselves?"
The characters depicted on the march are those people high and low, white and black, whose lives are forever changed by war: Pearl, the newly free daughter of a white plantation owner and one of his slaves, Colonel Sartorius, a competent, remote, almost robotic surgeon; several officers, both Union and Confederate; two soldiers, Arly and Will, who provide comic relief in the manner of Shakespeare's fools until, suddenly, their roles are not funny anymore.
Doctorow has captured the madness of war in his description of the condition of a dispossessed Southern white woman: "What was clear at this moment was that Mattie Jameson's mental state befitted the situation in which she found herself. The world at war had risen to her affliction and made it indistinguishable." And later, " This was not war as adventure, nor war for a solemn cause, it was war at its purest, a mindless mass rage severed from any cause, ideal, or moral principle."
As we have come to expect, Doctorow puts the reader in the picture; never more so than in recalling "The March" and letting us see it as a cautionary tale for our times. --Valerie Ryan
WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD
WINNER OF THE PEN/FAULKNER AWARD
NEW YORK TIMES BESTSELLER
“E. L. Doctorow [is] always astonishing. . . . In The March, he dreams himself backward from The Book of Daniel to Ragtime to The Waterworks to the Civil War, into the creation myth of the Republic itself, as if to assume the prophetic role of such nineteenth-century writers as Emerson, Melville, Whitman, and Poe.”–John Leonard, Harper’s
In 1864, Union general William Tecumseh Sherman marched his sixty thousand troops through Georgia to the sea, and then up into the Carolinas. The army fought off Confederate forces, demolished cities, and accumulated a borne-along population of freed blacks and white refugees until all that remained was the dangerous transient life of the dispossessed and the triumphant. In E. L. Doctorow’s hands the great march becomes a floating world, a nomadic consciousness, and an unforgettable reading experience with awesome relevance to our own times.
“An Iliad-like portrait of war as a primeval human affliction . . . [welds] the personal and the mythic into a thrilling and poignant story.”
–Michiko Kakutani, The New York Times
“Splendid . . . carries us through a multitude of moments of wonder and pity, terror and comedy . . . with an elegiac compassion and prose of a glittering, swift-moving economy.” –John Updike, The New Yorker
The Book of Daniel: A Novel
by E.L. Doctorow
from Random House Trade Paperbacks
The central figure of this novel is a young man whose parents were executed for conspiring to steal atomic secrets for Russia.
His name is Daniel Isaacson, and as the story opens, his parents have been dead for many years. He has had a long time to adjust to their deaths. He has not adjusted.
Out of the shambles of his childhood, he has constructed a new life—marriage to an adoring girl who gives him a son of his own, and a career in scholarship. It is a life that enrages him.
In the silence of the library at Columbia University, where he is supposedly writing a Ph.D. dissertation, Daniel composes something quite different.
It is a confession of his most intimate relationships—with his wife, his foster parents, and his kid sister Susan, whose own radicalism so reproaches him.
It is a book of memories: riding a bus with his parents to the ill-fated Paul Robeson concert in Peekskill; watching the FBI take his father away; appearing with Susan at rallies protesting their parents’ innocence; visiting his mother and father in the Death House.
It is a book of investigation: transcribing Daniel’s interviews with people who knew his parents, or who knew about them; and logging his strange researches and discoveries in the library stacks.
It is a book of judgments of everyone involved in the case—lawyers, police, informers, friends, and the Isaacson family itself.
It is a book rich in characters, from elderly grand- mothers of immigrant culture, to covert radicals of the McCarthy era, to hippie marchers on the Pen-tagon. It is a book that spans the quarter-century of American life since World War II. It is a book about the nature of Left politics in this country—its sacrificial rites, its peculiar cruelties, its humility, its bitterness. It is a book about some of the beautiful and terrible feelings of childhood. It is about the nature of guilt and innocence, and about the relations of people to nations.
It is The Book of Daniel.
From the Hardcover edition.
The Secret Agent: Centennial Editon (Signet Classics)
by Joseph Conrad
from Signet Classics
Inspired by an actual attempt in 1894 to blow up London's Greenwich Observatory, here is a chillingly prophetic examination of contemporary terrorism-and the literary precursor to today's espionage thriller.
The Secret Agent (1907) is a compelling tale of espionage and terrorism set in Edwardian London. This new edition is based on a painstaking comparison of the original manuscript of the work.
Arrowsmith
by Sinclair Lewis
from Signet Classics
As the son and grandson of physicians, Sinclair Lewis had a store of experiences and imparted knowledge to draw upon for Arrowsmith.Published in 1925, after three years of anticipation, the book follows the life of Martin Arrowsmith, a rather ordinary fellow who gets his first taste of medicine at 14 as an assistant to the drunken physician in his home town. It is Leora Tozer who makes Martin's life extraordinary. With vitality and love, she urges him beyond the confines of the mundane to risk answering his true calling as a scientist and researcher. Not even her tragic death can extinguish her spirit or her impact on Martin's life.
Martin Arrowsmith is a physician who is a seeker of truth after he is forced to give up successive jobs.
The Call of the Wild, White Fang & To Build a Fire (Modern Library Classics)
by Jack London
from Modern Library
Fiction        U.S.A. $7.95
Canada $10.95
To this day Jack London is the most widely read American writer in the world," E. L. Doctorow wrote in The New York Times Book Review. Generally considered to be London's greatest achievement, The Call of the Wild brought him international acclaim when it was published in 1903. His story of the dog Buck, who learns to survive in the bleak Yukon wilderness, is viewed by many as his symbolic autobiography. "No other popular writer of his time did any better writing than you will find in The Call of the Wild," said H. L. Mencken. "Here, indeed, are all the elements of sound fiction."
        White Fang (1906), which London conceived as a "complete antithesis and companion piece to The Call of the Wild," is the tale of an abused wolf-dog tamed by exposure to civilization. Also included in this volume is "To Build a Fire," a marvelously desolate short story set in the Klondike, but containing all the elements of a classic Greek tragedy.
        "The quintessential Jack London is in the on-rushing compulsive-ness of his northern stories," noted James Dickey. "Few men have more convincingly examined the connection between the creative powers of the individual writer and the unconscious drive to breed and to survive, found in the natural world. . . . London is in and committed to his creations to a degree very nearly unparalleled in the composition of fiction."
Billy Bathgate
by E. L. Doctorow
from Plume
In the Bronx of the 1930s, 15-year-old Billy Bathgate hooks up with a legendary mobster, Dutch Schultz. Schultz becomes an unlikely surrogate parent to the boy, introducing him to the ways of the world and training Billy to follow in his footsteps. After Billy falls for Schulz's latest girlfriend, he begins to question the actions of the mob he was so eager to join. As he seeks to protect the young woman, he gains strength in following his own heart and makes a courageous passage from boyhood to adulthood. E.L Doctorow won the 1990 PEN/Faulkner Award for this novel.
In 1930's New York, Billy Bathgate, a fifteen-year-old high-school dropout, has captured the attention of infamous gangster Dutch Schultz, who lures the boy into his world of racketeering. The product of an East Bronx upbringing by his half-crazy Irish Catholic mother, after his Jewish father left them long ago, Billy is captivated by the world of money, sex, and high society the charismatic Schultz has to offer. But it is also a world of extortion, brutality, and murder, where Billy finds himself involved in a dangerous affair with Schultz's girlfriend. Relive this story through the title character's driving narrative, a child's thoughts and feelings filtered through the sensibilities of an adult, and the result is E.L. Doctorow's most convincing and appealing portrayal of a young boy's life. Converging mythology and history, one of America's most admired authors has captured the romance of gangsters and criminal enterprise that continues to fascinate the American psyche today.
City of God
by E. L. Doctorow
from Plume
You want ambition? E.L. Doctorow's City of God starts off not merely with a bang but with the big bang itself, that "great expansive flowering, a silent flash into being in a second or two of the entire outrushing universe." It doesn't, to be sure, remain on this cosmic plane throughout. There's a mystery here, along with a romance, a chilling Holocaust narrative, and a deep-focus portrait of fin-de-siècle Manhattan--not to mention cameo appearances by that Holy Trinity of contemporary mythmaking: Albert Einstein, Ludwig Wittgenstein, and Frank Sinatra. But while the author of Ragtime and Billy Bathgate is no slacker when it comes to entertainment, he has more in mind this time around. Even the title, with its Augustinian overtones, tips us off to the author's preoccupation with belief, human consciousness, and "our wrecked romance with God."
Let's return, however, to that mystery. In the early pages of the novel, an enormous brass cross is pilfered from a church on the Lower East Side. Father Thomas Pemberton of St. Timothy's promptly sets off in search of it, dubbing himself the Divinity Detective. Yet he suspects from the start that this is no ordinary theft, with no ordinary solution:
So now these people, whoever they are, have lifted our cross. It bothered me at first. But now I'm beginning to see it differently. That whoever stole the cross had to do it. And wouldn't that be blessed? Christ going where He is needed?Where He seems to be needed is the opposite side of the ecumenical aisle. The cross turns up on the roof of the Synagogue for Evolutionary Judaism, a tiny Manhattan institution to which Pemberton has clearly been led by fate. His encounter with the synagogue's rabbinical duo--a husband-and-wife team struggling to reclaim a pre-scriptural state of "unmediated awe"--transforms his life. It also destroys what's left of his conventional Christian belief. Augustine's spin on original sin, for example, now strikes him as "a nifty little act of deconstruction--passing it on to the children, like HIV." And as his relationship with Judaism deepens, he discards the clerical collar altogether and embarks upon a penitential exploration of the Holocaust--which in turn allows Doctorow to loop his narrative back and forth between several generations of (mostly) Jew and Gentile.
Astonishingly enough, the foregoing only scratches the surface of City of God. This marvelous hybrid also includes a metafictional framework (i.e., an author-as-character with a rather Doctorovian resume), an ongoing rumination on city life, and a dozen other major strands and minor players. There are, not surprisingly, a number of misfires. For example, Doctorow has long been interested in the power of American popular song--in the way that, say, Gershwin's work has come to function as a kind of secular hymnal. Yet the author's postmodernist variations on the standards, which appear at regular intervals throughout the novel under the ominous rubric of "The Midrash Jazz Quartet Plays the Standards," are jaw-droppingly awful. One might also argue that the book is too centrifugal, too devoted to the storytelling principle of the big bang. Still, there is an undeniable power to the way Doctorow makes his fictional worlds collide, setting off all manner of historical and philosophical conflagrations. At one point he imagines "the totality of intimate human narrations / composing a hymn to enlightenment / if that were possible." A tall order, yes. But despite its occasional longueurs, City of God suggests that it's possible indeed. --James Marcus
With brilliant and audacious strokes, the author of Ragtime and Billy Bathgate creates a breathtaking collage of memories, events, visions, and provocative thought, all centered on the idea of a modern reality of God. At the heart of this stylistically daring and dazzling inventive tour-de-force is a riveting detective story about a cross that vanishes from a Lower-East-Side church, only to reappear on the roof of an Upper-West-Side synagogue. Intrigued by the mystery-and by the Episcopal priest and female rabbi who investigate the strange desecration-is a well-known novelist whose capacious brain is a virtual repository for the ideas and disasters of the age.
Employing a multi-voiced narrative that perfectly captures the riffs and rhythms of latter-day New York, then broadens to implicate a cast of characters including scientists, war veterans, prelates, Holocaust survivors, cabinet members, theologians, filmmakers, and crooners, City of God is E. L. Doctorow's most ambitious and intensely personal work. Vast in scope, biblical in tone, it is a monumental work of spiritual reflection, philosophy, and history by America's preeminent novelist and chronicler of our time.
Welcome to Hard Times: A Novel
by E.L. Doctorow
from Random House Trade Paperbacks
Hard Times is the name of a town in the barren hills of the Dakota Territory. To this town there comes one day one of the reckless sociopaths who wander the West to kill and rape and pillage. By the time he is through and has ridden off, Hard Times is a smoking ruin. The de facto mayor, Blue, takes in two survivors of the carnage–a boy, Jimmy, and a prostitute, Molly, who has suffered unspeakably–and makes them his provisional family. Blue begins to rebuild Hard Times, welcoming new settlers, while Molly waits with vengeance in her heart for the return of the outlaw. Here is E. L. Doctorow’s debut novel, a searing allegory of frontier life that sets the stage for his subsequent classics.
“A forceful, credible story of cowardice and evil.”
–The Washington Post
“We are caught up with these people as real human beings.”
–Chicago Sun-Times
“Dramatic and exciting.”
–The New York Times
“Terse and powerful.”
–Newsweek
“A taut, bloodthirsty read.”
–The Times Literary Supplement
“A superb piece of fiction.”
–The New Republic
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