Apollinaire, Guillaume

LA Poesie: Guide De Lecture : Pour LA Preparation De 2008 L'Examen De Litterature

Study guide for the poetry section of the French Literature Advance Placement Exam. Updated for 2008 examination.

Alcools: Poems (Wesleyan Poetry)

Alcools, first published in 1913 and one of the few indispensable books of twentieth- century poetry, provides a key to the century's history and consciousness. Champion of "cubism", Guillaume Apollinaire (1880-1918) fashions in verse the sonic equivalent of what Picasso accomplishes in his cubist works: simultaneity. Apollinaire has been so influential that without him there would have been no New York School of poetry and no Beat Movement. This new translation reveals his complex, beautiful, and wholly contemporary poetry. Printed with the original French on facing pages, this is the only version of this seminal work of French Modernism currently available in the United States.

Calligrammes: Poems of Peace and War (1913-1916)

A fully annotated, bilingual edition, Calligrammes is a key work not only in Apollinaire's own development but in the evolution of modern French poetry. Apollinaire--Roman by birth, Polish by name (Wilhelm-Apollinaris de Kostrowitski), Parisian by choice--died at thirty-eight in 1918. Nevertheless, he became one of the leading figures in twentieth-century poetry, a transitional figure whose work at once echoes the Symbolists and anticipates the work of the Surrealists.

Poet Assassinated, The

Apollinaire was modernism's first champion, and after his early death in 1918, he became its first saint. Lying in a hospital bed in 1915, recovering from combat wounds suffered in World War I, Apollinaire assembled the fragments of a tragicomic, mock-epic, and occasionally obscene autobiography-a-clef: The Poet Assassinated. This novella recounts the life and death of Croniamantal, whose birth is "saluted" by the Eiffel Tower's "beautiful erection," who rises through the Parisian literary world to proclaim himself "the greatest of living poets," and who is then torn to pieces by a mob. A statue built "out of nothing, like poetry and glory," is constructed in his honor. This translation is by Matthew Josephson, an American editor who arrived in Paris just after the war and entered the circle of avant-garde artists and poets that had been galvanized by Apollinaire's life and death. Josephson was among the first to introduce these dadaists and surrealists to the U.S. via his archetypal small magazine, Broom, and among his most ambitious projects was this translation, published by Broom as a limited edition book in 1923 and never since reprinted.

Bestiary: Or the Parade of Orpheus

An early and influential champion of cubism, the friend of Braque, Picasso, Dufy, Rousseau and Marie Laurencin (who became his mistress), Apollinaire was a seminal figure in the revolutionary art style known as "Surrealism," a term that he coined some seven years before Breton formally founded the movement.

In this charming book, published in 1910 and embellished with the graphically sophisticated and totally appropriate woodcuts of Dufy, we find the poet at his most accessible. His quatrains, printed in Dante italic and felicitously translated by Pepe Karmel, present a voice that ranges from the colloquial to the impassioned, a brisk combination of lyric imagery and bawdy humor (not surprising for a poet who, after a pious adolescence, supported himself by writing pornography). This is a small bijou of a livre de peintre, a lovely and lively ensemble of accessible poetry and striking woodcut art.

The Self-Dismembered Man: Selected Later Poems of Guillaume Apollinaire (Wesleyan Poetry)

Guillaume Apollinaire's final years exactly coincided with the clamorous advent of European Modernism and with the cataclysms of WWI. In The Self-Dismembered Man, poet Donald Revell offers new English translations of the most powerful poems Apollinaire wrote during those years: poems of nascent surrealism, of combat and of war-weariness. Here, too, is Apollinaire's last testament, "The Pretty Redhead," a farewell to the epoch that he--as poet, convict, art-critic, artilleryman and boulevardier--did so much to conjure and sustain until his death on Armistice Day in 1918. Readers of Apollinaire's more familiar early work, Alcools (Wesleyan, 1995), will find here a darker and yet more tender poet, a poet of the broken world who shares entirely the world's catastrophe even as he praises to the end its glamour and its strange innocence. This English translation, facing the original French, illuminates Apollinaire's crucial and continuing influence on the European and American avant-garde. The volume includes a short translator's preface.

Caligramas

Calligrams

La femme assise: Chronique de France et d'Amérique

Apollinaire Obra Poetica - 2 Tomos